A Thousand Kisses Deep Lyrics
The odds are there to beat.
You win a while, and then it's done -
Your little winning streak.
And summoned now to deal
With your invincible defeat,
You live your life as if it's real,
A Thousand Kisses Deep.
I'm back on Boogie Street.
You lose your grip, and then you slip
Into the Masterpiece.
And maybe I had miles to drive,
And promises to keep:
You ditch it all to stay alive,
A Thousand Kisses Deep.
The wretched and the meek,
We gather up our hearts and go,
A Thousand Kisses Deep.
The limits of the sea:
I saw there were no oceans left
For scavengers like me.
I made it to the forward deck
I blessed our remnant fleet -
And then consented to be wrecked,
A Thousand Kisses Deep.
I'm back on Boogie Street.
I guess they won't exchange the gifts
That you were meant to keep.
And quiet is the thought of you
The file on you complete,
Except what we forgot to do,
A Thousand Kisses Deep.
The wretched and the meek,
We gather up our hearts and go,
A Thousand Kisses Deep.
The odds are there to beat...
The song is about accepting things we can't change, and accepting a path we didn't exactly envision for ourselves. (same theme as the traitor).
"Can't return the gifts you were mean't to keep" You can't pick and choose events, and gifts, life has a large element of choice, but accept the things you are meant to have.
"Summoned now to deal... ...invincible defeat" Down on your luck? Its the way it goes, accept it and live through it.
"No oceans left..." Being a scavenger is like a fantasy, but there are no oceans, that is not who he is. "Consent to be wrecked" Accept your fates you cannot control and move forward from there.
He believes there is a quiet courage in accepting the path that is laid ahead of you, as you gather up your heart and go a thousand kisses deep.
WRONG It's a dance between reality and fantasy, not an acceptance of one or the other. "A thousand kisses deep" is the escape from reality, everything else is a literal or figurative form of reality.
WRONG It's a dance between reality and fantasy, not an acceptance of one or the other. "A thousand kisses deep" is the escape from reality, everything else is a literal or figurative form of reality.
Anyone else catch the reference to "Stopping by Woods on a Snowy Evening"?
And maybe I had miles to drive, And promises to keep:
I hope the following will be helpful, its the full poem
Don't matter if the road is long Don't matter if it's steep Don't matter if the moon is gone And the darkness is complete Don't matter if we lose our way It's written that we'll meet At least, that's what I heard you say A thousand kisses deep
I loved you when you opened Like a lily to the heat You see, I'm just another snowman Standing in the rain and sleet Who loved you with his frozen love His second hand physique With all he is and all he was A thousand kisses deep
I know you had to lie to me I know you had to cheat You learned it on your father's knee And at your mother's feet But did you have to fight your way Across the burning street When all our vital interests lay A thousand kisses deep
I'm turning tricks I'm getting fixed I'm back on boogie street I'd like to quit the business But I'm in it, so to speak The thought of you is peaceful And the file on you complete Except what I forgot to do A thousand kisses deep
Don't matter if you're rich and strong Don't matter if you're weak Don't matter if you write a song The nightingales repeat Don't matter if it's nine to five Or timeless and unique You ditch your life to stay alive A thousand kisses deep
The ponies run The girls are young The odds are there to beat You win a while, and then it's done Your little winning streak And summon now to deal with your invincible defeat You live your life as if it's real A thousand kisses deep
I hear their voices in the wine That sometimes did me seek The band is playing Auld Lang Syne But the heart will not retreat There's no forsaking what you love No existential leap As witnessed here in time and blood A thousand kisses deep
Definitely about being heartbroken and back on "boogie street" even though you didnt want to. Cause everyones a liar, maybe including himself..and he accepts that.
@MaryBellows Where did you find the full poem...is it in a book? He really is a masterful poet
@MaryBellows Where did you find the full poem...is it in a book? He really is a masterful poet
@MaryBellows "You learned it on your father's and at your mother's feet" Cohen often seems to align with Jungian thought and imagery, but this one is purely Freudian.
@MaryBellows "You learned it on your father's and at your mother's feet" Cohen often seems to align with Jungian thought and imagery, but this one is purely Freudian.
The song is about falling into an affair. The "odds to beat" are the circumstances stacked against a forbidden relationship. The character's "winning streak" with casual sex is over when he falls for someone unavailable. "You live your life as if it's real a thousand kisses deep" refers to lives they lead during the daytime that really are a shell of existence compared to the nightlife they share, when they retreat together for sex, a thousand kisses deep. He's "turning tricks" because he's confined to only sex with someone he actually is in love with. When it's just physical, there is nothing to lose but when your heart is in it- and the circumstances are against it, you prostitute yourself becuase it's better to have some of the person than none. He slips into the masterpiece because it began as much less and loses control over the tryst. Whatever he had to do before being with her he ditches for passion. Same can be said for the obligations that someone who is taken/married/unavailable ditches for a night of passion. "Confined to sex, we pressed against the limits of the sea" You can pursue sex for the sake of having it, but the purpose of the act is to procreate. With fornicatioin comes limitation. When your heart is in it, you want things to go further out. Most likely, Leonard Cohen has lived out dozens of scenerios with women; I believe he's covered every ocean when it comes to relationships. "Consenting to be wrecked a thousand kisses deep" means letting the other person decide how much pain to put you through. The guests will still bring her the wedding gift because she's not leaving the one she's with for her lover. I think they "forgot" to say good bye. Maybe they're still forgetting.
@alex1313 Yep, it's all about an affair. But you seem to put too much weight to sex. I think, the song is about falling in love with a person when everything is against it, when you have wife, and kids, and all that. But you meet this "masterpiece" and just fall down, you cannot do a thing about it ("And maybe I had miles to drive and promisses to keep). You are turning tricks - cheat - and getting fixed (drink, maybe), you go down doing despicable things just to have time with this person you love. But you cannot...
@alex1313 Yep, it's all about an affair. But you seem to put too much weight to sex. I think, the song is about falling in love with a person when everything is against it, when you have wife, and kids, and all that. But you meet this "masterpiece" and just fall down, you cannot do a thing about it ("And maybe I had miles to drive and promisses to keep). You are turning tricks - cheat - and getting fixed (drink, maybe), you go down doing despicable things just to have time with this person you love. But you cannot just run from former obligations forever, there is a limit to that ocean. And there comes the time "to bless the remnant fleet" and face invincible defeat. And live your life as if it's real, holding just a fading memory. And you're getting cool about it. "But sometime when the night is slow" - means you cannot fall asleep, because it still hurts and bothers, and you think about what you could have done another way, and get drown in distant memories...
@alex1313 I don't take "odd's to beat" as an affair but simply as a humble aging man still getting the younger the younger girls around to fall for him, and he for them-a thousand kisses deep "odds are there to beat" and the "girls are young".
@alex1313 I don't take "odd's to beat" as an affair but simply as a humble aging man still getting the younger the younger girls around to fall for him, and he for them-a thousand kisses deep "odds are there to beat" and the "girls are young".
Whenever I hear this song, the phrase "Boogie Street" takes precedence over the titular phrase "A Thousand Kisses Deep." Boogie Street is a place where Dionysus would be at home, as the god who breaks formal limits, and revels in the intoxication of... well, reveling, and the risk-taking that such reveling produces. The word boogie itself connotes a dance without limits, usually expressing a desire to "let it all loose" to exhilarating party music at the expense of any formality.
Cohen paints boogie street with metaphors of youth- "the ponies (not older horses) run, the girls are young, the odds are there to beat." Youth, Cohen implies, is a time to beat the odds, a time to take risks in order to survive (the betting on ponies), and in order to make love (the girls are young) and thereby ease one's solitude, which is nearly always present in differing degrees in Cohen's songs.
Whereas boogie street is the place where one's limits dissolve in reveling and risk-taking, returning to a place "A Thousand Kisses Deep," implies the rational reflection and an intentional numbering of experience. To reflect on just how many kisses one has had means soberly reflecting on the past, numbering one's experiences. The word "deep" also implies that this act of numbering is more profound than the shallower joys found on boogie street. However, the place of a thousand kissses deep, the place of rational reflection combined with nostalgia for the past, lacks some of the advantages of "boogie street:" The benefits of boogie street are the focus on the present (when dancing, you are simply following the present beat), expanding one's limits through the reveling and risk-taking of the moment , and of a joyful wandering without intention. "A thousand kisses deep," though, is the place of sober reflection we all return to, after the exhilaration of a night or two on boogie street fades, and allows us to make sense of and number the experiences that we've had so far on boogie street.
thank you jmax for this thoughts..I really like your views
thank you jmax for this thoughts..I really like your views
a downcast lover talking to the tattered memories of a faded former flame; crouched beneath the heroin-addiction her/his love once lifted him hopefully from, where he began on lonely street
Don't forget Leonard's first stanza with his live, spoken word edition from the concert tour of '08:
You came to me this morning, and you handled me like meat You'd have to be a man to know how good that feels, how sweet My mirrored twin, my next of kin, I'd know you in my sleep And who but you would let me in A thousand kisses deep.
Awesome! Always got a laugh during his concerts, and inevitably a standing ovation after this moving performance.
Giving in to passions, enjoying an encounter with the knowledge that it will not last or amount to anything...Leonard Cohen is the King of Pathos.
This is an amazing song to dance to with that particular person...or engage in other activities with while playing in the background. Nice atmosphere and the lyrics...what can one say? Vague, but beautiful.
Wow, those are some great comments. I did catch the reference to Frost. I remember an interview when Leonard spoke about "The Traitor" and everytime I here this song, I think it speaks to the greater courage being accepting life as it is and not as we wanted it to be. He explains that this is the meaning in "The Traitor." It really comforts me to hear him talk about our percieved failures, being true courage. I think I will just slip into the masterpiece.
Wonderful and thoughtful comments on this very deep song. For what it's worth, I consider it a song not about a clandestine affair, though it might encompass that, but about accepting the end of life and embracing what life brought, in all its polar opposites, and letting go.