Yeah, yeah, yeah, yeah
Give it to me now, give it to me now
Give it to me now, give it to me now
Yeah, yeah, yeah, yeah
Give it to me now, give it to me now
Give it to me now

I wanna, li-li-li-lick you from your head to your toes
And I wanna, move from the bed down to the, down to the, to the flo'
Then I wanna, "Ahh ahh," you make it so good I don't wanna leave
But I gotta kn-kn-kn-know, what-what's your fan-ta-ta-sy?
I wanna, li-li-li-lick you from your head to your toes
And I wanna, move from the bed down to the, down to the, to the flo'
Then I wanna, "Ahh ahh," you make it so good I don't wanna leave
But I gotta kn-kn-kn-know, what-what's your fan-ta-ta-sy? (Uh, uh)

I wanna get you in the Georgia Dome on the fifty-yard line
While the Dirty Birds kick for t'ree
And if you like in the club, we can do it in the DJ booth
Or in the back of the V.I.P.
Whipped cream with cherries and strawberries on top, lick it don't stop
Keep the door locked, don't knock while the boat rock
We go-bots and robots, so they got to wait 'til the show stop
Or how about on the beach with black sand?
Lick up your thigh then call me the Pac Man
Table top or just give me a lap dance
The Rock to the Park to the Point to the Flatlands
That man named Ludacris (woo), in the public bathroom
Or in back of the classroom
How ever you want it, lover-lover gon' tap that ass soon
See I cast 'em and I passed 'em
Get a tight grip and I grasp 'em
I flash 'em and outlast 'em
And if it ain't good then I trash 'em
While you stash 'em, I'll let 'em free
And they tell me what's they fantasy
Like up on the roof, roof
Tell your boyfriend not to be mad at me

I wanna, li-li-li-lick you from your head to your toes
And I wanna, move from the bed down to the, down to the, to the flo'
Then I wanna, "Ahh ahh," you make it so good I don't wanna leave
But I gotta kn-kn-kn-know, what-what's your fan-ta-ta-sy?
I wanna, li-li-li-lick you from your head to your toes
And I wanna, move from the bed down to the, down to the, to the flo'
Then I wanna, "Ahh ahh," you make it so good I don't wanna leave
But I gotta kn-kn-kn-know, what-what's your fan-ta-ta-sy?

Uh, I wanna get you in the bath tub
With the candles lit, you give it up 'til they go out
Or we can do it on stage at the Ludacris concert
'Cause you know it got sold out
A red carpet dick, it just roll out
Gon' 'head and scream, you can't hold out
We can do it in the pouring rain
Running the train, when it's hot or when it's cold out
How about up in the library on top of books?
But you can't be too loud
You wanna make a brother beg for it
Give me TLC 'cause you know I be too proud
We can do it in the White House
Try to make them turn the lights out
Champagne with my campaign
Let me do the damn thing
What's my name? What's my name? What's my name? (Ah)
The sauna, jacuzzi, in the back row at the movie
You can scratch my back and rule me
You can push me and just pull me
On hay in the middle of the barn (woo)
Or rose petals on the silk sheets (uh)
Eating fresh fruit, sweep your woman right off her feet

I wanna, li-li-li-lick you from your head to your toes
And I wanna, move from the bed down to the, down to the, to the flo'
Then I wanna, "Ahh ahh," you make it so good I don't wanna leave
But I gotta kn-kn-kn-know, what-what's your fan-ta-ta-sy?
I wanna, li-li-li-lick you from your head to your toes
And I wanna, move from the bed down to the, down to the, to the flo'
Then I wanna, "Ahh ahh," you make it so good I don't wanna leave
But I gotta kn-kn-kn-know, what-what's your fan-ta-ta-sy? (Ah, ah)

I wanna get you in the back seat, windows up
That's the way you like to fuck
Clogged up, fog alert
Rip the pants and rip the shirt
Rough sex, make it hurt
In the garden, all in the dirt
Roll around Georgia Brown
That's the way that I like it twerked
Legs jerk, overworked
Underpaid, but don't be afraid
In the sun or up in the shade
On the top of my Escalade
Maybe your girl and my friend can trade
Tag team, off the rope
On the ocean or in the boat
Factories are on hundred spokes
What about up in the candy store?
That chocolate, chocolate make it melt
Whips and chains, handcuffs
Smack a little booty up with my belt
Scream, "Help," play my game
Dracula, man, I'll get my fangs
Horseback and I'll get my reins
School teacher, let me get my brains

I wanna, li-li-li-lick you from your head to your toes
And I wanna, move from the bed down to the, down to the, to the flo'
Then I wanna, "Ahh ahh," you make it so good I don't wanna leave
But I gotta kn-kn-kn-know, what-what's your fan-ta-ta-sy?
I wanna, li-li-li-lick you from your head to your toes
And I wanna, move from the bed down to the, down to the, to the flo'
Then I wanna, "Ahh ahh," you make it so good I don't wanna leave
But I gotta kn-kn-kn-know, what-what's your fan-ta-ta-sy?

I wanna, li-li-li-lick you from your head to your toes
And I wanna, move from the bed down to the, down to the, to the flo'
Then I wanna, "Ahh ahh," you make it so good I don't wanna leave
But I gotta kn-kn-kn-know, what-what's your fan-ta-ta-sy?
I wanna, li-li-li-lick you from your head to your toes
And I wanna, move from the bed down to the, down to the, to the flo'
Then I wanna, "Ahh ahh," you make it so good I don't wanna leave
But I gotta kn-kn-kn-know, what-what's your fan-ta-ta-sy?


Lyrics submitted by kevin

What's Your Fantasy Lyrics as written by Christopher Bridges Shondrae Crawford

Lyrics © Sony/ATV Music Publishing LLC

Lyrics powered by LyricFind

What's Your Fantasy song meanings
Add Your Thoughts

41 Comments

sort form View by:
  • 0
    General Comment

    this is the first song i ever heard from ludacris and it'll always be my fav. ^_^

    BlueFlameon June 14, 2002   Link

Add your thoughts

Log in now to tell us what you think this song means.

Don’t have an account? Create an account with SongMeanings to post comments, submit lyrics, and more. It’s super easy, we promise!

More Featured Meanings

Album art
Cajun Girl
Little Feat
Overall about difficult moments of disappointment and vulnerability. Having hope and longing, while remaining optimistic for the future. Encourages the belief that with each new morning there is a chance for things to improve. The chorus offers a glimmer of optimism and a chance at a resolution and redemption in the future. Captures the rollercoaster of emotions of feeling lost while loving someone who is not there for you, feeling let down and abandoned while waiting for a lover. Lost with no direction, "Now I'm up in the air with the rain in my hair, Nowhere to go, I can go anywhere" The bridge shows signs of longing and a plea for companionship. The Lyrics express a desire for authentic connection and the importance of Loving someone just as they are. "Just in passing, I'm not asking. That you be anyone but you”
Album art
Mountain Song
Jane's Addiction
Jane's Addiction vocalist Perry Farrell gives Adam Reader some heartfelt insight into Jane’s Addiction's hard rock manifesto "Mountain Song", which was the second single from their revolutionary album Nothing's Shocking. Mountain song was first recorded in 1986 and appeared on the soundtrack to the film Dudes starring Jon Cryer. The version on Nothing's Shocking was re-recorded in 1988. "'Mountain Song' was actually about... I hate to say it but... drugs. Climbing this mountain and getting as high as you can, and then coming down that mountain," reveals Farrell. "What it feels to descend from the mountain top... not easy at all. The ascension is tough but exhilarating. Getting down is... it's a real bummer. Drugs is not for everybody obviously. For me, I wanted to experience the heights, and the lows come along with it." "There's a part - 'Cash in now honey, cash in Miss Smith.' Miss Smith is my Mother; our last name was Smith. Cashing in when she cashed in her life. So... she decided that, to her... at that time, she was desperate. Life wasn't worth it for her, that was her opinion. Some people think, never take your life, and some people find that their life isn't worth living. She was in love with my Dad, and my Dad was not faithful to her, and it broke her heart. She was very desperate and she did something that I know she regrets."
Album art
When We Were Young
Blink-182
This is a sequel to 2001's "Reckless Abandon", and features the band looking back on their clumsy youth fondly.
Album art
No Surprises
Radiohead
Same ideas expressed in Fitter, Happier are expressed in this song. We're told to strive for some sort of ideal life, which includes getting a good job, being kind to everyone, finding a partner, getting married, having a couple kids, living in a quiet neighborhood in a nice big house, etc. But in Fitter, Happier the narrator(?) realizes that it's incredibly robotic to live this life. People are being used by those in power "like a pig in a cage on antibiotics"--being pacified with things like new phones and cool gadgets and houses while being sucked dry. On No Surprises, the narrator is realizing how this life is killing him slowly. In the video, his helmet is slowly filling up with water, drowning him. But he's so complacent with it. This is a good summary of the song. This boring, "perfect" life foisted upon us by some higher powers (not spiritual, but political, economic, etc. politicians and businessmen, perhaps) is not the way to live. But there is seemingly no way out but death. He'd rather die peacefully right now than live in this cage. While our lives are often shielded, we're in our own protective bubbles, or protective helmets like the one Thom wears, if we look a little harder we can see all the corruption, lies, manipulation, etc. that is going on in the world, often run by huge yet nearly invisible organizations, corporations, and 'leaders'. It's a very hopeless song because it reflects real life.
Album art
American Town
Ed Sheeran
Ed Sheeran shares a short story of reconnecting with an old flame on “American Town.” The track is about a holiday Ed Sheeran spends with his countrywoman who resides in America. The two are back together after a long period apart, and get around to enjoying a bunch of fun activities while rekindling the flames of their romance.