This is about bronies. They communicate by stomping.
I've been watching me fall for it seems like years
Watching me grow small, I watch me disappear
Slipping out my ordinary world, out my ordinary eyes
Yeah slipping out the ordinary me into someone else's life
Into someone else's life
There's a thin white cold new moon and the snow is coming down
And the neon bright Tokyo lights flicker through the crowd
I've been drifting around for hours and I'm lost and I'm tired
When a whisper in my ear insatiable breathes
"why don't you follow me inside?"
Yeah the room is small, the room is bright
Her hair is black, the bed is white
And the night is always young
Is always young, always young
The night is always young
Yeah I've been seeing them strip to the bone in the mirror on the wall
Seeing her swallow him whole like it's not me at all
She holds out her hands and I follow her down to my knees
And the sucking inside insatiable smiles
"You will forget yourself in me"
Yeah the room is small, the room is bright
Her eyes are black, the bed is white
And the night is always young
And the night goes on and on
And the night is always young
And the night is never over and over and over and over and over
And this it's gone
And this it's gone
Yeah then it's gone
Yeah it's a cruel mean cold new day and outside the snow is still coming down
And in the blood red Tokyo bed I watch me coming round
She pulled him down for hours
Deeper than I've ever been
And as I fall in the mirror on the wall
I'm watching me scream
I'm watching me scream
I'm watching me scream
I'm watching me scream
Yeah I've been watching me go for it must be years
Watching me get slow, I watch me disappear
And one day, yeah I know, I won't come back at all
And always over and over in his ordinary eyes
I'm watching me fall
I'm watching me fall
I'm watching me fall
I'm watching me fall
Watching me grow small, I watch me disappear
Slipping out my ordinary world, out my ordinary eyes
Yeah slipping out the ordinary me into someone else's life
Into someone else's life
There's a thin white cold new moon and the snow is coming down
And the neon bright Tokyo lights flicker through the crowd
I've been drifting around for hours and I'm lost and I'm tired
When a whisper in my ear insatiable breathes
"why don't you follow me inside?"
Yeah the room is small, the room is bright
Her hair is black, the bed is white
And the night is always young
Is always young, always young
The night is always young
Yeah I've been seeing them strip to the bone in the mirror on the wall
Seeing her swallow him whole like it's not me at all
She holds out her hands and I follow her down to my knees
And the sucking inside insatiable smiles
"You will forget yourself in me"
Yeah the room is small, the room is bright
Her eyes are black, the bed is white
And the night is always young
And the night goes on and on
And the night is always young
And the night is never over and over and over and over and over
And this it's gone
And this it's gone
Yeah then it's gone
Yeah it's a cruel mean cold new day and outside the snow is still coming down
And in the blood red Tokyo bed I watch me coming round
She pulled him down for hours
Deeper than I've ever been
And as I fall in the mirror on the wall
I'm watching me scream
I'm watching me scream
I'm watching me scream
I'm watching me scream
Yeah I've been watching me go for it must be years
Watching me get slow, I watch me disappear
And one day, yeah I know, I won't come back at all
And always over and over in his ordinary eyes
I'm watching me fall
I'm watching me fall
I'm watching me fall
I'm watching me fall
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Jane's Addiction vocalist Perry Farrell gives Adam Reader some heartfelt insight into Jane’s Addiction's hard rock manifesto "Mountain Song", which was the second single from their revolutionary album Nothing's Shocking. Mountain song was first recorded in 1986 and appeared on the soundtrack to the film Dudes starring Jon Cryer. The version on Nothing's Shocking was re-recorded in 1988.
"'Mountain Song' was actually about... I hate to say it but... drugs. Climbing this mountain and getting as high as you can, and then coming down that mountain," reveals Farrell. "What it feels to descend from the mountain top... not easy at all. The ascension is tough but exhilarating. Getting down is... it's a real bummer. Drugs is not for everybody obviously. For me, I wanted to experience the heights, and the lows come along with it."
"There's a part - 'Cash in now honey, cash in Miss Smith.' Miss Smith is my Mother; our last name was Smith. Cashing in when she cashed in her life. So... she decided that, to her... at that time, she was desperate. Life wasn't worth it for her, that was her opinion. Some people think, never take your life, and some people find that their life isn't worth living. She was in love with my Dad, and my Dad was not faithful to her, and it broke her heart. She was very desperate and she did something that I know she regrets."
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This song was originally written by a guy called Peter Gutteridge. He was one of the founders of the "Dunedin Sound" a musical scene in the south of New Zealand in the early 80s. From there it was covered by "The Clean" one of the early bands of that scene (he had originally been a member of in it's early days, writing a couple of their best early songs). The Dunedin sound, and the Clean became popular on american college radio in the mid to late 80s. I guess Yo La Tengo heard that version.
Great version of a great song,
Just A Little Lovin'
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Dusty Springfield
I don't think it's necessarily about sex. It's about wanting to start the day with some love and affection. Maybe a warm cuddle. I'm not alone in interpreting it that way! For example:
"'Just a Little Lovin’ is a timeless country song originally recorded by Eddy Arnold in 1954. The song, written by Eddie Miller and Jimmy Campbell, explores the delicate nuances of love and showcases Arnold’s emotive vocals. It delves into the universal theme of love and how even the smallest gesture of affection can have a profound impact on our lives." https://oldtimemusic.com/the-meaning-behind-the-song-just-a-little-lovin-by-eddy-arnold/
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To me is seems like he's doing something he doesn't do often, if ever, and he's nervous about it. Like, for example, having sex with a prostitute in Tokyo. Or being in a threesome in Tokyo. There's little question that sex is involved though. For some reason the ideas of prostitution and a threesome stand out to me. shrug could just be me though