Don't blame me, love made me crazy
If it doesn't, you ain't doin' it right
Lord, save me, my drug is my baby
I'll be usin' for the rest of my life

I've been breakin' hearts a long time, and
Toyin' with them older guys
Just playthings for me to use
Something happened for the first time, in
The darkest little paradise
Shakin, pacin', I just need you

For you, I would cross the line
I would waste my time
I would lose my mind
They say, "She's gone too far this time"

Don't blame me, love made me crazy
If it doesn't, you ain't doin' it right
Lord, save me, my drug is my baby
I'll be usin' for the rest of my life
Don't blame me, love made me crazy
If it doesn't, you ain't doin' it right
Oh, Lord, save me, my drug is my baby
I'll be usin' for the rest of my life

My name is whatever you decide
And I'm just gonna call you mine
I'm insane, but I'm your baby (your baby)
Echoes (echoes) of your name inside my mind
Halo, hiding my obsession
I once was poison ivy, but now I'm your daisy

And baby, for you, I (I) would (would) fall from grace
Just (just) to (to) touch your face
If (if) you (you) walk away
I'd beg you on my knees to stay

Don't blame me, love made me crazy
If it doesn't, you ain't doin' it right
Lord, save me, my drug is my baby
I'll be usin' for the rest of my life (yeah, ooh)
Don't blame me, love made me crazy
If it doesn't, you ain't doin' it right
Oh, Lord, save me, my drug is my baby
I'll be usin' for the rest of my life

I get so high, oh
Every time you're, every time you're lovin' me
You're lovin' me
Trip of my life, oh
Every time you're, every time you're touchin' me
You're touchin' me

Every time you're, every time you're lovin' me
Oh Lord, save me, my drug is my baby
I'll be usin' for the rest of my life
Usin' for the rest of my life, ohh-oh

Don't blame me, love made me crazy
If it doesn't, you ain't doin' it right (doin' it right, no)
Lord, save me, my drug is my baby
I'll be usin' for the rest of my life (oh)
Don't blame me, love made me crazy (ooh)
If it doesn't, you ain't doin' it right (you ain't doin' it right)
Oh, Lord, save me, my drug is my baby
I'll be usin' for (I'll be usin') the rest of my life (I'll be usin')

I get so high, oh
Every time you're, every time you're lovin' me
You're lovin' me
Oh, Lord, save me, my drug is my baby
I'll be usin' for the rest of my life


Lyrics submitted by Mellow_Harsher

Don't Blame Me Lyrics as written by Martin Max Sandberg Taylor Alison Swift

Lyrics © Universal Music Publishing Group

Lyrics powered by LyricFind

Don't Blame Me song meanings
Add Your Thoughts

2 Comments

sort form View by:
  • +1
    General Comment

    "Don't Blame Me" is the fourth track from Taylor Swift's sixth studio album, reputation. It was released on November 10, 2017, through Big Machine Records.

    amir113853on September 23, 2020   Link
  • +1
    My Interpretation

    Personally I interpret this song as Taylor’s commentary on the unrelenting criticism of her love life, through the lens of a hypothetical toxic relationship. This would fit very well with the overall theme of Reputation as an album, which is all about Taylor’s reputation (go figure) and her no longer taking it lying down, so to say. First, there’s this lyric:

    -I've been breakin' hearts a long time, and -Toyin' with them older guys* -Just playthings for me to use

    *From Taylor’s other discography, we know that her past relationships did in fact mean a lot to her, and therefore that last part isn’t true. It IS her reputation, however—a careless heartbreaker. This strongly points towards the song being a satire of sorts, where Taylor plays into these stereotypes, not unlike a previous song of hers, Blank Space.

    **Taylor dated quite a few men who were considerably older than her when she was quite young, such as John Mayer (she was 19, he was 32) and Jake Gyllenhaal (she was 20, he was 29). It’s heavily assumed that her songs Dear John and All Too Well are about these two respectively, which would confirm that the relationships were indeed toxic. Despite Taylor’s young age, it was often her who faced the brunt of the backlash from her breakups due to misogyny. The notion that Taylor was somehow the manipulator in relationships with such a clear power imbalance in the opposite direction (due to the age differences) is borderline absurd, and Don’t Blame Me once again plays into that.

    Moving on; one might think this song to be romantic at first—a song about true love in all its intensity. However, I believe a deeper dive into the lyrics reveals something else. Because while the love displayed in this song is certainly intense and seemingly true, there’s one key thing it’s not—healthy. This song does not describe a healthy relationship. It instead describes a relationship where intensity has boiled over into obsession (“Halo, hiding my obsession”), and resulted in a loss of identity (“My name is whatever you decide”). More than anything, it describes a relationship in which Taylor has developed an unhealthy dependence on her partner. Here are some more examples:

    -Don't blame me, love made me crazy -If it doesn't, you ain't doin' it right

    -I'm insane, but I'm your baby (your baby)

    -If (if) you (you) walk away -I'd beg you on my knees to stay

    While saying love makes one “crazy” is a common and not inherently bad sentiment, it could certainly be used that way. Based on all the other evidence in the song, it seems Taylor is describing a scenario in which she stayed in her toxic relationships and it genuinely impacted her mental health. As discussed earlier, the public/media seemingly wanted her to stay in these relationships, hence the “you’re not doing it right” line as that’s the apparent message she received.

    Continuing with this theme, she goes on to say that even though her mental health is suffering, it doesn’t matter because at least she’s in this relationship. Once again, that’s the apparent message she received (even if unintentionally) by facing backlash over the ending of relationships that were bad for her. This still happened when Taylor wasn’t even the one to end the relationship, hence the notion that she should have “begged.”

    -Lord, save me, my drug is my baby

    -Shakin, pacin', I just need you*

    -I get so high, oh -Every time you're, every time you're lovin' me

    Taylor compares love to a drug, which is again fairly common and not inherently bad, but could again easily be used that way. Drugs are something people become dependant on, and which bring dramatic highs and lows—much like a toxic relationship. A common manipulation tactic is called love bombing, and it is when your partner quite literally bombards you with love early on in the relationship. This can be an almost euphoric experience for the victim, similar to a high*. It also speeds up the attachment process and causes the relationship to quickly become very intense. After a while, the abusive partner will suddenly take the love bombing away, sending the victim spiralling and essentially resulting in a crash or low. The abuser will use this to control you, and keep you chasing that high.

    There were additional lines I was going to include and analyze, but this is already an essay so I’ll stop there. I’ll end by saying that I believe the song is called Don’t Blame Me because, as discussed, Taylor was essentially blamed for the ending of all her relationships no matter what. So in this hypothetical scenario where she stayed in an unhealthy relationship, she’s saying you can’t blame her for the consequences or anything else this time, because she’s just doing what you (the general public, media, etc) seemingly wanted.

    pinkfairywingson July 29, 2022   Link

Add your thoughts

Log in now to tell us what you think this song means.

Don’t have an account? Create an account with SongMeanings to post comments, submit lyrics, and more. It’s super easy, we promise!

More Featured Meanings

Album art
Standing On The Edge Of Summer
Thursday
In regards to the meaning of this song: Before a live performance on the EP Five Stories Falling, Geoff states “It’s about the last time I went to visit my grandmother in Columbus, and I saw that she was dying and it was the last time I was going to see her. It is about realizing how young you are, but how quickly you can go.” That’s the thing about Geoff and his sublime poetry, you think it’s about one thing, but really it’s about something entirely different. But the lyrics are still universal and omnipresent, ubiquitous, even. So relatable. That’s one thing I love about this band. I also love their live performances, raw energy and Geoff’s beautiful, imperfectly perfect vocals. His voice soothes my aching soul.
Album art
Fast Car
Tracy Chapman
"Fast car" is kind of a continuation of Bruce Springsteen's "Born to Run." It has all the clawing your way to a better life, but in this case the protagonist never makes it with her love; in fact she is dragged back down by him. There is still an amazing amount of hope and will in the lyrics; and the lyrics themselve rank and easy five. If only music was stronger it would be one of those great radio songs that you hear once a week 20 years after it was released. The imagery is almost tear-jerking ("City lights lay out before us", "Speeds so fast felt like I was drunk"), and the idea of starting from nothing and just driving and working and denigrating yourself for a chance at being just above poverty, then losing in the end is just painful and inspiring at the same time.
Album art
Son Şansın - Şarkı Sözleri
Hayalperest
This song seemingly tackles the methods of deception those who manipulate others use to get victims to follow their demands, as well as diverting attention away from important issues. They'll also use it as a means to convince people to hate or kill others by pretending acts of terrorism were committed by the enemy when the acts themselves were done by the masters of control to promote discrimination and hate. It also reinforces the idea that these manipulative forces operate in various locations, infiltrating everyday life without detection, and propagate any and everywhere. In general, it highlights the danger of hidden agendas, manipulation, and distraction, serving as a critique of those who exploit chaos and confusion to control and gain power, depicting a cautionary tale against falling into their traps. It encourages us to question the narratives presented to us and remain vigilant against manipulation in various parts of society.
Album art
Mountain Song
Jane's Addiction
Jane's Addiction vocalist Perry Farrell gives Adam Reader some heartfelt insight into Jane’s Addiction's hard rock manifesto "Mountain Song", which was the second single from their revolutionary album Nothing's Shocking. Mountain song was first recorded in 1986 and appeared on the soundtrack to the film Dudes starring Jon Cryer. The version on Nothing's Shocking was re-recorded in 1988. "'Mountain Song' was actually about... I hate to say it but... drugs. Climbing this mountain and getting as high as you can, and then coming down that mountain," reveals Farrell. "What it feels to descend from the mountain top... not easy at all. The ascension is tough but exhilarating. Getting down is... it's a real bummer. Drugs is not for everybody obviously. For me, I wanted to experience the heights, and the lows come along with it." "There's a part - 'Cash in now honey, cash in Miss Smith.' Miss Smith is my Mother; our last name was Smith. Cashing in when she cashed in her life. So... she decided that, to her... at that time, she was desperate. Life wasn't worth it for her, that was her opinion. Some people think, never take your life, and some people find that their life isn't worth living. She was in love with my Dad, and my Dad was not faithful to her, and it broke her heart. She was very desperate and she did something that I know she regrets."
Album art
American Town
Ed Sheeran
Ed Sheeran shares a short story of reconnecting with an old flame on “American Town.” The track is about a holiday Ed Sheeran spends with his countrywoman who resides in America. The two are back together after a long period apart, and get around to enjoying a bunch of fun activities while rekindling the flames of their romance.