All right
Bourbon blues on the street, loose and complete
Under skies all smoky blue green
I can't forsake a dixie dead shake
So we danced the sidewalk clean
My memory is muddy, what's this river that I'm in?
New Orleans is sinking, man, and I don't want to swim
Colonel Tom, what's wrong? What's going on?
You can't tie yourself up for a deal
He said, "Hey, north, you're south, shut your big mouth
You gotta do what you feel is real"
Ain't got no picture postcards, ain't got no souvenirs
My baby she don't know me when I'm thinking bout those years
Pale as a light bulb hanging on a wire
Sucking up to someone just to stoke the fire
Picking out the highlights of the scenery
Saw a little cloud that looked a little like me
I had my hands in the river, my feet back up on the banks
Looked up to the lord above and said "Hey, man, thanks"
"Sometimes I feel so good I got to scream"
She said "Gordie, baby, I know exactly what you mean"
She said, she said, I swear to god she said
Oh no
No, yeah
My memory is muddy, what's this river that I'm in?
New Orleans is sinking, man, and I don't want to swim
Swim
Bourbon blues on the street, loose and complete
Under skies all smoky blue green
I can't forsake a dixie dead shake
So we danced the sidewalk clean
My memory is muddy, what's this river that I'm in?
New Orleans is sinking, man, and I don't want to swim
Colonel Tom, what's wrong? What's going on?
You can't tie yourself up for a deal
He said, "Hey, north, you're south, shut your big mouth
You gotta do what you feel is real"
Ain't got no picture postcards, ain't got no souvenirs
My baby she don't know me when I'm thinking bout those years
Pale as a light bulb hanging on a wire
Sucking up to someone just to stoke the fire
Picking out the highlights of the scenery
Saw a little cloud that looked a little like me
I had my hands in the river, my feet back up on the banks
Looked up to the lord above and said "Hey, man, thanks"
"Sometimes I feel so good I got to scream"
She said "Gordie, baby, I know exactly what you mean"
She said, she said, I swear to god she said
Oh no
No, yeah
My memory is muddy, what's this river that I'm in?
New Orleans is sinking, man, and I don't want to swim
Swim
Lyrics submitted by black_cow_of_death, edited by hoodoovoodoo
New Orleans Is Sinking Lyrics as written by Gordon Sinclair Gordon Downie
Lyrics © Peermusic Publishing
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And then there's my all-time favourite Downie song "explanation", from the version of The Luxury on Live Between Us - "This is about a man down on his luck, so he takes to the streets shaking a banana at people and tries to convince them it's making a sound..."
First off, there was no battleship New Orleans. There was a heavy cruiser New Orleans, which was built in 1931, but it never sank. It was scrapped in 1959. So ... do you think Gordie might have been poking fun at all the people who try to tie Nautical Disaster to a specific event?
This seems to be a song about New Orleans as party town, and the confusing state of mind in being there. New Orleans is, in fact, sinking very slowly, and Downie has spun this into lines that should make perfect sense to anyone who has ever been drunk, confused, and struck with the sense that things are going wrong:
My memory is muddy, what's this river that I'm in?
New Orleans is sinking man, and I don't wanna swim.
The first and third verses are pretty straightforward, but the second is odd. "Colonel Tom" in the second verse could be Colonel Tom Parker, who was Elvis Presley's manager. That puts a double entendre on "deal," which could refer to a hand of cards ("Hey north, you're south" suggests bridge or a similar game) or a contract.
"Hey north, you're south, shut your big mouth, etc." has Colonel Tom respond by telling us to shut up and play, and not only on the obvious level. Downie as a Canadian (north) is south in New O, so we may not be talking bridge; we may just be saying, stop asking questions and party. Colonel Tom himself was actually an illegal immigrant, which puts a different spin on his instruction to a fellow outsider to shut up and party, on the question that prompts it, and on the impending doom implied by "New Orleans is sinking."
"Party while you can," the song seems to say, but a sense of doom is as much a product of partying too hard as a reason to do it. So in the end it seems he does the sensible thing and clears out of New O, without bringing any souvenirs.
I think that's because in the Live Between Us version of this song Gordon throws in a couple of snatches of "China Girl" which was, of course, first recorded by Iggy Pop (and if you've only ever heard the Bowie version, you owe it to yourself to hunt down Iggy's version. I'm pretty sure it's on The Idiot).
(Perhaps) interestingly, China Girl is about a guy who's completely out of control and plainly heading for a fall, possibly dovetailing in with Wonderdog's "Eat, Drink And Be Merry For Tomorrow We May Die" interpretation of this song.
If New Orleans is sinking; he's going down with it.
It really is ironic that it was banned...since it was generally known that the city was below sea level, and it was an homage to the city--not derrogatory or intended as an insult.
Gord is an amazing lyricist and poet, and part of his talent is giving us a springboard for personal interpretation. In the end, this is how music/songs/phrases can become part of us.
I think he would get a kick out of the number of interpretations he has inspired. Every line may not have a literal/metaphorical meaning. Anyone who has experienced TTH live can attest that his spontaneous rants are clever and sometimes nonsensical. It never diminishes the impact, and gives us food for thought and entertainment.
This song was written for their first full-length album after getting signed. "New Orleans" is a metaphor for a simpler time of dancing and drinking, back before they got signed into a record deal. That life is now disappearing for them ("sinking") and Gord doesn't want to "swim", or play along with all the crap that's required to succeed in the record industry. That simpler time is getting hard to remember (it's "muddy" and he's "got no picture postcards/souvenirs") and it seems like he was a different person before he was signed (his baby don't know him when he talks about that time in his life).
Colonel Tom, as somebody else said, was Elvis' manager, who basically defined the role of a band manager. This is probably in reference to somebody who Gord things of as being an equally good manager. The Hip (Canadian, and thus from "The Great White North") recorded this album in Memphis ("The South"), and maybe they were thinking of changing their sound to appeal to a broader audience ("tie yourself up for a deal") but their manager told them not to sell out ("you gotta do what you feel is real").
The metaphor "pale as a light bulb hanging on a wire" works on multiple levels. Getting signed and entering this new world that is the music industry has made him very nervous, and thus, very pale; pale, even, as a light bulb (which are known to hang on wires). In fact, he's so very nervous that he's as pale as he would be if he was about to fall to his death and was hanging on to a dangling wire for dear life. Perhaps he's even worried that his music career is going to fall and die.
Part of launching your career in the record industry involved sucking up to the labels, thus, "sucking up to someone just to stoke the fire". He's looking around at the stars in the record industry ("checking out the highlights of the scenery") and he can just barely imagine reaching a fraction of that fame ("saw a little cloud that looked a little like me").
The "river" that he mentions in the first and last verse is my favourite metaphor; it's the fast moving stream of success. He's still anchored to a normal, stable life ("the banks") but he can feel just how fast the river moves.
"Burn Blue" is referring to the burning of a Hoodoo Candle, Hoodoo is a "folk religion" taken very seriously in the past days of New Orleans and the South. One small part of Hoodoo is Candles of different colors are burned to affect different things in the natural world. Blue candles are used for healing, for peace and tranquility, and to cleanse a house of evil. He's burning blue to affect healing for New Orleans. A Dixie Dead-Shake is a type of dance performed in Hoodoo and Voodoo rituals. Dancing the sidewalk clean means they danced for a looong time, so long the sidewalk was cleaned by their feet. Again cleansing New Orleans.
New Orleans was for over 150 years a melting pot of culture, acceptance, where color didn't matter, religion didn't matter, etc. When slavery existed in the South, it WAS NOT ALLOWED in New Orleans, and there were many wealthy black businessmen, etc. It was an artsy , musical, partying melting pot of culture. It began disintegrating in the 1960's and 1970's 's when greed and money finally started splitting the city into black and white. rich and poor. New Orleans really was/is sinking due to the constant erosion of soil by the Mississippi River...... He is singing about how he is sad about what was happening in modern New Orleans and the imagery of burning blue and dead-shake and my baby don't know me when i'm thinking about those years, he is longing for the PAST New Orleans, not the current one! He's lonely, finding someone in a bar where the lightbulb hangs on the wire, searching for anyone to provide company like the days of old......he's sitting with his feet in the river thanking god......it's all a longing for the past NewOrleans....it's an anthem of remembrance. Amazing that someone NOT from the South would write this, makes it even better! Jammin tune! Peace!
Don't get me wrong, I like the way you attempt to explain the lyrics via cultural context. But the lyrics aren't wrong here. And your explanation hinges on them being wrong. Meaning that, even if there's a grain of relevancy to your explanation (and I truly think there is), it is ultimately a little erroneous in its ultra-focus on, "Burning blue," and, "Cleaning up modern New Orleans."
In short, don't upvote your own comment next time, and listen more closely to the lyrics.