This may be a weird interpretation but I personally don't think she's talking about another person, but is personifying a part of herself; the dark side, all her insecurities and fears and flaws. She uses metaphors of dark and light throughout the song. She used to let that side of herself become her, "cling" to her, "define her", "coil itself around her". And then other times, on 'summer days and nights' when she was filled with the lighter side of herself, "when the moon was full", she would feel almost blissfully unaware of its existence, but she knew the darkness in her was there and was "stronger" than the light and she feared it, i.e. she feared coming to terms with her imperfect self. But 'these days' she has learnt to accept that it is a part of her, and she watches it, distances herself from it ("a little further away"), accepts it, walks with it. Like Freud's 'hovering consciousness', she has a continual dialogue with it. Her voice in the chorus is totally accepting, humble. It reminds me of this poem actually. I think the two have similar meaning.
I went there of my own free will.
I went there in my finest gown,
With my rarest Jewels
With my Queen of Heaven crown.
In the Underworld
At each of the Seven Gates
I was stripped Seven times
Of all I thought I was
Till I stood bare in who I really am.
Then I saw Her
She was huge and dark and smelly and hairy
with a lion’s head
and lion’s claws
devouring everything before Her
Ereskigal, my sister
She was all that I am not
All that I have hidden
All that I have buried
She is what I have denied
Ereskigal, my sister
Eriskigal, my shadow
Eriskigal, my self
kelly1989on December 15, 2012 Link
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