This is a hauntingly beautiful song about introspection, specifically about looking back at a relationship that started bad and ended so poorly, that the narrator wants to go back to the very beginning and tell himself to not even travel down that road. I believe that the relationship started poorly because of the lines:
"Take me back to the night we met:When the night was full of terrors: And your eyes were filled with tears: When you had not touched me yet"
So, the first night was not a great start, but the narrator pursued the relationship and eventually both overcame the rough start to fall in love with each other:
"I had all and then most of you"
Like many relationships that turn sour, it was not a quick decline, but a gradual one where the narrator and their partner fall out of love and gradually grow apart
"Some and now none of you"
Losing someone who was once everything in your world, who you could confide in, tell your secrets to, share all the most intimate parts of your life, to being strangers with that person is probably one of the most painful experiences a person can go through. So Painful, the narrator wants to go back in time and tell himself to not even pursue the relationship.
This was the perfect song for "13 Reasons Why"
The kingdom is ransacked
The jewels all taken back
And the chopper descends
They're hidden in the back
With a message written on a half-baked potato
The spool goes 'round
Sayin' I'm back here in this place
And I could cry
And there's smoke you could click on
What are we gonna do now?
Taking off his turban, they said, "is this man a Jew?"
'Cause they're working for the clampdown
They put up a poster saying: "We earn more than you
We're working for the clampdown
We will teach our twisted speech
To the young believers
We will train our blue-eyed men
To be young believers"
The judge said, five to ten, but I say double that again
I'm not working for the clampdown
No man born with a living soul
Can be working for the clampdown
Kick over the wall 'cause government's to fall
How can you refuse it?
Let fury have the hour, anger can be power
Do you know that you can use it?
The voices in your head are calling
Stop wasting your time, there's nothing coming
Only a fool would think someone could save you
The men at the factory are old and cunning
You don't owe nothing, boy, get runnin'
It's the best years of your life they want to steal
But you grow up and you calm down
And working for the clampdown
You start wearing blue and brown
You're working for the clampdown
So you got someone to boss around
It make you feel big now
You drift until you brutalize
Make your first kill now
In these days of evil Presidentes
Working for the clampdown
But lately one or two has fully paid their due
For working for the clampdown
Ha! Get along! Get along! (working for the clampdown)
Ha! Get along! Get along! (working for the clampdown)
Yeah, I'm working hard in Harrisburg
Working hard in Petersburg
Working for the clampdown
Working for the clampdown
Ha! Get along! Get along!
Beggin' to be melted down
(Get along! Get along!)
Work, work, work
And I'll give away no secrets
Work, work, more work, more work
Work, work, work, work, work
Who's barmy now?
The jewels all taken back
And the chopper descends
They're hidden in the back
With a message written on a half-baked potato
The spool goes 'round
Sayin' I'm back here in this place
And I could cry
And there's smoke you could click on
What are we gonna do now?
Taking off his turban, they said, "is this man a Jew?"
'Cause they're working for the clampdown
They put up a poster saying: "We earn more than you
We're working for the clampdown
We will teach our twisted speech
To the young believers
We will train our blue-eyed men
To be young believers"
The judge said, five to ten, but I say double that again
I'm not working for the clampdown
No man born with a living soul
Can be working for the clampdown
Kick over the wall 'cause government's to fall
How can you refuse it?
Let fury have the hour, anger can be power
Do you know that you can use it?
The voices in your head are calling
Stop wasting your time, there's nothing coming
Only a fool would think someone could save you
The men at the factory are old and cunning
You don't owe nothing, boy, get runnin'
It's the best years of your life they want to steal
But you grow up and you calm down
And working for the clampdown
You start wearing blue and brown
You're working for the clampdown
So you got someone to boss around
It make you feel big now
You drift until you brutalize
Make your first kill now
In these days of evil Presidentes
Working for the clampdown
But lately one or two has fully paid their due
For working for the clampdown
Ha! Get along! Get along! (working for the clampdown)
Ha! Get along! Get along! (working for the clampdown)
Yeah, I'm working hard in Harrisburg
Working hard in Petersburg
Working for the clampdown
Working for the clampdown
Ha! Get along! Get along!
Beggin' to be melted down
(Get along! Get along!)
Work, work, work
And I'll give away no secrets
Work, work, more work, more work
Work, work, work, work, work
Who's barmy now?
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The Night We Met
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Mountain Song
Jane's Addiction
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Jane's Addiction vocalist Perry Farrell gives Adam Reader some heartfelt insight into Jane’s Addiction's hard rock manifesto "Mountain Song", which was the second single from their revolutionary album Nothing's Shocking. Mountain song was first recorded in 1986 and appeared on the soundtrack to the film Dudes starring Jon Cryer. The version on Nothing's Shocking was re-recorded in 1988.
"'Mountain Song' was actually about... I hate to say it but... drugs. Climbing this mountain and getting as high as you can, and then coming down that mountain," reveals Farrell. "What it feels to descend from the mountain top... not easy at all. The ascension is tough but exhilarating. Getting down is... it's a real bummer. Drugs is not for everybody obviously. For me, I wanted to experience the heights, and the lows come along with it."
"There's a part - 'Cash in now honey, cash in Miss Smith.' Miss Smith is my Mother; our last name was Smith. Cashing in when she cashed in her life. So... she decided that, to her... at that time, she was desperate. Life wasn't worth it for her, that was her opinion. Some people think, never take your life, and some people find that their life isn't worth living. She was in love with my Dad, and my Dad was not faithful to her, and it broke her heart. She was very desperate and she did something that I know she regrets."
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Shit. I just wrote a long winded but imho brilliant piece but accidentally deleted it when I meant to post it. Fuck. Not going through that again. Already been to college. Lol. Sum it up as The Clash, the only band that matters.