Eeh, zagga zow
Zagga now now now now now
Ziggy, yo, let's do this

Pon bed pon floor against wall
We sex dem all 'til dem call me (what?)
I'm di girls dem sugar dats all (zagga)
Welcome di king of di dancehall (send off)
Pon bed pon floor against wall (what?)
We sex dem all 'til dem call me (uh-huh)
I'm di girls dem sugar dats all (cool)
Welcome di king of di dancehall

(Hello meet buddy gal) Play wid dem hair
(Catch it now gimme nuh hickey gal)
Don't yuh dare (Titty stiff eeh?)
Remove yuh underwear
And mek me fi ram it in, stick it in, jam it in widout
(Gyal fi get sex, don't?)
Who dat ah ask me why?
Gallis me ask me question nuh funky guy
(Sum'n fat eeh?)
So how you act so shy?
Me nuh beg kitty but me'd ah like a bligh
Why? just to rise yuh foot up high
'Cause I, yes I, I believe you can, fly, straight to di sky
Betweenie mi name, me between yuh thighs
(Me nuh Batman)
Afta me nuh Robin guy
If you and I ever knot to tie
Nuh shy, when me stab it then yuh reply
Bite yuh lips and cross yuh eyes, 'cause

Pon bed pon floor against wall
We sex dem all 'til dem call me (what?)
I'm di girls dem sugar dats all (zagga)
Welcome di king of di dancehall (send off)
Pon bed pon floor against wall (what?)
We sex dem all 'til dem call me (uh-huh)
I'm di girls dem sugar dats all (cool)
Welcome di king of di dancehall

(Come here pretty girl)
Yuh body shape so good
Let me introduce you to a piece a wood
(Beenie can I be your girl?)
I tink yuh should but I, don't wanna be misunderstood
(Nuh mistake)
Me nuh wan no gal wid only pretty face
Me wan di thick inna di waist and di body wid di shape
And di treble wid di bass mek di sound ah di place
Me ah di lawyer pon di case fi di murda pon yuh bass
(This face)
This is no sitting place
Me stand up and dweet nuh bow dung and taste
Me nuh run dung nani no chicken chase
She fi know di sex limits stop at sixty eight
(Me deh ah airport ah wait)
fi some gyal wid air freight
Cah di wul ah dem deh fish ah run dung mi buddy bait
Natural baby juice ah nuh concentrate
You neva know ah so di love doctor great, come on

Pon bed pon floor against wall
We sex dem all 'til dem call me (what?)
I'm di girls dem sugar dats all (zagga)
Welcome di king of di dancehall (send off)
Pon bed pon floor against wall (what?)
We sex dem all 'til dem call me (uh-huh)
I'm di girls dem sugar dats all (cool)
Welcome di king of di dancehall

(Mi belly full ah food)
Me go pon a gyal feast
Cah me go deh so fi sex me nuh go deh so fi eat
(Miss Know how fi dweet)
Some people watch cheat
Deh inna car mi seat but she six inch deep
(When me unleash)
And she see di one feet
(You mean one foot?)
No me mean one feet
Cool baby love yuh too hard to discrete
So she tell everybody how she tear up di sheet
(Yuh tink a toenail?)
Ah di sittin' weh go skeet
Sticky sticky skeet skeet skeet skeet skeet
(An' when we me start beat di drum)
She tink ah down beat
Me nuh deal wid down so baby don't meet
Me want a gyal weh petite (uh) nice and look sweet (true)
When she see di third leg she run like track meet
From me know how fi dweet nah back nah retreat
Me know dat song 'ya complete, so when me go so

Pon bed pon floor against wall
We sex dem all 'til dem call me (what?)
I'm di girls dem sugar dats all (zagga)
Welcome di king of di dancehall (send off)
Pon bed pon floor against wall (what?)
We sex dem all 'til dem call me (uh-huh)
I'm di girls dem sugar dats all (cool)
Welcome di king of di dancehall

Pon bed pon floor against wall
We sex dem all 'til dem call me (what?)
I'm di girls dem sugar dats all (zagga)
Welcome di king of di dancehall (send off)
Pon bed pon floor against wall (what?)
We sex dem all 'til dem call me (uh-huh)
I'm di girls dem sugar dats all (cool)
Welcome di king of di dancehall


Lyrics submitted by SongMeanings

King of the Dancehall Lyrics as written by Maurice Gregory Kelly Anthony

Lyrics © Universal Music Publishing Group, Royalty Network

Lyrics powered by LyricFind

King of the Dancehall [DVD] song meanings
Add Your Thoughts

0 Comments

sort form View by:
  • No Comments

Add your thoughts

Log in now to tell us what you think this song means.

Don’t have an account? Create an account with SongMeanings to post comments, submit lyrics, and more. It’s super easy, we promise!

More Featured Meanings

Album art
The Night We Met
Lord Huron
This is a hauntingly beautiful song about introspection, specifically about looking back at a relationship that started bad and ended so poorly, that the narrator wants to go back to the very beginning and tell himself to not even travel down that road. I believe that the relationship started poorly because of the lines: "Take me back to the night we met:When the night was full of terrors: And your eyes were filled with tears: When you had not touched me yet" So, the first night was not a great start, but the narrator pursued the relationship and eventually both overcame the rough start to fall in love with each other: "I had all and then most of you" Like many relationships that turn sour, it was not a quick decline, but a gradual one where the narrator and their partner fall out of love and gradually grow apart "Some and now none of you" Losing someone who was once everything in your world, who you could confide in, tell your secrets to, share all the most intimate parts of your life, to being strangers with that person is probably one of the most painful experiences a person can go through. So Painful, the narrator wants to go back in time and tell himself to not even pursue the relationship. This was the perfect song for "13 Reasons Why"
Album art
Mountain Song
Jane's Addiction
Jane's Addiction vocalist Perry Farrell gives Adam Reader some heartfelt insight into Jane’s Addiction's hard rock manifesto "Mountain Song", which was the second single from their revolutionary album Nothing's Shocking. Mountain song was first recorded in 1986 and appeared on the soundtrack to the film Dudes starring Jon Cryer. The version on Nothing's Shocking was re-recorded in 1988. "'Mountain Song' was actually about... I hate to say it but... drugs. Climbing this mountain and getting as high as you can, and then coming down that mountain," reveals Farrell. "What it feels to descend from the mountain top... not easy at all. The ascension is tough but exhilarating. Getting down is... it's a real bummer. Drugs is not for everybody obviously. For me, I wanted to experience the heights, and the lows come along with it." "There's a part - 'Cash in now honey, cash in Miss Smith.' Miss Smith is my Mother; our last name was Smith. Cashing in when she cashed in her life. So... she decided that, to her... at that time, she was desperate. Life wasn't worth it for her, that was her opinion. Some people think, never take your life, and some people find that their life isn't worth living. She was in love with my Dad, and my Dad was not faithful to her, and it broke her heart. She was very desperate and she did something that I know she regrets."
Album art
Amazing
Ed Sheeran
Ed Sheeran tells a story of unsuccessfully trying to feel “Amazing.” This track is about the being weighed down by emotional stress despite valiant attempts to find some positivity in the situation. This track was written by Ed Sheeran from the perspective of his friend. From the track, we see this person fall deeper into the negative thoughts and slide further down the path of mental torment with every lyric.
Album art
Page
Ed Sheeran
There aren’t many things that’ll hurt more than giving love a chance against your better judgement only to have your heart crushed yet again. Ed Sheeran tells such a story on “Page.” On this track, he is devastated to have lost his lover and even more saddened by the feeling that he may never move on from this.
Album art
Plastic Bag
Ed Sheeran
“Plastic Bag” is a song about searching for an escape from personal problems and hoping to find it in the lively atmosphere of a Saturday night party. Ed Sheeran tells the story of his friend and the myriad of troubles he is going through. Unable to find any solutions, this friend seeks a last resort in a party and the vanity that comes with it. “I overthink and have trouble sleepin’ / All purpose gone and don’t have a reason / And there’s no doctor to stop this bleedin’ / So I left home and jumped in the deep end,” Ed Sheeran sings in verse one. He continues by adding that this person is feeling the weight of having disappointed his father and doesn’t have any friends to rely on in this difficult moment. In the second verse, Ed sings about the role of grief in his friend’s plight and his dwindling faith in prayer. “Saturday night is givin’ me a reason to rely on the strobe lights / The lifeline of a promise in a shot glass, and I’ll take that / If you’re givin’ out love from a plastic bag,” Ed sings on the chorus, as his friend turns to new vices in hopes of feeling better.