[J:] Hey Kage
[K:] Jables
[J:] How goes it man?
[K:] S’good… s’good
[J:] Y’know I been thinking a lot about it, and um, I just want us to be the
best fucking band in the world.
[K:] Well yeah me too!
[J:] There’s no point in doing it if we’re not the best.
[K:] Well s’true. I agree with that.
[J:] I mean what, yeah we’re gonna be, yeah we’re really good. We’re like
almost as good as Arcade Fire, fuck that.
[K:] Yeah
[J:] We gotta leave those fuckers in the dust!
[K:] What, what do you..
[J:] All those fucking youngsters gotta lick our fucking boot or fuck it!
Y’know what I mean?
[K:] Yeah! Yeah, well what, how do we do that though?
[J:] [sigh] Dude you need to fucking have some lessons.
[K:] What!
[J:] I know, you’re really good but you gotta expand your game.
[K:] Lessons!
[J:] Y’know how Koby in the off season would go and like, learn a fucking,
y’know a Texas Two-Step or something, to add to his arsenal?
[K:] Man, yeah, that’s true. That’s true.
[J:] Well I’ve just been noticing some of your classic riffs are a little sloppy.
[K:] Really?
[J:] And I, I hope you’re not pissed off at me but I went ahead and hired a dude.
[K:] Yeah? Oh no, what!
[J:] Dude, just give it a chance will you? If you don’t like- ah hey! I
swear, if you don’t like it we’ll fucking fire his ass. He’s out.
[K:] Who is this guy? I never…
[J:] His name is Felix Char [?]
[K:] Urgh, what.
[J:] He’s from Spain and he is the best.
[K:] Oh god…
[J:] I got him from the fucking London Phildsarmonic. (Meant to be Philharmonic)
[K:] Urgh, I just, I don’t know him, it seems weird!
[J:] Will you just, will you just spend a minute with him?
[K:] OK. Alright. I’ll spend a minute with him.
[J:] OK bro, he’s right outside I’m sending him in.
[K:] Oh god, OK. Why? Lessons, so stupid.
[F:] Hello?
[K:] Uh, hi!
[F:] Hello, I am Felix Char.
[K:] Hi, uh. Felix? Yeah, um.
[F:] Ah, as, Jack as asked me to spend some time with you. Uh.
[K:] OK, hm.
[F:] One on one. So, while Jack is outside, ah we will work on your technique.
[K:] OK.
[F:] Can I see you pick up, is this your guitar here?
[K:] Yup. Yeah, I gotta it, I gotta it right over here.
[F:] Ah, it is a Fender ay? Is this a Fender?
[K:] Ah well it’s a Gibson.
[F:] Yes a Gibson, yes. Made by the same, uh, manufacturer. Pick it up please, can you pick it up?
[K:] OK. Yeah.
[F:] No, no, no, d-d-d-d-d-d-d bap-bap-bap-bap-bap-bap-bap-bap!
[K:] What? What’d I do? What’d I do?
[F:] You pick it up from the neck! This is not the way you pick up a guitar!
[K:] I just picked it up, I just-
[F:] No,no, hey, hey, hey, hey, hey, cállate tu bocar, pick it up from the body.
[K:] The what!
[F:] The body.
[K:] Oh the body! Body, OK.
[F:] I’m sorry about my accent.
[K:] I didn’t know, I didn’t know.
[F:] Now listen to me. I want you to play, like it is a woman. You go and play the guitar now. Play.
[K:] Uh, OK? Uh.
[F:] No, no, no, no, no. You, your fingers. Your fingers are too tight.
[K:] They’re too tight?
[F:] Yes, let me get behind you. Like this, you see?
[K:] Oh! Hn.
[F:] If I put my finger, on your finger.
[K:] Hey!
[F:] Then you can feel…
[K:] I can! Wait!
[F:] Sh, sh, sh, sh, shu! Finger to your mouth. I put my finger on your mouth, on your lips.
[K:] Mhmhm!
[F:] Yes that’s good.
[K:] Hey man!
[F:] Now listen hey, you want to play like an orgasm.
[K:] I’m just try- what!?
[F:] Feel this. Do you feel that?
[K:] Oh god! This is really weird man!
[F:] That’s my cock.
[K:] WHAT!
[F:] That’s my cock in your butt cheeks.
[K:] OH GOD! Hey!
[F:] Do you feel it?
[K:] NO!
[F:] Now I’m going to tough your cock.
[K:] OW!
[F:] Let me touch your penis.
[J:] It’s me!
[K:] WHAT?!
[J:] It’s me. It’s JB.
[K:] GOD!
[J:] There’s no Felix dude.
[K:] What are you doing?!
[J:] I’M FUCKING WAKING YOU UP! I’M TRYING TO SHAKE YOUR FOUNDATIONS!
[K:] By touching me with your penis?!
[J:] YES! By fucking touching your penis! Whatever it takes!
[K:] God!
[J:] That’s all I’m saying dude! I’m making a point! Let’s get fucking
serious! Let’s get physical! Alright. Let’s take it from the top.


Lyrics submitted by SF_Sorrow

Classical Teacher Lyrics as written by Kyle Richard Gass Thomas Jack Black

Lyrics © Kobalt Music Publishing Ltd.

Lyrics powered by LyricFind

Classical Teacher (Skit) song meanings
Add Your Thoughts

0 Comments

sort form View by:
  • No Comments

Add your thoughts

Log in now to tell us what you think this song means.

Don’t have an account? Create an account with SongMeanings to post comments, submit lyrics, and more. It’s super easy, we promise!

More Featured Meanings

Album art
The Night We Met
Lord Huron
This is a hauntingly beautiful song about introspection, specifically about looking back at a relationship that started bad and ended so poorly, that the narrator wants to go back to the very beginning and tell himself to not even travel down that road. I believe that the relationship started poorly because of the lines: "Take me back to the night we met:When the night was full of terrors: And your eyes were filled with tears: When you had not touched me yet" So, the first night was not a great start, but the narrator pursued the relationship and eventually both overcame the rough start to fall in love with each other: "I had all and then most of you" Like many relationships that turn sour, it was not a quick decline, but a gradual one where the narrator and their partner fall out of love and gradually grow apart "Some and now none of you" Losing someone who was once everything in your world, who you could confide in, tell your secrets to, share all the most intimate parts of your life, to being strangers with that person is probably one of the most painful experiences a person can go through. So Painful, the narrator wants to go back in time and tell himself to not even pursue the relationship. This was the perfect song for "13 Reasons Why"
Album art
Cajun Girl
Little Feat
Overall about difficult moments of disappointment and vulnerability. Having hope and longing, while remaining optimistic for the future. Encourages the belief that with each new morning there is a chance for things to improve. The chorus offers a glimmer of optimism and a chance at a resolution and redemption in the future. Captures the rollercoaster of emotions of feeling lost while loving someone who is not there for you, feeling let down and abandoned while waiting for a lover. Lost with no direction, "Now I'm up in the air with the rain in my hair, Nowhere to go, I can go anywhere" The bridge shows signs of longing and a plea for companionship. The Lyrics express a desire for authentic connection and the importance of Loving someone just as they are. "Just in passing, I'm not asking. That you be anyone but you”
Album art
Mountain Song
Jane's Addiction
Jane's Addiction vocalist Perry Farrell gives Adam Reader some heartfelt insight into Jane’s Addiction's hard rock manifesto "Mountain Song", which was the second single from their revolutionary album Nothing's Shocking. Mountain song was first recorded in 1986 and appeared on the soundtrack to the film Dudes starring Jon Cryer. The version on Nothing's Shocking was re-recorded in 1988. "'Mountain Song' was actually about... I hate to say it but... drugs. Climbing this mountain and getting as high as you can, and then coming down that mountain," reveals Farrell. "What it feels to descend from the mountain top... not easy at all. The ascension is tough but exhilarating. Getting down is... it's a real bummer. Drugs is not for everybody obviously. For me, I wanted to experience the heights, and the lows come along with it." "There's a part - 'Cash in now honey, cash in Miss Smith.' Miss Smith is my Mother; our last name was Smith. Cashing in when she cashed in her life. So... she decided that, to her... at that time, she was desperate. Life wasn't worth it for her, that was her opinion. Some people think, never take your life, and some people find that their life isn't worth living. She was in love with my Dad, and my Dad was not faithful to her, and it broke her heart. She was very desperate and she did something that I know she regrets."
Album art
Blue
Ed Sheeran
“Blue” is a song about a love that is persisting in the discomfort of the person experiencing the emotion. Ed Sheeran reflects on love lost, and although he wishes his former partner find happiness, he cannot but admit his feelings are still very much there. He expresses the realization that he might never find another on this stringed instrumental by Aaron Dessner.
Album art
Head > Heels
Ed Sheeran
“Head > Heels” is a track that aims to capture what it feels like to experience romance that exceeds expectations. Ed Sheeran dedicates his album outro to a lover who has blessed him with a unique experience that he seeks to describe through the song’s nuanced lyrics.