Shit, Z-Ro the Crooked
I know y'all been waiting on this here, yeah shit
R.I.P. Big Mello, Screw, Mafio, Big Boo, Gator
All the fallen soldiers man, Southside
Eastside, Westside, Northside, know I'm saying
All my partners, all your dead partners
But shit, I still feel stress, still gotta get something
Off my chest, while these hoe niggas be doing what
They be doing, I don't know though, shit fuck it
We goin' stay two deep in a four door

Slow Loud And Bangin', all in my trunk
Trunk full of funk, I ain't never been a punk
I blow on skunk, I blow on doja
Military minded, I'm a motherfucking soldier
Out the streets, of the Ridgemont 4
Not no bitch, and say I still ain't a hoe
Letting niggas know, everyday of the year
I pimp my pen, and I get my point clear
Why niggas wanna talk down, I don't know
Gotta take a trip to Acapulco, from the 4
With my 4-4 on my side, when I ride
Ready to do another homicide, in a pine box
And I'm gone, nigga old glory
I'm H-Town to Cali, just like Robert Horry
If I do a murder, flee the murder scene
No missing shortage on the drank, I can't find no lean
From Southwest to Southfese, bitch it's about war not 'bout peace
Nigga like me, I'm 'bout knocking out teeth
Know I'm saying, I'll loose your grill
A nigga coming down, in the Coupe Deville
Looking gravy, looking real throwed
I'ma be the nigga, pulling over at the fucking cross road
With my K on my side, I'm ready to ride
And if I gotta go, it'll be a homicide
Me and another nigga, on the way to the Golden Gate
A nigga like me, can't wait
Just to make it, to another day
Gotta get the big pay off, so get the fuck out my way
When I come around your corner, so slow
It'll be the nigga, in the damn Polo
It's the rap lawing, jackers ain't barring
Why I skipped the slab, when I went straight to foreign
Said it like I said it, in the old school
Some niggas they be red, but Z-Ro blue
I come around your corner, but I ain't set tripping
But I will, wet niggas and wet women
With the calico, I had to let a motherfucker know
That I come around your corner, in a Lincoln four do'
A fox photo, cause I do it in a flash
Nigga watch out, cause that could be your ass
I rhyme so long, rhyme so strong
I flicks my bar, sip then I swoll' on
Get on, the motherfucking bench
And when the laws hit the corner, I hit the fence
They wonder where I went, they keep looking
I don't give a fuck, like Tyson I keep hooking
Or maybe like Lennox, I'm strong to the finish
I'm like the ghetto Popeye, but I don't need spinach
I'ma keep going, I keep on flowing just like the Nile
Million dollar mouthpiece, every time I smile
Look and load a, nigga ashtray
Every time he smile, he can turn the night to day
You can open up the pop, and let the smoke come out
We don't give a damn, 'bout a crooked ass cop
Crooked officer, crooked officer
Make a nigga wanna blow the badge, off of ya
Me and Dougie, my motherfucking brother
R.I.P., to my motherfucking mother
That's the Dorothy Marie McVay Matthew
There's ten toes planted, in my motherfucking shoe
I gotta be a man, hope you understand
There's nothing but the work, and the calico in my hand
On a corner on the Ridgevan, and I'm serving a fiend
A real live B-Boy, and you know what I mean
I be stacking up chips, like Lego
Dark on a pump, just like Calvin Kato
Loosen to the rocket, a four-peat like Comets
I don't give a fuck, good punch a bitch nigga make him vomit
On the grind, I'ma take a trip on Greyhound
I be flying on a plane, but the dope is on the ground
Headed to Lake Charles, or headed to Lafayette
Maybe off in Alexandria, but I ain't finished yet
I gotta make a hoe I-10, I sin
Then I, do it again
I get my ends, I'm in my motherfucking Benz-e
Got these hoes running round, in a frenzy
I be busting full clips, 'till they empty
A piece of potent pussy, might tempt me
Rain is trying to send me, to the Penitentiary
The main reason why, I ain't friendly
I'm wired up, but I ain't on no damn slaughter
Dejaun in the back, and he got the camcorder
Recording everything, the 4's gon' swing
Still pulling up, on Fondren and the Main
Looking lovely, got to look good
I throw up Ridgemont 4, cause that's my hood
Never been a hoe, I'm letting hoes know
I gotta get a fucking P-L-A-T, but first a G-O
L-D, a motherfucking plaque
I keep it straight and simple like that, hit a bitch from the back
And I use my, motherfucking tool
Make her say ouch, when I hit her with the mule


Lyrics submitted by SongMeanings

Mo City Don (Freestyle) Lyrics as written by Joseph Wayne Mcvey Eric Barrier

Lyrics © Universal Music Publishing Group, O/B/O DistroKid, EMPIRE PUBLISHING, Warner Chappell Music, Inc.

Lyrics powered by LyricFind

Freestyle song meanings
Add Your Thoughts

0 Comments

sort form View by:
  • No Comments

Add your thoughts

Log in now to tell us what you think this song means.

Don’t have an account? Create an account with SongMeanings to post comments, submit lyrics, and more. It’s super easy, we promise!

More Featured Meanings

Album art
Gentle Hour
Yo La Tengo
This song was originally written by a guy called Peter Gutteridge. He was one of the founders of the "Dunedin Sound" a musical scene in the south of New Zealand in the early 80s. From there it was covered by "The Clean" one of the early bands of that scene (he had originally been a member of in it's early days, writing a couple of their best early songs). The Dunedin sound, and the Clean became popular on american college radio in the mid to late 80s. I guess Yo La Tengo heard that version. Great version of a great song,
Album art
Just A Little Lovin'
Dusty Springfield
I don't think it's necessarily about sex. It's about wanting to start the day with some love and affection. Maybe a warm cuddle. I'm not alone in interpreting it that way! For example: "'Just a Little Lovin’ is a timeless country song originally recorded by Eddy Arnold in 1954. The song, written by Eddie Miller and Jimmy Campbell, explores the delicate nuances of love and showcases Arnold’s emotive vocals. It delves into the universal theme of love and how even the smallest gesture of affection can have a profound impact on our lives." https://oldtimemusic.com/the-meaning-behind-the-song-just-a-little-lovin-by-eddy-arnold/
Album art
Punchline
Ed Sheeran
Ed Sheeran sings about missing his former partner and learning important life lessons in the process on “Punchline.” This track tells a story of battling to get rid of emotions for a former lover, whom he now realized might not have loved him the same way. He’s now caught between accepting that fact and learning life lessons from it and going back to beg her for another chance.
Album art
American Town
Ed Sheeran
Ed Sheeran shares a short story of reconnecting with an old flame on “American Town.” The track is about a holiday Ed Sheeran spends with his countrywoman who resides in America. The two are back together after a long period apart, and get around to enjoying a bunch of fun activities while rekindling the flames of their romance.
Album art
Plastic Bag
Ed Sheeran
“Plastic Bag” is a song about searching for an escape from personal problems and hoping to find it in the lively atmosphere of a Saturday night party. Ed Sheeran tells the story of his friend and the myriad of troubles he is going through. Unable to find any solutions, this friend seeks a last resort in a party and the vanity that comes with it. “I overthink and have trouble sleepin’ / All purpose gone and don’t have a reason / And there’s no doctor to stop this bleedin’ / So I left home and jumped in the deep end,” Ed Sheeran sings in verse one. He continues by adding that this person is feeling the weight of having disappointed his father and doesn’t have any friends to rely on in this difficult moment. In the second verse, Ed sings about the role of grief in his friend’s plight and his dwindling faith in prayer. “Saturday night is givin’ me a reason to rely on the strobe lights / The lifeline of a promise in a shot glass, and I’ll take that / If you’re givin’ out love from a plastic bag,” Ed sings on the chorus, as his friend turns to new vices in hopes of feeling better.