This song seemingly tackles the methods of deception those who manipulate others use to get victims to follow their demands, as well as diverting attention away from important issues. They'll also use it as a means to convince people to hate or kill others by pretending acts of terrorism were committed by the enemy when the acts themselves were done by the masters of control to promote discrimination and hate. It also reinforces the idea that these manipulative forces operate in various locations, infiltrating everyday life without detection, and propagate any and everywhere.
In general, it highlights the danger of hidden agendas, manipulation, and distraction, serving as a critique of those who exploit chaos and confusion to control and gain power, depicting a cautionary tale against falling into their traps. It encourages us to question the narratives presented to us and remain vigilant against manipulation in various parts of society.
I've got this phosphorescent portrait of gentle Jesus meek and mild
I've got this harlot that I'm stuck with carrying another man's child
The solitary star announcing vacancy burnt out as we arrived
They'd throw us back across the border if they knew that we survived
And they were surprised to see us
So they greeted us with palms
They asked for ammunition, acts of contrition and small alms
I might recite a small prayer
If I ever said them
I lay down on an iron frame
Found myself in bedlam
I wish that I could take something for drowning out the noise
Wailing echoes down the corridors
I've got this imaginary radio, and I'm punching up the dial
I've got the A.C. trained on the T.V. so it won't blow up in my eye
And everything that I thought fanciful and mocked as too extreme
Must be family entertainment here in the strange land of my dreams
Now I'm practicing my likeness of St. Francis of Assisi
For if I hold my hand outstretched
A little bird comes to me
I might recite a small prayer
If I ever said them
I lay down on an iron frame
Found myself in bedlam
Escaping from the fingers that were stretching through the bars
Wailing echoes down the corridors
The player piano picks out "Life Goes On"
Ring tone rang out "Jerusalem"
And in this pit of sadness
Where the rank of wretched plunge
We've buried all the innocents
Now we must bury revenge
They've got this scared and decorated girl strapped to the steel trunk of a mustang
And then they drove her down a cypress grove where traitors hang and stars still spangle
They dangled flags and other rags along a colored thread of twine
And then they dragged that bruised and purple heart along the road to Palestine
Someone went off muttering, he mentioned thirty pieces
Easter saw a slaughtering, each wrapped in bloodstained fleeces
Then my thoughts returned to vengeance, but I put up no resistance
Though I seemed a long way from my home
It really was no distance
And I might recite a small prayer
If I ever said them
I lay down on an iron frame
Found myself in bedlam
Bowing like an actor acknowledging applause
Playing the Crusader who was conquering the Moors
And he knew the consequences, but he won't accept the cause
Wailing echoes down the corridors
I've got this harlot that I'm stuck with carrying another man's child
The solitary star announcing vacancy burnt out as we arrived
They'd throw us back across the border if they knew that we survived
And they were surprised to see us
So they greeted us with palms
They asked for ammunition, acts of contrition and small alms
I might recite a small prayer
If I ever said them
I lay down on an iron frame
Found myself in bedlam
I wish that I could take something for drowning out the noise
Wailing echoes down the corridors
I've got this imaginary radio, and I'm punching up the dial
I've got the A.C. trained on the T.V. so it won't blow up in my eye
And everything that I thought fanciful and mocked as too extreme
Must be family entertainment here in the strange land of my dreams
Now I'm practicing my likeness of St. Francis of Assisi
For if I hold my hand outstretched
A little bird comes to me
I might recite a small prayer
If I ever said them
I lay down on an iron frame
Found myself in bedlam
Escaping from the fingers that were stretching through the bars
Wailing echoes down the corridors
The player piano picks out "Life Goes On"
Ring tone rang out "Jerusalem"
And in this pit of sadness
Where the rank of wretched plunge
We've buried all the innocents
Now we must bury revenge
They've got this scared and decorated girl strapped to the steel trunk of a mustang
And then they drove her down a cypress grove where traitors hang and stars still spangle
They dangled flags and other rags along a colored thread of twine
And then they dragged that bruised and purple heart along the road to Palestine
Someone went off muttering, he mentioned thirty pieces
Easter saw a slaughtering, each wrapped in bloodstained fleeces
Then my thoughts returned to vengeance, but I put up no resistance
Though I seemed a long way from my home
It really was no distance
And I might recite a small prayer
If I ever said them
I lay down on an iron frame
Found myself in bedlam
Bowing like an actor acknowledging applause
Playing the Crusader who was conquering the Moors
And he knew the consequences, but he won't accept the cause
Wailing echoes down the corridors
Lyrics submitted by SongMeanings
Bedlam Lyrics as written by Elvis Costello
Lyrics © BMG Rights Management, Universal Music Publishing Group
Lyrics powered by LyricFind
Add your thoughts
Log in now to tell us what you think this song means.
Don’t have an account? Create an account with SongMeanings to post comments, submit lyrics, and more. It’s super easy, we promise!
More Featured Meanings
Son Şansın - Şarkı Sözleri
Hayalperest
Hayalperest
Mountain Song
Jane's Addiction
Jane's Addiction
Jane's Addiction vocalist Perry Farrell gives Adam Reader some heartfelt insight into Jane’s Addiction's hard rock manifesto "Mountain Song", which was the second single from their revolutionary album Nothing's Shocking. Mountain song was first recorded in 1986 and appeared on the soundtrack to the film Dudes starring Jon Cryer. The version on Nothing's Shocking was re-recorded in 1988.
"'Mountain Song' was actually about... I hate to say it but... drugs. Climbing this mountain and getting as high as you can, and then coming down that mountain," reveals Farrell. "What it feels to descend from the mountain top... not easy at all. The ascension is tough but exhilarating. Getting down is... it's a real bummer. Drugs is not for everybody obviously. For me, I wanted to experience the heights, and the lows come along with it."
"There's a part - 'Cash in now honey, cash in Miss Smith.' Miss Smith is my Mother; our last name was Smith. Cashing in when she cashed in her life. So... she decided that, to her... at that time, she was desperate. Life wasn't worth it for her, that was her opinion. Some people think, never take your life, and some people find that their life isn't worth living. She was in love with my Dad, and my Dad was not faithful to her, and it broke her heart. She was very desperate and she did something that I know she regrets."
Mountain Song
Jane's Addiction
Jane's Addiction
Jane's Addiction vocalist Perry Farrell gives Adam Reader some heartfelt insight into Jane’s Addiction's hard rock manifesto "Mountain Song", which was the second single from their revolutionary album Nothing's Shocking. Mountain song was first recorded in 1986 and appeared on the soundtrack to the film Dudes starring Jon Cryer. The version on Nothing's Shocking was re-recorded in 1988.
"'Mountain Song' was actually about... I hate to say it but... drugs. Climbing this mountain and getting as high as you can, and then coming down that mountain," reveals Farrell. "What it feels to descend from the mountain top... not easy at all. The ascension is tough but exhilarating. Getting down is... it's a real bummer. Drugs is not for everybody obviously. For me, I wanted to experience the heights, and the lows come along with it."
"There's a part - 'Cash in now honey, cash in Miss Smith.' Miss Smith is my Mother; our last name was Smith. Cashing in when she cashed in her life. So... she decided that, to her... at that time, she was desperate. Life wasn't worth it for her, that was her opinion. Some people think, never take your life, and some people find that their life isn't worth living. She was in love with my Dad, and my Dad was not faithful to her, and it broke her heart. She was very desperate and she did something that I know she regrets."
I Can't Go To Sleep
Wu-Tang Clan
Wu-Tang Clan
This song is written as the perspective of the boys in the street, as a whole, and what path they are going to choose as they get older and grow into men. (This is why the music video takes place in an orphanage.) The seen, and unseen collective suffering is imbedded in the boys’ mind, consciously or subconsciously, and is haunting them. Which path will the boys choose? Issac Hayes is the voice of reason, maybe God, the angel on his shoulder, or the voice of his forefathers from beyond the grave who can see the big picture and are pleading with the boys not to continue the violence and pattern of killing their brothers, but to rise above. The most beautiful song and has so many levels. Racism towards African Americans in America would not exist if everyone sat down and listened to this song and understood the history behind the words. The power, fear, pleading in RZA and Ghostface voices are genuine and powerful. Issac Hayes’ strong voice makes the perfect strong father figure, who is possibly from beyond the grave.
Punchline
Ed Sheeran
Ed Sheeran
Ed Sheeran sings about missing his former partner and learning important life lessons in the process on “Punchline.” This track tells a story of battling to get rid of emotions for a former lover, whom he now realized might not have loved him the same way. He’s now caught between accepting that fact and learning life lessons from it and going back to beg her for another chance.