Jane's Addiction vocalist Perry Farrell gives Adam Reader some heartfelt insight into Jane’s Addiction's hard rock manifesto "Mountain Song", which was the second single from their revolutionary album Nothing's Shocking. Mountain song was first recorded in 1986 and appeared on the soundtrack to the film Dudes starring Jon Cryer. The version on Nothing's Shocking was re-recorded in 1988.
"'Mountain Song' was actually about... I hate to say it but... drugs. Climbing this mountain and getting as high as you can, and then coming down that mountain," reveals Farrell. "What it feels to descend from the mountain top... not easy at all. The ascension is tough but exhilarating. Getting down is... it's a real bummer. Drugs is not for everybody obviously. For me, I wanted to experience the heights, and the lows come along with it."
"There's a part - 'Cash in now honey, cash in Miss Smith.' Miss Smith is my Mother; our last name was Smith. Cashing in when she cashed in her life. So... she decided that, to her... at that time, she was desperate. Life wasn't worth it for her, that was her opinion. Some people think, never take your life, and some people find that their life isn't worth living. She was in love with my Dad, and my Dad was not faithful to her, and it broke her heart. She was very desperate and she did something that I know she regrets."
Green light, Seven Eleven
You stop in for a pack of cigarettes
You don't smoke, don't even want to
Hey now, check your change
Dressed up like a car crash
Your wheels are turning but you're upside down
You say when he hits you, you don't mind
Because when he hurts you, you feel alive
Is that what it is
Red lights, gray morning
You stumble out of a hole in the ground
A vampire or a victim
It depends on who's around
You used to stay in to watch the adverts
You could lip sync to the talk shows
And if you look, you look through me
And when you talk, you talk at me
And when I touch you, you don't feel a thing
If I could stay
Then the night would give you up
Stay and the day would keep its trust
Stay and the night would be enough
Faraway, so close
Up with the static and the radio
With satellite television
You can go anywhere
Miami, New Orleans
London, Belfast and Berlin
And if you listen I can't call
And if you jump, you just might fall
And if you shout, I'll only hear you
If I could stay
Then the night would give you up
Stay then the day would keep its trust
Stay with the demons you drowned
Stay with the spirit I found
Stay and the night would be enough
Three o'clock in the morning
It's quiet and there's no one around
Just the bang and the clatter
As an angel runs to ground
Just the bang
And the clatter
As an angel
Hits the ground
You stop in for a pack of cigarettes
You don't smoke, don't even want to
Hey now, check your change
Dressed up like a car crash
Your wheels are turning but you're upside down
You say when he hits you, you don't mind
Because when he hurts you, you feel alive
Is that what it is
Red lights, gray morning
You stumble out of a hole in the ground
A vampire or a victim
It depends on who's around
You used to stay in to watch the adverts
You could lip sync to the talk shows
And if you look, you look through me
And when you talk, you talk at me
And when I touch you, you don't feel a thing
If I could stay
Then the night would give you up
Stay and the day would keep its trust
Stay and the night would be enough
Faraway, so close
Up with the static and the radio
With satellite television
You can go anywhere
Miami, New Orleans
London, Belfast and Berlin
And if you listen I can't call
And if you jump, you just might fall
And if you shout, I'll only hear you
If I could stay
Then the night would give you up
Stay then the day would keep its trust
Stay with the demons you drowned
Stay with the spirit I found
Stay and the night would be enough
Three o'clock in the morning
It's quiet and there's no one around
Just the bang and the clatter
As an angel runs to ground
Just the bang
And the clatter
As an angel
Hits the ground
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Mountain Song
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I don't think it's necessarily about sex. It's about wanting to start the day with some love and affection. Maybe a warm cuddle. I'm not alone in interpreting it that way! For example:
"'Just a Little Lovin’ is a timeless country song originally recorded by Eddy Arnold in 1954. The song, written by Eddie Miller and Jimmy Campbell, explores the delicate nuances of love and showcases Arnold’s emotive vocals. It delves into the universal theme of love and how even the smallest gesture of affection can have a profound impact on our lives." https://oldtimemusic.com/the-meaning-behind-the-song-just-a-little-lovin-by-eddy-arnold/
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“Head > Heels” is a track that aims to capture what it feels like to experience romance that exceeds expectations. Ed Sheeran dedicates his album outro to a lover who has blessed him with a unique experience that he seeks to describe through the song’s nuanced lyrics.
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Ed Sheeran shares a short story of reconnecting with an old flame on “American Town.” The track is about a holiday Ed Sheeran spends with his countrywoman who resides in America. The two are back together after a long period apart, and get around to enjoying a bunch of fun activities while rekindling the flames of their romance.
Page
Ed Sheeran
Ed Sheeran
There aren’t many things that’ll hurt more than giving love a chance against your better judgement only to have your heart crushed yet again. Ed Sheeran tells such a story on “Page.” On this track, he is devastated to have lost his lover and even more saddened by the feeling that he may never move on from this.
such a good song, definitely one of U2's best. haunting lyrics, beautiful guitar, and, like with or without you, the song builds to a climax which reaches its peak when bono sings "stay" for the last time...
this song has, for me, always been about a man who is deeply in love with a woman who's in an abusive relationship with another man. the angel who hits the ground at the song's conclusion is the woman who has fallen, not necessarily dead, but she has once again been thrown to the ground by her abusive lover and must pick herself up again.
"And if you look, you look through me And when you talk, you talk at me And when I touch you, you don't feel a thing"
here the man says that the woman he is desperately in love with doesn't know he's alive. no matter how much he tries to talk to her, she doesn't notice. (faraway, so close...)
i have seen the filmclip aswell, and though i understand the song was written with the story of guardian angels in mind, when i hear the song its never about angels. to me, bono's voice has never been heavenly, but so genuinely human, so soulful, so comforting, and you know that he means every word he sings. the sound of the soul has been tragically neglected in a large majority of today'#######, yet in U2, it lives on...