This song is timeless, and nearly 20 years after its creation, still possesses the mystique it did the first time i heard it ~1994. To me, at first blush, all those years ago, it had some kind of homo-erotic allure. The line "so that the others may do" tells of something which must be done for others to follow suit. It felt like like some kind of roxy-glam-pop invitation to sexual liberation.
Upon further introspection I think the song may not have an intrinsic meaning, but simply represents a sort of "holding open the door" for people who otherwise might be affronted by this song/band's unusual style. I know, as a sort of armchair rock-historian, that there have been few bands so daring and so true to the sound that wanted to emerge from within, whether the creator wanted it or not. This band handled it with elegance and grace seldom, if ever, seen.
Meet me in between
The cities we grew up in
The places we have loved
Your skin and your jeans
The way your spirit moves you
The way you're made of dust
Take me far away
To forests with no ceiling
To bridges made of sand
By the time that we awake
Our legs have turned to cedars
We don't need them to stand
The cities we grew up in
The places we have loved
Your skin and your jeans
The way your spirit moves you
The way you're made of dust
Take me far away
To forests with no ceiling
To bridges made of sand
By the time that we awake
Our legs have turned to cedars
We don't need them to stand
Lyrics submitted by username-ben
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