Yeah, yeah, yeah, it's the Carter, motherfucker, I came back around
It's the Carter motherfucker I came back around
It's the Carter motherfucker
Let me show you my building man, it's the Carter
I'ma show y'all the ins the outs the ups the down, know what I'm talking bout
This is me, fourth solo album baby, I came back around
By myself this time, back off the wall
Guns up in the air in the middle of the streets like blak blak blak, welcome

This is the Carter y'all welcome, hard as Malcolm
Dark as the Falcon, Lord help him but y'all felt him
That make you a part of me and pardon me
If a part of me is what you want to be, what you ought to be
Doing, recording me, I'm just acting accordingly
I give orders to the commander in chief, just the commander in me
Handling streets in the Mandarin V
I hear you haters slandering me I just hand him the P
Any drama I pace it like Indiana, I take your grandma pacemaker and just handle the piece
Not two fingers I simultaneously bop two bangers
You do not want angus USDA prime beef, ya dead meat
I'm so ahead of these trendy rappers speed up
I'm already hot when another one starting to heat up
Got Mannie hot wit me cause I always beat his beat up
Y'all cats wit y'all feet up startin' to look like feet up, I'm G'd up
On the V'd up, in the truck, gotta put my seat up
In the trunk I got my bass and I ain't speaking bout no speakers
What's leaking up out yo speaker is the speech of Weezy F. Baby
No more no less, baby, so forth and so on (let's go)

Front door living room young nigga switching, we
What you need, get you crack, get you weed
Make yo way to the back, look ahead and see
White bitch in the bathroom giving head for speed
But don't you turn your head at me, the president been doing it
Daddy tried to ruin it
But I built this building from the ruts
I own all the corners and the cuts in this motherfucker
And the feds know just what's in this motherfucker
Made niggas so they can't bust in this motherfucker
So with that, let's keep it moving, onto the kitchen where my witches keep it brewing
Uh huh, look at how my bitches do it
Bucky buck naked, look at all my bitches booties
They handle all my pharmaceutics
I got it from promethazine to Metamucil
I'm crucial don't mean to spook you
But this is New Orleans so my queens do voodoo, ya know
So the things just move through
I feel ya pain, I got things to soothe you
There's fields of 'caine, so Wayne and neutral
Don't hate the game, hate the institution
There's fields of 'caine, so Wayne and neutral
Dot hate the game hate the institution, fucker

I came back around, it's the Carter
Show you the rest of the house later, we goin' go upstairs, ya know
Ya know what this is right?
Tha Carter, Tha Carter, Tha Carter


Lyrics submitted by SongMeanings

Walk In Lyrics as written by Byron O. Thomas Dwayne Carter

Lyrics © Universal Music Publishing Group, Reservoir Media Management, Inc.

Lyrics powered by LyricFind

Walk In song meanings
Add Your Thoughts

0 Comments

sort form View by:
  • No Comments

Add your thoughts

Log in now to tell us what you think this song means.

Don’t have an account? Create an account with SongMeanings to post comments, submit lyrics, and more. It’s super easy, we promise!

More Featured Meanings

Album art
Mountain Song
Jane's Addiction
Jane's Addiction vocalist Perry Farrell gives Adam Reader some heartfelt insight into Jane’s Addiction's hard rock manifesto "Mountain Song", which was the second single from their revolutionary album Nothing's Shocking. Mountain song was first recorded in 1986 and appeared on the soundtrack to the film Dudes starring Jon Cryer. The version on Nothing's Shocking was re-recorded in 1988. "'Mountain Song' was actually about... I hate to say it but... drugs. Climbing this mountain and getting as high as you can, and then coming down that mountain," reveals Farrell. "What it feels to descend from the mountain top... not easy at all. The ascension is tough but exhilarating. Getting down is... it's a real bummer. Drugs is not for everybody obviously. For me, I wanted to experience the heights, and the lows come along with it." "There's a part - 'Cash in now honey, cash in Miss Smith.' Miss Smith is my Mother; our last name was Smith. Cashing in when she cashed in her life. So... she decided that, to her... at that time, she was desperate. Life wasn't worth it for her, that was her opinion. Some people think, never take your life, and some people find that their life isn't worth living. She was in love with my Dad, and my Dad was not faithful to her, and it broke her heart. She was very desperate and she did something that I know she regrets."
Album art
When We Were Young
Blink-182
This is a sequel to 2001's "Reckless Abandon", and features the band looking back on their clumsy youth fondly.
Album art
Head > Heels
Ed Sheeran
“Head > Heels” is a track that aims to capture what it feels like to experience romance that exceeds expectations. Ed Sheeran dedicates his album outro to a lover who has blessed him with a unique experience that he seeks to describe through the song’s nuanced lyrics.
Album art
Amazing
Ed Sheeran
Ed Sheeran tells a story of unsuccessfully trying to feel “Amazing.” This track is about the being weighed down by emotional stress despite valiant attempts to find some positivity in the situation. This track was written by Ed Sheeran from the perspective of his friend. From the track, we see this person fall deeper into the negative thoughts and slide further down the path of mental torment with every lyric.
Album art
Plastic Bag
Ed Sheeran
“Plastic Bag” is a song about searching for an escape from personal problems and hoping to find it in the lively atmosphere of a Saturday night party. Ed Sheeran tells the story of his friend and the myriad of troubles he is going through. Unable to find any solutions, this friend seeks a last resort in a party and the vanity that comes with it. “I overthink and have trouble sleepin’ / All purpose gone and don’t have a reason / And there’s no doctor to stop this bleedin’ / So I left home and jumped in the deep end,” Ed Sheeran sings in verse one. He continues by adding that this person is feeling the weight of having disappointed his father and doesn’t have any friends to rely on in this difficult moment. In the second verse, Ed sings about the role of grief in his friend’s plight and his dwindling faith in prayer. “Saturday night is givin’ me a reason to rely on the strobe lights / The lifeline of a promise in a shot glass, and I’ll take that / If you’re givin’ out love from a plastic bag,” Ed sings on the chorus, as his friend turns to new vices in hopes of feeling better.