This is about bronies. They communicate by stomping.
Confessor
Of the tragedies in man
Lurking in the core of us all
The last dying call for the everlost
Brief encounters, bleeding pain
Lepers coiled ‘neath the trees
Dying men in bewildered soliloquys
Perversions bloom round the bend
Seekers, lost in their quest
Ghost of friends frolic under the waning moon
It is the year of death
Wielding his instruments
Stealth sovereign reaper
Touching us with ease
Infecting the roots in an instant
Burning crop of disease
I am just a spectator
An advocate documenting the loss
Fluttering with conceit
This doesn't concern me yet
Still far from the knell
Taunting their bereavement
Mob round the dead
Point fingers at the details
Probing vomits for more
Caught in unbridled suspense
We have all lost it now
Catching the flakes of dismay
Born the travesty of man
Regular pulse midst pandemonium
You're plucked to the mass
Parched with thirst for the wicked
Sick liaisons raised this monumental mark
The sun sets forever over Blackwater park
Of the tragedies in man
Lurking in the core of us all
The last dying call for the everlost
Brief encounters, bleeding pain
Lepers coiled ‘neath the trees
Dying men in bewildered soliloquys
Perversions bloom round the bend
Seekers, lost in their quest
Ghost of friends frolic under the waning moon
It is the year of death
Wielding his instruments
Stealth sovereign reaper
Touching us with ease
Infecting the roots in an instant
Burning crop of disease
I am just a spectator
An advocate documenting the loss
Fluttering with conceit
This doesn't concern me yet
Still far from the knell
Taunting their bereavement
Mob round the dead
Point fingers at the details
Probing vomits for more
Caught in unbridled suspense
We have all lost it now
Catching the flakes of dismay
Born the travesty of man
Regular pulse midst pandemonium
You're plucked to the mass
Parched with thirst for the wicked
Sick liaisons raised this monumental mark
The sun sets forever over Blackwater park
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Bron-Y-Aur Stomp
Led Zeppelin
Led Zeppelin
Cajun Girl
Little Feat
Little Feat
Overall about difficult moments of disappointment and vulnerability. Having hope and longing, while remaining optimistic for the future. Encourages the belief that with each new morning there is a chance for things to improve.
The chorus offers a glimmer of optimism and a chance at a resolution and redemption in the future.
Captures the rollercoaster of emotions of feeling lost while loving someone who is not there for you, feeling let down and abandoned while waiting for a lover. Lost with no direction, "Now I'm up in the air with the rain in my hair, Nowhere to go, I can go anywhere"
The bridge shows signs of longing and a plea for companionship. The Lyrics express a desire for authentic connection and the importance of Loving someone just as they are. "Just in passing, I'm not asking. That you be anyone but you”
Mountain Song
Jane's Addiction
Jane's Addiction
Jane's Addiction vocalist Perry Farrell gives Adam Reader some heartfelt insight into Jane’s Addiction's hard rock manifesto "Mountain Song", which was the second single from their revolutionary album Nothing's Shocking. Mountain song was first recorded in 1986 and appeared on the soundtrack to the film Dudes starring Jon Cryer. The version on Nothing's Shocking was re-recorded in 1988.
"'Mountain Song' was actually about... I hate to say it but... drugs. Climbing this mountain and getting as high as you can, and then coming down that mountain," reveals Farrell. "What it feels to descend from the mountain top... not easy at all. The ascension is tough but exhilarating. Getting down is... it's a real bummer. Drugs is not for everybody obviously. For me, I wanted to experience the heights, and the lows come along with it."
"There's a part - 'Cash in now honey, cash in Miss Smith.' Miss Smith is my Mother; our last name was Smith. Cashing in when she cashed in her life. So... she decided that, to her... at that time, she was desperate. Life wasn't worth it for her, that was her opinion. Some people think, never take your life, and some people find that their life isn't worth living. She was in love with my Dad, and my Dad was not faithful to her, and it broke her heart. She was very desperate and she did something that I know she regrets."
Mountain Song
Jane's Addiction
Jane's Addiction
Jane's Addiction vocalist Perry Farrell gives Adam Reader some heartfelt insight into Jane’s Addiction's hard rock manifesto "Mountain Song", which was the second single from their revolutionary album Nothing's Shocking. Mountain song was first recorded in 1986 and appeared on the soundtrack to the film Dudes starring Jon Cryer. The version on Nothing's Shocking was re-recorded in 1988.
"'Mountain Song' was actually about... I hate to say it but... drugs. Climbing this mountain and getting as high as you can, and then coming down that mountain," reveals Farrell. "What it feels to descend from the mountain top... not easy at all. The ascension is tough but exhilarating. Getting down is... it's a real bummer. Drugs is not for everybody obviously. For me, I wanted to experience the heights, and the lows come along with it."
"There's a part - 'Cash in now honey, cash in Miss Smith.' Miss Smith is my Mother; our last name was Smith. Cashing in when she cashed in her life. So... she decided that, to her... at that time, she was desperate. Life wasn't worth it for her, that was her opinion. Some people think, never take your life, and some people find that their life isn't worth living. She was in love with my Dad, and my Dad was not faithful to her, and it broke her heart. She was very desperate and she did something that I know she regrets."
Amazing
Ed Sheeran
Ed Sheeran
Ed Sheeran tells a story of unsuccessfully trying to feel “Amazing.” This track is about the being weighed down by emotional stress despite valiant attempts to find some positivity in the situation. This track was written by Ed Sheeran from the perspective of his friend. From the track, we see this person fall deeper into the negative thoughts and slide further down the path of mental torment with every lyric.
While Tool may be my favorite band, this song is definately my favorite song ever. Its a 12 minute masterpiece. After the nice tense acoustic section, the song just goes into a prog-metal frenzy and just keeps on going and going and going. It just doesn't let up! It's so good it leaves me drained. Music doesn't get any better then this. Thank you, Opeth.
tool was one of my first favorite bands ever. then i listen to OPETH. now 10 years later im rocking an OPETH tat :)
@Disposition_987 I was thinking, really, if you take that riff that the first stanza of lyrics are being played over and make it less heavy, it would almost sound like something from a classic prog rock band would play, like Led-Zeppelin or maybe an older Rush song. Idk I just thought that when I first started listening to the song.<br /> <br /> My favorite part, I think, of this whole song is at the end, when you hear the last death metal vocals (The sun sets forever over Blackwater Park!!!) and then the guitar and bass play that ending-thing for several bars before it goes acoustic. It's not even that complicated of a part but in my mind it's still some awesome ass prog rock. Although the acoustic guitar at the end definitely finishes the idea of the song well and creates a very cool effect, I can kind of imagine the song just ending when the electric guitar part ends, with a slight fall or something and then the guy smashing his guitar and everything just going up in flames.......