Overall about difficult moments of disappointment and vulnerability. Having hope and longing, while remaining optimistic for the future. Encourages the belief that with each new morning there is a chance for things to improve.
The chorus offers a glimmer of optimism and a chance at a resolution and redemption in the future.
Captures the rollercoaster of emotions of feeling lost while loving someone who is not there for you, feeling let down and abandoned while waiting for a lover. Lost with no direction, "Now I'm up in the air with the rain in my hair, Nowhere to go, I can go anywhere"
The bridge shows signs of longing and a plea for companionship. The Lyrics express a desire for authentic connection and the importance of Loving someone just as they are. "Just in passing, I'm not asking. That you be anyone but you”
Yet our best trained, best educated, best equipped
Best prepared troops refuse to fight
As a matter of fact, it's safe to say
That they would rather switch than fight
1989 the number, another summer (get down)
Sound of the funky drummer
Music hitting your heart 'cause I know you got soul
(Brothers and sisters, hey)
Listen if you're missing y'all
Swinging while I'm singing (hey)
Giving whatcha getting
Knowing what I know in
While the Black bands sweatin'
And the rhythm rhyme rollin'
Got to give us what we want (uh)
Gotta give us what we need (hey)
Our freedom of speech is freedom of death
We got to fight the powers that be
(Lemme hear you say)
Fight the power (lemme hear you say)
Fight the power (lemme hear you say)
Fight the power (lemme hear you)
Fight the power (lemme hear you say)
Fight the power (lemme hear you)
Fight the power (lemme hear you say)
Fight the power (lemme hear you)
We've got to fight the powers that be
As the rhythm's designed to bounce
What counts is that the rhymes
Designed to fill your mind
Now that you've realized the pride's arrived
We got to pump the stuff to make ya tough
From the heart
It's a start, a work of art
To revolutionize make a change nothing's strange
People, people we are the same
No, we're not the same
'Cause we don't know the game
What we need is awareness, we can't get careless
You say what is this?
My beloved let's get down to business
Mental self defensive fitness
Bum-rush the show
You gotta go for what you know
To make everybody see, in order to fight the powers that be
(Lemme hear you say)
Fight the power (lemme hear you)
Fight the power (lemme hear you say)
Fight the power (lemme hear you)
Fight the power (lemme hear you say)
Fight the power (lemme hear you)
Fight the power (lemme hear you say)
Fight the power (lemme hear you)
We've got to fight the powers that be
(Lemme hear you say)
Fight the power (lemme hear you)
(Lemme hear you say)
Fight the power (lemme hear you)
Fight the power (lemme hear you say)
Fight the power (lemme hear you)
Fight the power (lemme hear you say)
Fight the power (lemme hear you)
We've got to fight the powers that be
Elvis was a hero to most but he
Elvis was a hero to most (yeah)
Elvis was a hero to most
But he never meant sh-- to me you see
Straight out racist that sucker was
Simple and plain
Motherf--- him and John Wayne
'Cause I'm Black and I'm proud
I'm ready, I'm hyped plus I'm amped
Most of my heroes don't appear on no stamps
Sample a look, bet you look and find
Nothing but rednecks for four hundred years if you check
Don't worry, be happy
Was a number one jam
Damn, if I said "You can slap me right here"
(Get it) let's get this party started right
Right on, c'mon
What we got to say (yeah)
Power to the people, no delay
Make everybody see
In order to fight the powers that be
Fight the power (yes, yes, yes, yes y'all)
Fight the power (yes, yes, yes, yes y'all)
Fight the power (yes, yes, yes, yes y'all)
Fight the power (yes, yes)
We've got to fight the powers that be
What have we got to say? (Yeah)
Fight the power (yeah, yeah, yeah)
What have we got to say? (Yeah)
Fight the power (come on)
What have we got to say? (Yeah)
Fight the power (yeah, yeah, yeah)
What have we got to say? (Yeah)
Fight the power (come on)
Yo, check this out man
Ok, talk to me about the future of Public Enemy
The future of Public Enemy gotta
Best prepared troops refuse to fight
As a matter of fact, it's safe to say
That they would rather switch than fight
1989 the number, another summer (get down)
Sound of the funky drummer
Music hitting your heart 'cause I know you got soul
(Brothers and sisters, hey)
Listen if you're missing y'all
Swinging while I'm singing (hey)
Giving whatcha getting
Knowing what I know in
While the Black bands sweatin'
And the rhythm rhyme rollin'
Got to give us what we want (uh)
Gotta give us what we need (hey)
Our freedom of speech is freedom of death
We got to fight the powers that be
(Lemme hear you say)
Fight the power (lemme hear you say)
Fight the power (lemme hear you say)
Fight the power (lemme hear you)
Fight the power (lemme hear you say)
Fight the power (lemme hear you)
Fight the power (lemme hear you say)
Fight the power (lemme hear you)
We've got to fight the powers that be
As the rhythm's designed to bounce
What counts is that the rhymes
Designed to fill your mind
Now that you've realized the pride's arrived
We got to pump the stuff to make ya tough
From the heart
It's a start, a work of art
To revolutionize make a change nothing's strange
People, people we are the same
No, we're not the same
'Cause we don't know the game
What we need is awareness, we can't get careless
You say what is this?
My beloved let's get down to business
Mental self defensive fitness
Bum-rush the show
You gotta go for what you know
To make everybody see, in order to fight the powers that be
(Lemme hear you say)
Fight the power (lemme hear you)
Fight the power (lemme hear you say)
Fight the power (lemme hear you)
Fight the power (lemme hear you say)
Fight the power (lemme hear you)
Fight the power (lemme hear you say)
Fight the power (lemme hear you)
We've got to fight the powers that be
(Lemme hear you say)
Fight the power (lemme hear you)
(Lemme hear you say)
Fight the power (lemme hear you)
Fight the power (lemme hear you say)
Fight the power (lemme hear you)
Fight the power (lemme hear you say)
Fight the power (lemme hear you)
We've got to fight the powers that be
Elvis was a hero to most but he
Elvis was a hero to most (yeah)
Elvis was a hero to most
But he never meant sh-- to me you see
Straight out racist that sucker was
Simple and plain
Motherf--- him and John Wayne
'Cause I'm Black and I'm proud
I'm ready, I'm hyped plus I'm amped
Most of my heroes don't appear on no stamps
Sample a look, bet you look and find
Nothing but rednecks for four hundred years if you check
Don't worry, be happy
Was a number one jam
Damn, if I said "You can slap me right here"
(Get it) let's get this party started right
Right on, c'mon
What we got to say (yeah)
Power to the people, no delay
Make everybody see
In order to fight the powers that be
Fight the power (yes, yes, yes, yes y'all)
Fight the power (yes, yes, yes, yes y'all)
Fight the power (yes, yes, yes, yes y'all)
Fight the power (yes, yes)
We've got to fight the powers that be
What have we got to say? (Yeah)
Fight the power (yeah, yeah, yeah)
What have we got to say? (Yeah)
Fight the power (come on)
What have we got to say? (Yeah)
Fight the power (yeah, yeah, yeah)
What have we got to say? (Yeah)
Fight the power (come on)
Yo, check this out man
Ok, talk to me about the future of Public Enemy
The future of Public Enemy gotta
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Cajun Girl
Little Feat
Little Feat
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Silent Planet
Silent Planet
I think much like another song “Anti-Matter” (that's also on the same album as this song), this one is also is inspired by a horrifying van crash the band experienced on Nov 3, 2022. This, much like the other track, sounds like it's an extension what they shared while huddled in the wreckage, as they helped frontman Garrett Russell stem the bleeding from his head wound while he was under the temporary effects of a concussion. The track speaks of where the mind goes at the most desperate & desolate of times, when it just about slips away to all but disconnect itself, and the aftermath.
Mountain Song
Jane's Addiction
Jane's Addiction
Jane's Addiction vocalist Perry Farrell gives Adam Reader some heartfelt insight into Jane’s Addiction's hard rock manifesto "Mountain Song", which was the second single from their revolutionary album Nothing's Shocking. Mountain song was first recorded in 1986 and appeared on the soundtrack to the film Dudes starring Jon Cryer. The version on Nothing's Shocking was re-recorded in 1988.
"'Mountain Song' was actually about... I hate to say it but... drugs. Climbing this mountain and getting as high as you can, and then coming down that mountain," reveals Farrell. "What it feels to descend from the mountain top... not easy at all. The ascension is tough but exhilarating. Getting down is... it's a real bummer. Drugs is not for everybody obviously. For me, I wanted to experience the heights, and the lows come along with it."
"There's a part - 'Cash in now honey, cash in Miss Smith.' Miss Smith is my Mother; our last name was Smith. Cashing in when she cashed in her life. So... she decided that, to her... at that time, she was desperate. Life wasn't worth it for her, that was her opinion. Some people think, never take your life, and some people find that their life isn't worth living. She was in love with my Dad, and my Dad was not faithful to her, and it broke her heart. She was very desperate and she did something that I know she regrets."
Gentle Hour
Yo La Tengo
Yo La Tengo
This song was originally written by a guy called Peter Gutteridge. He was one of the founders of the "Dunedin Sound" a musical scene in the south of New Zealand in the early 80s. From there it was covered by "The Clean" one of the early bands of that scene (he had originally been a member of in it's early days, writing a couple of their best early songs). The Dunedin sound, and the Clean became popular on american college radio in the mid to late 80s. I guess Yo La Tengo heard that version.
Great version of a great song,
Page
Ed Sheeran
Ed Sheeran
There aren’t many things that’ll hurt more than giving love a chance against your better judgement only to have your heart crushed yet again. Ed Sheeran tells such a story on “Page.” On this track, he is devastated to have lost his lover and even more saddened by the feeling that he may never move on from this.
At the end of the day Chuck D is an expert in soundbites and metaphors. The soundbite is attention grabbing and makes the listener sit up and take notice (early Manic Street Preachers lyrics also featured this a lot). Once you're attention has been grabed it's then up to you to figure out what he means and what he's saying.
If the lyrics were doing nothing more than attacking two people (Elvis and John Wayne) they'd be pretty weak. When you think of Elvis, John Wayne, even Johnny Cash, I could go on, you're seeing symbols, what tv, magazines, advertisments, corporations, film, MTV have fed to you, what you've been fed by these systems of power. All this stuff is what Chuck D is all about, (eg: he warned once about 'weapons of mass distraction'. MTV, mindless video games all occupy your time and mind and stop you from thinking)
'Mother fuck him and John Wayne' is completely damning these systems of power, its also a statement of intent of wiping the cultural state clean, not only for black people, but everyone who realises that the continuation and nostalgia for these icons is utter nonsense. (It suits white authority to keep propogating such symbols: As long as those symbols stand strong then there is no space for others. Eg: Martin Luther King, with Arizona refusing to grant a national holiday for him. You can argue all you want, but White America is not going to give up its stronghold willingly). Starting afresh like this is what punk and post punk was trying to do in the late seventies and early eighties. (Terminator X's name holds a similar meaning, the eradication of all that has come before).
Its all imagery and metaphor at the end of the day. Kurt Cobain had a sticker on his guitar that said 'Vandalism: as beautiful as a rock in a cops face'. Now you can be all sensitive and tiptoe around the subject "oh what if the cop has a family", "but that would hurt" "Elvis was really talented and sensitvie and wrote lovely songs". But thats not what making a statement is all about, statements have different levels. If someone you knew was a cop and got hit in the face by a rock, sure you'd be concerned; but as an image, a statement of dissention in the face of authority, its perfect.