Let us overcome our endless progress
“Art is never modern for art is eternal”
When every single day you’re haunted by perfection
Paintings are never finished but merely abandoned
Resources – divorces
With unknown forces
Endless endorsements
Slowly passing always
Resources – divorces
With unknown forces
Endless endorsements
Slowly passing always
Let us wipe the slate clean let us dig our own graves
Let us choose our own wars and make our own mistakes
“Free yourselves from the tyranny of objects”
Purged of all colour the purest abstraction
Resources – divorces
With unknown forces
Endless endorsements
Slowly passing always
Resources – divorces
With unknown forces
Endless endorsements
Slowly passing always
“Art is never modern for art is eternal”
When every single day you’re haunted by perfection
Paintings are never finished but merely abandoned
Resources – divorces
With unknown forces
Endless endorsements
Slowly passing always
Resources – divorces
With unknown forces
Endless endorsements
Slowly passing always
Let us wipe the slate clean let us dig our own graves
Let us choose our own wars and make our own mistakes
“Free yourselves from the tyranny of objects”
Purged of all colour the purest abstraction
Resources – divorces
With unknown forces
Endless endorsements
Slowly passing always
Resources – divorces
With unknown forces
Endless endorsements
Slowly passing always
Lyrics submitted by manic4manics
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"Art is never modern, art is primordially eternal"- Austrian abstract expressionist Egon Schiele
"Art is never finished, only abandoned"- Paul Valery (often misattributed to Da Vinci or Picasso)
"Free yourselves from the tyranny of objects"- Kazimir Malevich
The title is a reference to Malevich's Black Square, a Russian futurist opera concerning the capture and murder of the sun and the ending of time, and a black, square artwork which functioned as its third act. To Nicky Wire this canvas symbolised "punk. This is it. I am stripping the world of everything you have seen before and this is the reality of now."
According to John Gray's recent The Immortalization Commission (the book which Wire credits for bringing Malevich back to his attention), after the death of Lenin in 1924, the black square came to mean something else. It was the inspiration for the Soviet premier's cuboid tomb, intended to be a 'fourth dimension' beyond the possibility of death itself. "Lenin's death is not death," wrote Malevich, "that he is alive and eternal, is symbolized in a new object, taking as its form the cube."
The Manics have always been as much a portal as a band, a gateway to a whole universe of art and ideas. Nicky said "We saw ourselves as transistors, like Stockhausen said, we're just transistors to another life. Because all those things that we picked up, mostly from watching the telly or listening to music, we were trying to get across how enriching that was."
[Credit for all this information has to go to Quietus magazine btw]
(And can I add that the little melody at the start is VERY similar to The Cardigan's Hold Me. That is all.)