"Fast car" is kind of a continuation of Bruce Springsteen's "Born to Run." It has all the clawing your way to a better life, but in this case the protagonist never makes it with her love; in fact she is dragged back down by him.
There is still an amazing amount of hope and will in the lyrics; and the lyrics themselve rank and easy five. If only music was stronger it would be one of those great radio songs that you hear once a week 20 years after it was released. The imagery is almost tear-jerking ("City lights lay out before us", "Speeds so fast felt like I was drunk"), and the idea of starting from nothing and just driving and working and denigrating yourself for a chance at being just above poverty, then losing in the end is just painful and inspiring at the same time.
Everybody's talkin' 'bout the supermodel world
Cindy, Naomi and that whole bunch of girls
Redheads, brunettes and blondes with blue eyes
They come in every shape yea they come in every size
You know I love everything they do
I check 'em out on every Pay-Per-View
Oh, but honey that was way before I met you
And then
[Chorus]
You walked in with legs up to your neck
You walked in I'm a physical wreck
You walked in I've lost my cool babe
But what'd you expect
When you walk in baby love begins
When you walk by baby ooh my my
When you come around, my jaw hits the ground
When you shake your thing I jump outta my skin
When you cross the floor I scream "more baby more"
When you flash your smile you drive me wild
Yea, yea, yea, yea, yea
Everybody's checkin' out the glossy magazines
Madonna, Diana, you know the whole scene
The covergirls, the centerfolds and every movie star
And all those pretty ladies down there at the local bar
I couldn't think of nothin' better to do
Than checkin' out a little wiggle or two
Oh, but honey that was way before I met you
And then
[Chorus]
I couldn't think of nothin' better to do
Than checkin' out a little wiggle or two
Oh but honey that was way before I met you
When you walk in baby love begins
When you walk by baby ooh my my
When you come around, my jaw hits the ground
When you shake your thing I jump outta my skin
When you cross the floor I scream "more baby more"
When you flash your smile you drive me wild
Yeah, yeah you drive me wild
When you walk in baby love begins
When you walk by baby ooh my my
When you come around, my jaw hits the ground
When you shake your thing I jump outta my skin
When you cross the floor I scream "more baby more".
Cindy, Naomi and that whole bunch of girls
Redheads, brunettes and blondes with blue eyes
They come in every shape yea they come in every size
You know I love everything they do
I check 'em out on every Pay-Per-View
Oh, but honey that was way before I met you
And then
[Chorus]
You walked in with legs up to your neck
You walked in I'm a physical wreck
You walked in I've lost my cool babe
But what'd you expect
When you walk in baby love begins
When you walk by baby ooh my my
When you come around, my jaw hits the ground
When you shake your thing I jump outta my skin
When you cross the floor I scream "more baby more"
When you flash your smile you drive me wild
Yea, yea, yea, yea, yea
Everybody's checkin' out the glossy magazines
Madonna, Diana, you know the whole scene
The covergirls, the centerfolds and every movie star
And all those pretty ladies down there at the local bar
I couldn't think of nothin' better to do
Than checkin' out a little wiggle or two
Oh, but honey that was way before I met you
And then
[Chorus]
I couldn't think of nothin' better to do
Than checkin' out a little wiggle or two
Oh but honey that was way before I met you
When you walk in baby love begins
When you walk by baby ooh my my
When you come around, my jaw hits the ground
When you shake your thing I jump outta my skin
When you cross the floor I scream "more baby more"
When you flash your smile you drive me wild
Yeah, yeah you drive me wild
When you walk in baby love begins
When you walk by baby ooh my my
When you come around, my jaw hits the ground
When you shake your thing I jump outta my skin
When you cross the floor I scream "more baby more".
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Fast Car
Tracy Chapman
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Ebba Grön
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This is one of my favorite songs. https://fnfgo.io
Cajun Girl
Little Feat
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Overall about difficult moments of disappointment and vulnerability. Having hope and longing, while remaining optimistic for the future. Encourages the belief that with each new morning there is a chance for things to improve.
The chorus offers a glimmer of optimism and a chance at a resolution and redemption in the future.
Captures the rollercoaster of emotions of feeling lost while loving someone who is not there for you, feeling let down and abandoned while waiting for a lover. Lost with no direction, "Now I'm up in the air with the rain in my hair, Nowhere to go, I can go anywhere"
The bridge shows signs of longing and a plea for companionship. The Lyrics express a desire for authentic connection and the importance of Loving someone just as they are. "Just in passing, I'm not asking. That you be anyone but you”
I Can't Go To Sleep
Wu-Tang Clan
Wu-Tang Clan
This song is written as the perspective of the boys in the street, as a whole, and what path they are going to choose as they get older and grow into men. (This is why the music video takes place in an orphanage.) The seen, and unseen collective suffering is imbedded in the boys’ mind, consciously or subconsciously, and is haunting them. Which path will the boys choose? Issac Hayes is the voice of reason, maybe God, the angel on his shoulder, or the voice of his forefathers from beyond the grave who can see the big picture and are pleading with the boys not to continue the violence and pattern of killing their brothers, but to rise above. The most beautiful song and has so many levels. Racism towards African Americans in America would not exist if everyone sat down and listened to this song and understood the history behind the words. The power, fear, pleading in RZA and Ghostface voices are genuine and powerful. Issac Hayes’ strong voice makes the perfect strong father figure, who is possibly from beyond the grave.
When We Were Young
Blink-182
Blink-182
This is a sequel to 2001's "Reckless Abandon", and features the band looking back on their clumsy youth fondly.
Fun fact: This song was meant for Bryan Adams (he co-wrote it with Mutt Lange). He didn't record it, so Mutt pitched it to Shania Twain. She also didn't record it, so Lonestar finally took it.
Smart cookie-no she recorded "You Win My Love" that Mutt wrote instead.