I've seen it all boys, I've been all over
Been everywhere in the whole wide world
I rode the high line with Old Blind Darby
I danced real slow with Ida Jane
I was full of wonder when I left Murfreesboro
Now I am full of hollow on Maxwell Street

And I hope my pony
I hope my pony
I hope my pony knows the way back home

I walked from Natchez to Hushpukena
I built a fire by the side of the road
I worked for nothin' in a Belzoni saw mill
And I caught a blind out on the B and O
Talullah's friendly, Belzoni ain't so
A forty-four will get you ninety-nine

I hope my pony
I hope my pony
I hope my pony knows the way back home

I run my race with Burnt-Face Jake
I gave him a Manzanita cross
I lived on nothin' but dreams and train smoke
Somehow my watch and chain got lost
I wish I was home, in Evelyn's kitchen
With old Gyp curled around my feet

I hope my pony
I hope my pony
I hope my pony knows the way back home

I hope my pony
I hope my pony
I hope my pony knows the way back home


Lyrics submitted by yuri_sucupira, edited by william g.

Pony Lyrics as written by Thomas Alan Waits

Lyrics © JALMA MUSIC

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Pony song meanings
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18 Comments

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  • +2
    General Comment

    Just a few points about the placenames here....

    This hobo's narrative begins in Murfreesboro, TN, which the narrator leaves to go see the world by bumming around and riding the rails (a recurring theme in Waits's work).

    At the time when he tells this tale, he has ended up on Maxwell Street in Chicago, world-weary and without a penny to his name.

    He describes his time bumming around Mississippi, when he once walked the 200 miles from Natchez to Hushpukina, and later ended up working in a sawmill in Belzoni -- where he reports he never received his wages.

    Something happened in Belzoni (perhaps a confrontation with the mill owner who wouldn't pay him) and he had to "catch a blind out on the B&O", which means jumping a freight train owned by the Baltimore and Ohio line, standing on the linkage between the coal car and the adjoining freight car, a position which could not be seen by the engineer because the coal car blocks the view. It was a rough way to ride, but not as bad as "riding the rods" which was even more dangerous.

    Presumably, the narrator shot someone and faced a charge of life in prison, thus "a .44 will get you 99". That's why he escapes to Talullah, a town in Louisiana, outside of the Mississippi state jurisdiction.

    By the time he ends up in Chicago, telling his tale to the "boys" in the flop-house or out on the street, his days of slow-dancing with Ida Jane and sitting in Evelyn's warm kitchen with a hot cup of coffee and the dog lying on his feet are long gone dreams of his youth.

    The lines of the chorus are ironic... he has no pony, he has no home, and the life he knew back in Tennessee is gone, never to be recaptured.

    But the desire is still there. Now more than ever, in fact. Now he knows what he lost, what he threw away.

    Maybe it was all worth it, but it sure is hard to think that when you're old and down on your luck in the market district of Chicago, spinning your tales of jumping trains with Blind Darby and Burned Face Jake.

    You just hope that somehow, some way, you can make it back. That some force will sweep you up and carry you there, and you'll find yourself again in the arms of your childhood sweetheart, and someone will see you and know you and invite you in and the dog will be happy that you've returned and curl up next to you and fall asleep as you talk into the night, and there'll be a bed waiting for you, with clean sheets to sleep on, and clean water to wash in the next morning.

    I hope my pony knows the way back home.

    Lazloon July 02, 2012   Link

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