"Fast car" is kind of a continuation of Bruce Springsteen's "Born to Run." It has all the clawing your way to a better life, but in this case the protagonist never makes it with her love; in fact she is dragged back down by him.
There is still an amazing amount of hope and will in the lyrics; and the lyrics themselve rank and easy five. If only music was stronger it would be one of those great radio songs that you hear once a week 20 years after it was released. The imagery is almost tear-jerking ("City lights lay out before us", "Speeds so fast felt like I was drunk"), and the idea of starting from nothing and just driving and working and denigrating yourself for a chance at being just above poverty, then losing in the end is just painful and inspiring at the same time.
Crosby sings pretty swell
Fred Astaire dances well
I'm that combination
That's my reputation
I'll capture your heart singing
And then I'll take you down the road with my dancing
Just wait till I start singing
And wait until you get a load of my dancing
I can't go wrong, a tender song and you'll discover my charms
And then some taps and you'll collapse and fall right into my arms
I'll capture your heart singing
And then we'll start a romance when I go into my dance
Here she comes, down the street
My, oh my, ain't she sweet?
Why, here comes my hot toddy
Over my dead body
I'll capture her heart singing
Just wait until she gets a load of my dancing
Just wait till I start singing
I'll take her strolling down the road with my dancing
I can't go wrong, a tender song and she'll discover my charms
Some fancy taps and she'll collapse and fall right into my arms
I'll capture her heart singing
Oh no, you haven't a chance when I go into my dance
I'll take you through life singing
I'll make you my wife dancing
If you could dance instead of sing
I'd learn to love you somehow
If you could sing instead of dance
I'd take you home with me now
The way you sing don't mean a thing
You'd better stick to your dance
And as for you, your dance won't do
You'll have to sing for romance
I'll capture her heart
I'll capture her heart
Singing!
Dancing!
Fred Astaire dances well
I'm that combination
That's my reputation
I'll capture your heart singing
And then I'll take you down the road with my dancing
Just wait till I start singing
And wait until you get a load of my dancing
I can't go wrong, a tender song and you'll discover my charms
And then some taps and you'll collapse and fall right into my arms
I'll capture your heart singing
And then we'll start a romance when I go into my dance
Here she comes, down the street
My, oh my, ain't she sweet?
Why, here comes my hot toddy
Over my dead body
I'll capture her heart singing
Just wait until she gets a load of my dancing
Just wait till I start singing
I'll take her strolling down the road with my dancing
I can't go wrong, a tender song and she'll discover my charms
Some fancy taps and she'll collapse and fall right into my arms
I'll capture her heart singing
Oh no, you haven't a chance when I go into my dance
I'll take you through life singing
I'll make you my wife dancing
If you could dance instead of sing
I'd learn to love you somehow
If you could sing instead of dance
I'd take you home with me now
The way you sing don't mean a thing
You'd better stick to your dance
And as for you, your dance won't do
You'll have to sing for romance
I'll capture her heart
I'll capture her heart
Singing!
Dancing!
Lyrics submitted by SongMeanings
I'll Capture Your Heart Lyrics as written by Irving Berlin
Lyrics © IMAGEM U.S. LLC
Lyrics powered by LyricFind
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Fast Car
Tracy Chapman
Tracy Chapman
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Hayalperest
Hayalperest
This song seemingly tackles the methods of deception those who manipulate others use to get victims to follow their demands, as well as diverting attention away from important issues. They'll also use it as a means to convince people to hate or kill others by pretending acts of terrorism were committed by the enemy when the acts themselves were done by the masters of control to promote discrimination and hate. It also reinforces the idea that these manipulative forces operate in various locations, infiltrating everyday life without detection, and propagate any and everywhere.
In general, it highlights the danger of hidden agendas, manipulation, and distraction, serving as a critique of those who exploit chaos and confusion to control and gain power, depicting a cautionary tale against falling into their traps. It encourages us to question the narratives presented to us and remain vigilant against manipulation in various parts of society.
Holiday
Bee Gees
Bee Gees
@[Diderik:33655] "Your a holiday!" Was a popular term used in the 50s/60s to compliment someone on their all around. For example, not only are they beautiful, but they are fun and kind too ... just an all around "holiday".
I think your first comment is closer to being accurate. The singer/song writers state "Millions of eyes can see, yet why am i so blind!? When the someone else is me, its unkind its unkind". I believe hes referring to the girl toying with him and using him. He wants something deeper with her, thats why he allows himself to be as a puppet (even though for her fun and games) as long as it makes her happy. But he knows deep down that she doesnt really want to be serious with him and thats what makes him.
Gentle Hour
Yo La Tengo
Yo La Tengo
This song was originally written by a guy called Peter Gutteridge. He was one of the founders of the "Dunedin Sound" a musical scene in the south of New Zealand in the early 80s. From there it was covered by "The Clean" one of the early bands of that scene (he had originally been a member of in it's early days, writing a couple of their best early songs). The Dunedin sound, and the Clean became popular on american college radio in the mid to late 80s. I guess Yo La Tengo heard that version.
Great version of a great song,
Amazing
Ed Sheeran
Ed Sheeran
Ed Sheeran tells a story of unsuccessfully trying to feel “Amazing.” This track is about the being weighed down by emotional stress despite valiant attempts to find some positivity in the situation. This track was written by Ed Sheeran from the perspective of his friend. From the track, we see this person fall deeper into the negative thoughts and slide further down the path of mental torment with every lyric.