Per the FAQ on Keane's website, Keane's drummer Richard Hughes, stated the following:
"We've been asked whether "Somewhere Only We Know" is about a specific place, and Tim has been saying that, for him, or us as individuals, it might be about a geographical space, or a feeling; it can mean something individual to each person, and they can interpret it to a memory of theirs... It's perhaps more of a theme rather than a specific message... Feelings that may be universal, without necessarily being totally specific to us, or a place, or a time..."
With the nostalgic sentiment and the overall tone of the song, I think Keane is attempting to express a Portuguese term known as 'saudade', which does not have a direct English translation but roughly means "that which we remember because it is gone."
I was walking ‘round, trying to put it down in total darkness
Didn't feel the need to get on my knees
What's this you're talking?
No one could tell me nothing that helped me out before
But when the sunlight came and stopped the rain
I was standing with the Lord Can you feel the joy
Don't it make you want to jump, jump, jump
Don't it make you want to move, move, move
Throw your hands to the roof, roof,
roof Kids are killing kids, no one wants
to live, love's on the down low
Now what's up with that, let's get back on track
Straight to the rainbow
You've gotta know that God is always by your side
If you're feeling down, look around
Just enjoy your life Can you feel the joy, don't it make you
Don't it make you want to jump, jump,
jump You've gotta know that God is always by your side
So when you're feeling down, look around
Just enjoy your life Can you feel the
joy, don't it make you want to
Throw your hands up to the roof Jump,
jump, jump (don't it make you want to)
Jump, jump, jump (don't it make you want to)
Jump, jump, jump (don't it make you want to)
Don't it make you want to move
Didn't feel the need to get on my knees
What's this you're talking?
No one could tell me nothing that helped me out before
But when the sunlight came and stopped the rain
I was standing with the Lord Can you feel the joy
Don't it make you want to jump, jump, jump
Don't it make you want to move, move, move
Throw your hands to the roof, roof,
roof Kids are killing kids, no one wants
to live, love's on the down low
Now what's up with that, let's get back on track
Straight to the rainbow
You've gotta know that God is always by your side
If you're feeling down, look around
Just enjoy your life Can you feel the joy, don't it make you
Don't it make you want to jump, jump,
jump You've gotta know that God is always by your side
So when you're feeling down, look around
Just enjoy your life Can you feel the
joy, don't it make you want to
Throw your hands up to the roof Jump,
jump, jump (don't it make you want to)
Jump, jump, jump (don't it make you want to)
Jump, jump, jump (don't it make you want to)
Don't it make you want to move
Lyrics submitted by angelinclay
Jump, Jump, Jump Lyrics as written by Joseph Priolo Errol C. Johnson
Lyrics © BMG Rights Management, Universal Music Publishing Group
Lyrics powered by LyricFind
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Somewhere Only We Know
Keane
Keane

The Last Dance
Within Temptation
Within Temptation
@Kahiara Actually I think the husband passed away,
"She sang for you last night
She heard you were calling"
Many people say they have felt, heard, or seen their loved ones after they have passed.
"Don't be scared now
Close your eyes
She holds guard tonight
Go on forward no remorse
Life will take it's course"
This is said to the late husband by a third part (never named), who encourages him to pass on. Because life will eventually continue. The phrase "holds guard" refers to the ( en.wikipedia.org/wiki/… ) which is a Christian ceremony held after someone dies. Now it is usually held right after the funeral, but in most celtiic countries the wake is held before the funeral.
"She danced with you last night so you will remember
All you have shared, a lifetime."
This sentence feels as if the only thing it wants to convey is their history together, namely, husband and wife. For the rest it just refers back to the first verse.

Blank Space
Taylor Swift
Taylor Swift
This song is Swift's response to the negative reputation the media has given her.
"I can make the bad guys good for a weekend" - the bad guys are the paparazzi to Swift, but are good to the "player" since association with Swift immediately gives publicity. Any publicity is good publicity and Swift knows this.
"You can tell me when it's over" - the tabloids rumor relationships are over before the couple announces it officially.
With this song Swift is portraying the way she is portrayed by the media.
It is a sarcastic jab at how she views herself and how her "ex-lovers" only wanted to be with her to increase their fame.
I applaud the brilliance in writing about how you always write about relationships.
It is expected so Swift is giving the media what they want and profiting off the attention.

Anti-Hero
Taylor Swift
Taylor Swift
I believe this is another amazingly on point and nuanced commentary on the insanity that follows emotionally abusive relationships. The abuser has no anxieties, no emotional pain, or salience/memory for that matter, so the survivor appears to be the crazy one, obsessed with the abuse and that buzzword that seems to ignite arguments about diagnosing people without a degree, etc. funny how you say the words domestic violence, abuse, abuse survivor and boom the subject changes. Anyways, I especially relate to her midnights becoming afternoons, complex PTSD often leads to this phenomenon, whether due to purposeful sleep deprivation by the abuser, or just hyper vigilance associated with the PTSD, along with the fear of facing people, especially your loved ones, who
Never actually understand, even if they try, because all they see is you, on fire, screaming about the arsonist that no one ever sees, and who has been spreading lies about your alleged mental instability, deceptive personality, etc. the whole time. While the last thing survivors need is more blame, our society supports a narrative that blames the objectively innocent party because the blatantly guilty party has spent their entire lives fabricating a persona and we’re just being human, and human psychology is quite counterintuitive especially in the context of trauma. Look at Amber Heard. Vilified and not believed, regardless of what any abuse survivor could recognize as a fellow survivor instantly. But Johnny depp is a malignant narcissist, a man, and wealthy as all get out. It’s sick.

Muffin
KIITA
KIITA
This standout track comes off the artist's latest studio album titled "empathetic". The track was produced by Danny Score and released via notable digital streaming platforms such as Apple Music and Spotify on January 1, 2021.