In regards to the meaning of this song:
Before a live performance on the EP Five Stories Falling, Geoff states “It’s about the last time I went to visit my grandmother in Columbus, and I saw that she was dying and it was the last time I was going to see her. It is about realizing how young you are, but how quickly you can go.”
That’s the thing about Geoff and his sublime poetry, you think it’s about one thing, but really it’s about something entirely different. But the lyrics are still universal and omnipresent, ubiquitous, even. So relatable. That’s one thing I love about this band. I also love their live performances, raw energy and Geoff’s beautiful, imperfectly perfect vocals. His voice soothes my aching soul.
I've seen it all boys, I've been all over
Been everywhere in the whole wide world
I rode the high line with Old Blind Darby
I danced real slow with Ida Jane
I was full of wonder when I left Murfreesboro
Now I am full of hollow on Maxwell Street
And I hope my pony
I hope my pony
I hope my pony knows the way back home
I walked from Natchez to Hushpukena
I built a fire by the side of the road
I worked for nothin' in a Belzoni saw mill
And I caught a blind out on the B and O
Talullah's friendly, Belzoni ain't so
A forty-four will get you ninety-nine
I hope my pony
I hope my pony
I hope my pony knows the way back home
I run my race with Burnt-Face Jake
I gave him a Manzanita cross
I lived on nothin' but dreams and train smoke
Somehow my watch and chain got lost
I wish I was home, in Evelyn's kitchen
With old Gyp curled around my feet
I hope my pony
I hope my pony
I hope my pony knows the way back home
I hope my pony
I hope my pony
I hope my pony knows the way back home
Been everywhere in the whole wide world
I rode the high line with Old Blind Darby
I danced real slow with Ida Jane
I was full of wonder when I left Murfreesboro
Now I am full of hollow on Maxwell Street
And I hope my pony
I hope my pony
I hope my pony knows the way back home
I walked from Natchez to Hushpukena
I built a fire by the side of the road
I worked for nothin' in a Belzoni saw mill
And I caught a blind out on the B and O
Talullah's friendly, Belzoni ain't so
A forty-four will get you ninety-nine
I hope my pony
I hope my pony
I hope my pony knows the way back home
I run my race with Burnt-Face Jake
I gave him a Manzanita cross
I lived on nothin' but dreams and train smoke
Somehow my watch and chain got lost
I wish I was home, in Evelyn's kitchen
With old Gyp curled around my feet
I hope my pony
I hope my pony
I hope my pony knows the way back home
I hope my pony
I hope my pony
I hope my pony knows the way back home
Lyrics submitted by yuri_sucupira, edited by william g.
Pony Lyrics as written by Thomas Alan Waits
Lyrics © JALMA MUSIC
Lyrics powered by LyricFind
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I think your first comment is closer to being accurate. The singer/song writers state "Millions of eyes can see, yet why am i so blind!? When the someone else is me, its unkind its unkind". I believe hes referring to the girl toying with him and using him. He wants something deeper with her, thats why he allows himself to be as a puppet (even though for her fun and games) as long as it makes her happy. But he knows deep down that she doesnt really want to be serious with him and thats what makes him.
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[I agree with some of your thoughts dogbox, but think you're a little off on some others.]
I've seen it all boys I've been all over Been everywhere in the Whole wide world I rode the high line With old blind Darby I danced real slow With Ida Jane
[Agree that this is a man looking back on his life. Strikes the tone of an older man about to give advice to a younger person that reminds him of himself in his own younger days.]
I was full of wonder When I left Murfreesboro Now I am full of hollow On Maxwell street...
[I disagree this is about him being shot. I think he's saying when he left home he was full of hopes and dreams, but know he's empty inside, hopeless and forlorn.]
And I hope my Pony I hope my Pony I hope my Pony Knows the way back home
[This to me is another way of saying you can't ever go home again. He wants to return to those innocent days of his youth, but he's done and seen so many bad things he doesn't know how to get his innocence back. I see the pony as giving himself up to fate or God. He hopes that they'll be able to somehow lead him to a place where he'll be able to live like he imagined life would be like in his youth]
I walked from Natcher To Hushpukena I built a fire by the side Of the road I worked for nothin in a Belzoni saw mill. I caught a Blind out on the B and O Talullah's friendly Belzoni ain't so A 44'll get you 99
[I agree that the last line means a 44 magnum will get you 99 years in jail. I disagree that it was necessarily over a love triangle. I think this verse is about his life after leaving home. He roughed it a little bit, then ended up getting a job at a sawmill. Whether the towns name or the sawmills owners name was Belzoni I don't know. Either way they ended up ripping him off. He then committed some sort of crime involving a 44 magnum. My guess would be killing the Saw Mill owner or manager. He then hopped the B and O railroad out of town.]
(chorus)
I run my race with burnt face Jake Gave him a Manzanita cross I lived on nothin But dreams and train smoke Somehow my watch and chain Got lost. I wish I was home in Evelyn's Kitchen With old Gyp curled around my feet
[He went on the run with another guy named burnt face Jake who died along the way. No details how, but he buried him and made a cross for his grave out of a Manzanita evergreen. At this point his life was spent constantly on the run. I think the pocket watch is an allusion to his life (time) and that he feels he "lost" or "wasted" it. Evelyn's kitchen and Gyp are warm memories of his youth and he wishes he could feel that way again.]
(Chorus)
These are all good thoughts. Belzoni and Talullah are both towns in the Mississippi Delta,so I figure the sawmill was in Belzoni. He walked from Natchez to Hushpukena which are both towns in Mississippi also. Belzoni and Talullah are in between. This could be a reference to the trail of tears that the Cherokee walked along the Natchez Trace. Also, in the beginning of the industrial revolution a man's watch and chain were worn with pride and dignity, hence the man was proud and dignified. His watch and chain got lost, somehow he lost his pride and dignity. Hmmmm. Maxwell Street is the birthplace of the Chicago blues where black bluesman from the delta migrated. This guy was black, from Murfreesboro, MS who is now a broke acoholic, homeless living in Chicago. Sold his soul, now he's hollow.
Manzanita is a evergreen shrub found in the northwest US and throughout California. It means "little apple". I think Waits just likes it and used it in the song. Probably did reference a cross on a grave.
I like this interpretation very much. The only things that I see that weren't my original feelings are that instead of giving advice to a younger man, I see him as simply reflecting on his life, lonely and cold. But that's just what strikes me. I do like the advice approach as well.<br /> <br /> The other is that, for some reason, I tend to see Evelyn as his wife from earlier days. Maybe he burned out on his life and the positive things in it were lost when he left it. Taking for granted the good in his life, not seeing the happiness security of the life he lived, he hit the road to find something... Maybe to find himself??? In any case, I see his memories with Evelyn and his dog Gyp as happier times and wishing he could return. Just can't find his way back there, if it even exists anymore, for whatever reason...<br /> <br /> All in all, though, I do like your interpretation. Your's has enlightened and reinforced mine.
I like the interpretation, but I think there is more to the chorus. His life's journey has brought him all over the world, and he senses it's coming to a close. He realizes he will not make it back home (whether literally or figuratively) in his lifetime. But he hopes his horse can get him back, even if it's just his body, to a place he can call home.
Just a few points about the placenames here....
This hobo's narrative begins in Murfreesboro, TN, which the narrator leaves to go see the world by bumming around and riding the rails (a recurring theme in Waits's work).
At the time when he tells this tale, he has ended up on Maxwell Street in Chicago, world-weary and without a penny to his name.
He describes his time bumming around Mississippi, when he once walked the 200 miles from Natchez to Hushpukina, and later ended up working in a sawmill in Belzoni -- where he reports he never received his wages.
Something happened in Belzoni (perhaps a confrontation with the mill owner who wouldn't pay him) and he had to "catch a blind out on the B&O", which means jumping a freight train owned by the Baltimore and Ohio line, standing on the linkage between the coal car and the adjoining freight car, a position which could not be seen by the engineer because the coal car blocks the view. It was a rough way to ride, but not as bad as "riding the rods" which was even more dangerous.
Presumably, the narrator shot someone and faced a charge of life in prison, thus "a .44 will get you 99". That's why he escapes to Talullah, a town in Louisiana, outside of the Mississippi state jurisdiction.
By the time he ends up in Chicago, telling his tale to the "boys" in the flop-house or out on the street, his days of slow-dancing with Ida Jane and sitting in Evelyn's warm kitchen with a hot cup of coffee and the dog lying on his feet are long gone dreams of his youth.
The lines of the chorus are ironic... he has no pony, he has no home, and the life he knew back in Tennessee is gone, never to be recaptured.
But the desire is still there. Now more than ever, in fact. Now he knows what he lost, what he threw away.
Maybe it was all worth it, but it sure is hard to think that when you're old and down on your luck in the market district of Chicago, spinning your tales of jumping trains with Blind Darby and Burned Face Jake.
You just hope that somehow, some way, you can make it back. That some force will sweep you up and carry you there, and you'll find yourself again in the arms of your childhood sweetheart, and someone will see you and know you and invite you in and the dog will be happy that you've returned and curl up next to you and fall asleep as you talk into the night, and there'll be a bed waiting for you, with clean sheets to sleep on, and clean water to wash in the next morning.
I hope my pony knows the way back home.
I like the song, but it's my understanding that the pony never left the gate. The rider became missing in action...action elsewhere:) The sequel to the song is the pony telling the rider to get the heck over here and stop waiting for something as unrealistic as a pony and a rider communicating via Internet;)
@jeffreystump, I think the song you're referring to there is "Get Behind the Mule" which is track 4 on the same record as "Pony".
wow, nice job, thanks
@Lazlo: Excellent explication! I agree with most, though as someone else mentioned, Tom has confusingly claimed that "44" and "99" refer to restaurant slang for coffee. But Tom is such a fibber! <br /> <br /> <br /> I've always associated "Burnt-Face Jake" with the devil. The protagonist ran his race with the Devil, and somehow beat him -- "gave him a manzanita cross".<br /> <br /> <br /> I notice the protagonist is never mentioned riding or caring for a horse. I think the pony here is the old man's spirit, perhaps his soul. He's facing death, he knows it, and he hopes that after he dies his spirit "knows the way back home."
me, luffster.
...unless that was a rhetorical question. :eek3:
this song speaks beyond your capacity to understand, luffster, quite simply. you can't see the forest for the trees..in fact, you've never even been in the woods alone.
this song speaks beyond your capacity to understand, luffster, quite simply. you can't see the forest for the trees..in fact, you've never even been in the woods alone.
look kid, put the tom waits away until you do some growing up. You're clearly not mature enough at 15 to appreciate one of the greatest musical genius's of our time. Go back to your taking back sunday and the used or whatever you listen to until you realize it's boring and trite, then give Tom another try. You might be surprised what you find.
according to her profile, she only logged on once: the time this comment was made. you'd think that she only logged on to tell us how much she hated the song. oy.
having checked her profile, she seems to be the standard teen girl. Into the teeny bands, and too young to appreciate what most of us call "real music" (with apologies to blink, who's newish album is supposedly quite adult).
Dead$y, a nod to Ben Folds Five's Philosophy? nice:)
By the way, folks, great song...