Yeah..
I like that little leopard furry outfit
I love it
You gonna get pregnant wearin that
Put on this blindfold
Turn around don't look at me
Pull your panties to the side

I know this girl with boots on she's turned on by wearin G strings
She likes her thongs with my fingers all between her cheeks
She go go dance strip at clubs on the row for weeks
Shakin her fannies, come here girl, let me fill them panties
Spread your legs, and cock the booty, spread the pink fa-rutti
Not Ray Moore, no matress here, baby on the floor
With helmets and mask, and grease up in that anus fast
Back door delivery, the mailman remember me
Don't front now, them breasts are ready, I'ma milk the cow
With rockets that blow, paralyze your anal sockets
My fantasy is hidin used condoms in your pockets
while you chill, here's a towel, plus your Massengil
That's word like Pete Rock's, let's freshen up that funk box
I pump like diesel fuel, stamina speed, strong as a ox
Takin a shower, run the steam water for a hour
That's word I'm naked you can best believe I don't fake it
Pull off your bra straps, and jerk off on your pretty kneecaps
Yeah..

Can I see your panties girl? You want to take em off
Dye your hair blonde, hook up your weave and call Steve
for the photo session (yeah..)

Can I see your panties girl? You want to take em off
Dye your hair blonde, hook up your weave and call Steve
for the photo session (yeah..)

Got my tripod set up for photographs, you get wet
Pull my porno tapes, while you listen to Keith Sweat
That's no joke, I do construction now your rectum's broke
No matter how famous the anal beads are for your anus
Your girlfriend is sloppy, a dyke, tryin to be so cocky
I stuck a broom between her punchin coochie like I'm Rocky
She was excited from the rip out, she pulled my tip out
My cape is on with latex, I make vaginas flip out
Open your rear end, with tools before you count to ten
That's word to moo moo, know how I'm trained to move that boo boo
Back them two boobs, you on the tape with seven dudes
Your temperature's more beyond to sleep with Michael Jackson
You want interviews, in locker rooms, movie action
Camcorders R. Kelly, or Russell peein on your belly
Smelly socks from Laker players, you can suck they jocks
I walk in projects, and underwears on Bronx blocks
Send Tampex FedEx while I slip on condoms you drink Beck's
Hold up your butt right, cause Vinica can make you tight
_All Night Long_, like Mary Jane, finger poppin girls
Luscious drawers, I keep my penis movin in your jaws
Swallow it baby

Can I see your panties girl? You want to take em off
Dye your hair blonde, hook up your weave and call Steve
for the photo session (yeah..)

Intensive care, you're pretty, climbin on the toilet seat
Puttin fingers in buttholes, through your cracks I defeat
Word is bond, remove your stainfree it'll turn me on
Put on your freaky jacket, bend over, let me smack it
Move in your room while my penis stretch, hit the moon
Open your back and see them buns shine when you jack up
On Greyhound buses we can check in at a sleazy motel
Sign contracts, and do a dirty scene, in a hotel
Manufactured, distribution while you keep on douchein
We'll make you a star, we'll film tonight, at this bar
Two hundred men, wackin off, you on the tablecloth
She's in the center dressed up, like it's cold in winter
No domination, hide your panties in the Amtrak station
Shoot off your load, see the Caddy comin down the road
Baby got back, rub my hand up all up in that crack
Nurse that breast, tittie milk can give me stimulation
I throw your legs your perfume, give me motivation
I drive surface.. yeah!

Can I see your panties girl? You want to take em off
Dye your hair blonde, hook up your weave and call Steve
for the photo session (yeah..)

Can I see your panties girl? You want to take em off
Dye your hair blonde, hook up your weave and call Steve
for the photo session (yeah..)


Lyrics submitted by SongMeanings

Photo Session Lyrics as written by Dennis Martinez David Sprecher

Lyrics © CONCORD MUSIC PUBLISHING LLC

Lyrics powered by LyricFind

Photo Session song meanings
Add Your Thoughts

0 Comments

sort form View by:
  • No Comments

Add your thoughts

Log in now to tell us what you think this song means.

Don’t have an account? Create an account with SongMeanings to post comments, submit lyrics, and more. It’s super easy, we promise!

More Featured Meanings

Album art
The Night We Met
Lord Huron
This is a hauntingly beautiful song about introspection, specifically about looking back at a relationship that started bad and ended so poorly, that the narrator wants to go back to the very beginning and tell himself to not even travel down that road. I believe that the relationship started poorly because of the lines: "Take me back to the night we met:When the night was full of terrors: And your eyes were filled with tears: When you had not touched me yet" So, the first night was not a great start, but the narrator pursued the relationship and eventually both overcame the rough start to fall in love with each other: "I had all and then most of you" Like many relationships that turn sour, it was not a quick decline, but a gradual one where the narrator and their partner fall out of love and gradually grow apart "Some and now none of you" Losing someone who was once everything in your world, who you could confide in, tell your secrets to, share all the most intimate parts of your life, to being strangers with that person is probably one of the most painful experiences a person can go through. So Painful, the narrator wants to go back in time and tell himself to not even pursue the relationship. This was the perfect song for "13 Reasons Why"
Album art
Mountain Song
Jane's Addiction
Jane's Addiction vocalist Perry Farrell gives Adam Reader some heartfelt insight into Jane’s Addiction's hard rock manifesto "Mountain Song", which was the second single from their revolutionary album Nothing's Shocking. Mountain song was first recorded in 1986 and appeared on the soundtrack to the film Dudes starring Jon Cryer. The version on Nothing's Shocking was re-recorded in 1988. "'Mountain Song' was actually about... I hate to say it but... drugs. Climbing this mountain and getting as high as you can, and then coming down that mountain," reveals Farrell. "What it feels to descend from the mountain top... not easy at all. The ascension is tough but exhilarating. Getting down is... it's a real bummer. Drugs is not for everybody obviously. For me, I wanted to experience the heights, and the lows come along with it." "There's a part - 'Cash in now honey, cash in Miss Smith.' Miss Smith is my Mother; our last name was Smith. Cashing in when she cashed in her life. So... she decided that, to her... at that time, she was desperate. Life wasn't worth it for her, that was her opinion. Some people think, never take your life, and some people find that their life isn't worth living. She was in love with my Dad, and my Dad was not faithful to her, and it broke her heart. She was very desperate and she did something that I know she regrets."
Album art
Gentle Hour
Yo La Tengo
This song was originally written by a guy called Peter Gutteridge. He was one of the founders of the "Dunedin Sound" a musical scene in the south of New Zealand in the early 80s. From there it was covered by "The Clean" one of the early bands of that scene (he had originally been a member of in it's early days, writing a couple of their best early songs). The Dunedin sound, and the Clean became popular on american college radio in the mid to late 80s. I guess Yo La Tengo heard that version. Great version of a great song,
Album art
I Can't Go To Sleep
Wu-Tang Clan
This song is written as the perspective of the boys in the street, as a whole, and what path they are going to choose as they get older and grow into men. (This is why the music video takes place in an orphanage.) The seen, and unseen collective suffering is imbedded in the boys’ mind, consciously or subconsciously, and is haunting them. Which path will the boys choose? Issac Hayes is the voice of reason, maybe God, the angel on his shoulder, or the voice of his forefathers from beyond the grave who can see the big picture and are pleading with the boys not to continue the violence and pattern of killing their brothers, but to rise above. The most beautiful song and has so many levels. Racism towards African Americans in America would not exist if everyone sat down and listened to this song and understood the history behind the words. The power, fear, pleading in RZA and Ghostface voices are genuine and powerful. Issac Hayes’ strong voice makes the perfect strong father figure, who is possibly from beyond the grave.
Album art
Head > Heels
Ed Sheeran
“Head > Heels” is a track that aims to capture what it feels like to experience romance that exceeds expectations. Ed Sheeran dedicates his album outro to a lover who has blessed him with a unique experience that he seeks to describe through the song’s nuanced lyrics.