The lyrics of "The Pan Within" by The Waterboys invite the listener on a journey of self-discovery and introspection. The imagery of going beneath the skin suggests delving deep into one's innermost thoughts and emotions. The reference to Pan, a Greek god associated with nature, wilderness, and fertility, hints at finding a connection to the natural world and one's own primal instincts. The repetitive refrain of "close your eyes, breathe slow we'll begin" creates a sense of guided meditation, as if the singer is leading the listener on a spiritual exploration. The mention of swinging hips and losing one's head adds a physical element to the journey, as if encouraging the listener to let go of inhibitions and surrender to the experience. The lyrics also touch on themes of love, desire, and surrender. The mention of lovers, thieves, fools, and pretenders suggests that everyone is on their own journey of self-discovery, and that by surrendering to the process, one can find their true self. The idea of sanctifying the night and finding pleasure in the wind and stars further emphasizes the spiritual and sensual nature of the journey. Overall, "The Pan Within" is a poetic and introspective song that encourages listeners to explore their innermost selves and find a connection to the natural world and their own primal instincts. It is a call to surrender to the journey of self-discovery and embrace the depths of one's own being.

This song explores themes of love, desire, and the complexities of human connection through combining various Elvis Presley song titles and lyrics to create a story about a passionate but tumultuous relationship. The use of referring to iconic Elvis songs helps evoke feelings of nostalgia and longing, while also being a tribute to one of the band's many Western influences. The track paints a picture that love is passionate, chaotic, and filled with conflicting emotions. Despite its difficulties and uncertainties, an underlying desire for the relationship to endure is buried deep within. The songs referenced throughout are "Sweet Caroline," a famous Neil Diamond song, "How Great Thou Art," "Wear My Ring Around Your Neck," "A Big Hunk o' Love," "Suspicious Minds," "Such a Night," "Devil in Disguise," "Midnight," "Rubberneckin'," "Heartbreak Hotel," Eddy Arnold's song "Make the World Go Away," "If You Talk in Your Sleep," "That's the Way It Is" and the Broadway musical "Man of La Mancha," and "Stranger in My Own Hometown."

Warren wanted a Beach Boys thing for this one, and Carl Wilson and Billy Hinsche came in, with Carl arranging the vocal parts. The other harmony vocalists (credited as the "Gentlemen Boys") were Jackson Browne, J.D. Souther, Zevon's longtime backers Waddy Wachtel and Jorge Calderon, and Linda Rondstadt/Stone Poneys guitarist Kenny Edwards.

He certainly did earn that reputation.

Both as a standalone and as part of the DSOTS album, you can take this lyric as read. As a matter of public record, Jourgensen's drug intake was legendary even in the 1980s. By the late 90s, in his own words, he was grappling with massive addiction issues and had lost almost everything: friends, spouse, money and had nearly died more than once. "Dark Side of the Spoon" is a both funny & sad title for an album made by a musical genius who was losing the plot; and this song is a message to his fans & friends saying he knows it. It's painful to listen to so I'm glad the "Keith Richards of industrial metals" wised up and cleaned up. Well done sir.