This is a hauntingly beautiful song about introspection, specifically about looking back at a relationship that started bad and ended so poorly, that the narrator wants to go back to the very beginning and tell himself to not even travel down that road. I believe that the relationship started poorly because of the lines:
"Take me back to the night we met:When the night was full of terrors: And your eyes were filled with tears: When you had not touched me yet"
So, the first night was not a great start, but the narrator pursued the relationship and eventually both overcame the rough start to fall in love with each other:
"I had all and then most of you"
Like many relationships that turn sour, it was not a quick decline, but a gradual one where the narrator and their partner fall out of love and gradually grow apart
"Some and now none of you"
Losing someone who was once everything in your world, who you could confide in, tell your secrets to, share all the most intimate parts of your life, to being strangers with that person is probably one of the most painful experiences a person can go through. So Painful, the narrator wants to go back in time and tell himself to not even pursue the relationship.
This was the perfect song for "13 Reasons Why"
This back-breakin', bone-shakin', belly-achin', hard-workin'
Two more hours to go
Yes, it's keeping me alive doin' nine to five
And I ain't got nothin to show
Pretty soon I'll be leavin'
With the wages I'm receivin'
But I know it's gonna be all right
Come on, babe, and take me away
We got some money to spend tonight
Pick me up at the station
Meet me at the train
Have a meal and a shower and a change of clothes
I can't afford a vacation
But I can take the strain
Long as I can be with you
Find a way to burn it as quickly as I earn it
Yes, it's back-breakin', bone-shakin', belly-achin', hard-workin'
Two more hours to go
Seven long years for the same corporation
And I ain't got nothin' to show
And tonight when I'm leavin' I'll be just breakin' even
But I know it's gonna be all right
I shake off my blues when you put on your shoes
We got some money to spend tonight
Oh, I don't wanna stand here and sound accusin'
Everybody does their share of losin'
If I'm gonna lose it I might as well be doin' it right
Pick me up at the station
Meet me at the train
Have a meal and a shower and a change of clothes
I can't afford a vacation
But I can take the strain
Long as I can be with you
Find a way to burn it as quickly as I earn it
Yes, it's back-breakin', bone-shakin', belly-achin', hard-workin'
Two more hours to go
Yes, it's keepin' me alive doin' nine to five
And I ain't got nothin' to show
And tonight when I'm leavin' I'll be just breakin' even
But I know it's gonna be all right
Come on, babe, and take me away
We got some money to spend tonight
Come on, babe, take me away
We got some money to spend tonight
Two more hours to go
Yes, it's keeping me alive doin' nine to five
And I ain't got nothin to show
Pretty soon I'll be leavin'
With the wages I'm receivin'
But I know it's gonna be all right
Come on, babe, and take me away
We got some money to spend tonight
Pick me up at the station
Meet me at the train
Have a meal and a shower and a change of clothes
I can't afford a vacation
But I can take the strain
Long as I can be with you
Find a way to burn it as quickly as I earn it
Yes, it's back-breakin', bone-shakin', belly-achin', hard-workin'
Two more hours to go
Seven long years for the same corporation
And I ain't got nothin' to show
And tonight when I'm leavin' I'll be just breakin' even
But I know it's gonna be all right
I shake off my blues when you put on your shoes
We got some money to spend tonight
Oh, I don't wanna stand here and sound accusin'
Everybody does their share of losin'
If I'm gonna lose it I might as well be doin' it right
Pick me up at the station
Meet me at the train
Have a meal and a shower and a change of clothes
I can't afford a vacation
But I can take the strain
Long as I can be with you
Find a way to burn it as quickly as I earn it
Yes, it's back-breakin', bone-shakin', belly-achin', hard-workin'
Two more hours to go
Yes, it's keepin' me alive doin' nine to five
And I ain't got nothin' to show
And tonight when I'm leavin' I'll be just breakin' even
But I know it's gonna be all right
Come on, babe, and take me away
We got some money to spend tonight
Come on, babe, take me away
We got some money to spend tonight
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The Night We Met
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I think much like another song “Anti-Matter” (that's also on the same album as this song), this one is also is inspired by a horrifying van crash the band experienced on Nov 3, 2022. This, much like the other track, sounds like it's an extension what they shared while huddled in the wreckage, as they helped frontman Garrett Russell stem the bleeding from his head wound while he was under the temporary effects of a concussion. The track speaks of where the mind goes at the most desperate & desolate of times, when it just about slips away to all but disconnect itself, and the aftermath.
Mountain Song
Jane's Addiction
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Jane's Addiction vocalist Perry Farrell gives Adam Reader some heartfelt insight into Jane’s Addiction's hard rock manifesto "Mountain Song", which was the second single from their revolutionary album Nothing's Shocking. Mountain song was first recorded in 1986 and appeared on the soundtrack to the film Dudes starring Jon Cryer. The version on Nothing's Shocking was re-recorded in 1988.
"'Mountain Song' was actually about... I hate to say it but... drugs. Climbing this mountain and getting as high as you can, and then coming down that mountain," reveals Farrell. "What it feels to descend from the mountain top... not easy at all. The ascension is tough but exhilarating. Getting down is... it's a real bummer. Drugs is not for everybody obviously. For me, I wanted to experience the heights, and the lows come along with it."
"There's a part - 'Cash in now honey, cash in Miss Smith.' Miss Smith is my Mother; our last name was Smith. Cashing in when she cashed in her life. So... she decided that, to her... at that time, she was desperate. Life wasn't worth it for her, that was her opinion. Some people think, never take your life, and some people find that their life isn't worth living. She was in love with my Dad, and my Dad was not faithful to her, and it broke her heart. She was very desperate and she did something that I know she regrets."
Gentle Hour
Yo La Tengo
Yo La Tengo
This song was originally written by a guy called Peter Gutteridge. He was one of the founders of the "Dunedin Sound" a musical scene in the south of New Zealand in the early 80s. From there it was covered by "The Clean" one of the early bands of that scene (he had originally been a member of in it's early days, writing a couple of their best early songs). The Dunedin sound, and the Clean became popular on american college radio in the mid to late 80s. I guess Yo La Tengo heard that version.
Great version of a great song,
No Surprises
Radiohead
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Same ideas expressed in Fitter, Happier are expressed in this song. We're told to strive for some sort of ideal life, which includes getting a good job, being kind to everyone, finding a partner, getting married, having a couple kids, living in a quiet neighborhood in a nice big house, etc. But in Fitter, Happier the narrator(?) realizes that it's incredibly robotic to live this life. People are being used by those in power "like a pig in a cage on antibiotics"--being pacified with things like new phones and cool gadgets and houses while being sucked dry. On No Surprises, the narrator is realizing how this life is killing him slowly. In the video, his helmet is slowly filling up with water, drowning him. But he's so complacent with it. This is a good summary of the song. This boring, "perfect" life foisted upon us by some higher powers (not spiritual, but political, economic, etc. politicians and businessmen, perhaps) is not the way to live. But there is seemingly no way out but death. He'd rather die peacefully right now than live in this cage. While our lives are often shielded, we're in our own protective bubbles, or protective helmets like the one Thom wears, if we look a little harder we can see all the corruption, lies, manipulation, etc. that is going on in the world, often run by huge yet nearly invisible organizations, corporations, and 'leaders'. It's a very hopeless song because it reflects real life.
This entire album is my favorite of Billy's. I always find myself listening to these songs over and over.
Obviously about the weekend, the time when we can dance, party, and shake off the blues. Nothing particularly pornographic about it. It's the weekly work that is back-breakin', bone-shakin', belly-achin', hard-workin'.
I can't put into words what this song means EXACTLY to me cause it's a bit pornographic.
It's Heartbreakin, Heartshakin', Heartachin'. I can't hide in between other's comments, cause my review is the only at the moment. But Billy's voice in this track is particularly exciting to me, has been meaningful all over my life. The recording of Streetlife Serenader, the whole object, the picture on the cover sitting barefoot with his (strategically broken) pale blue jeans, and that hard voice, offering his money to share and spend the night.... some NYLON CURTAIN'S leit motives are to appear here first. O dear.... when we'll be leavin we'll just be breaking even, but I would have given something to have such a partner to spend -drunk and happy- the night.