"Hey!"
Butter.
"One of us! Right away!"
"Work"
Uh, where all my hustlers?
(Where them thugs at?)
All my ballers.
What, let's do it like this. (Get up!)
Uh, what.
(Indiana, Indiana!)
"Work"
Mag in this muth yo.
Killa Castro from Queens, trigga Treach.
(New Jeru, Dirty Jerz.)

Well can you get it like I get it, I got to get my blood
Known for slangin yayo and part the lick with my thugs
Fuck you, fuck your crew fool and all that shit
Bitch, it's a new nigga on the premesis
"Work"
Ah, puttin it down like I knows to
What, splittin these hata's wigs like I'm supposed to
Whenever you, wanna act the fool, and come and test
Get that ak slug through your vest
Forget your dog, get bucked
Wind up and see you with all the garbage stuck
Now you in the depths of Hell, feel like damn it ain't my lucky day
Never shoulda looked my way, motherfucker
Don't trust your bitch ass fool as far as I can thrust ya
Don't make no sudden moves fool and I won't have to bust ya
Trigga Treach he got his pistol do
We puttin in work from here to Russia fool
So what the fuck y'all here to do
"Work"
Huh, and it's on like that
Motherfucker and it's on like that
"I puts in work"
And it's on like that
Yo dog I hope you cleaned your strap
"Uh huh, 'cause I puts in work"

Fatal how the hood'll hate you, caught up in drama
Colors and ganja like black autototes for armor
Millies and macks never the same pocket
Kept his phillies and crack how the streets rock it
Switch em, b cases like he fathered the system
Organized block cinemas away from the prison
With souls, lost rows and so on
Fall victim to the streets and so much can go wrong
Rebels meet crumble and majesties for salaries
Out of towners and goose downers introduce pounders
A lay loot for power evil roots shoot through cowards
Lettin other niggas just regulate they hours
Coke or chronic, philly roll millie by his scrotum
Barrel x to g packs
Never got along with cops, like it was Brett Favre and D backs
It's how rap cats believe that
"Just puttin in work"
And it's on like that
Castro, you know it's on like that
"Huh huh huh huuuh work"
And it's on like that
Yeah y'all we gettin it on like that
"Puttin it in y'all, puttin it in y'all"

Check it, I get deep voice like Barry
All you keep, naw you keep
Forgot I got permit to carry
All you sleep
Look at me, his face I'll bury
I look at you and say that's what happens when cousins marry
"Work"
Hate that funk shit, don't show up
Tore up from the floor up
My gat's so fat it needs to loose weight like hold up
On the run huh, it might be bailin in a Bronco
I be layin low from Rocko
In a condo outside of Toronto
How I feel about y'all poppin shit
Like a constipated port a lot of noise but you ain't droppin shit
This is me here, it ain't no other man
Always into somebody's business like you was
"Work"
Nigga I puts in like ten men
Kick up more dust than dirt
Drinkin more gin than Vin
Well see no El Nino or ghetto tsunami
Couldn't drop up on me so we got to fuck over Tommy
"I puts in work"
I puts in work, and it's on like that
Motherfucker with them snakes and rats
I puts in work
"Work"
And it's on like that
Hope you motherfuckers watch your back
'Cause I puts in work
"Work"
"New Jerus y'all Dirty Jerz y'all"
"Work"
"Ah ow, Indiana comin on through"
"Work"
"Oh, what it mean y'all comin from Queens"
"Work"
"Hey, put it down for my town"


Lyrics submitted by SongMeanings

Work Lyrics as written by Anthony Shawn Criss Norman Jesse Whitfield

Lyrics © Universal Music Publishing Group, Sony/ATV Music Publishing LLC, O/B/O DistroKid, Songtrust Ave, Missing Link Music, Warner Chappell Music, Inc.

Lyrics powered by LyricFind

Work song meanings
Add Your Thoughts

0 Comments

sort form View by:
  • No Comments

Add your thoughts

Log in now to tell us what you think this song means.

Don’t have an account? Create an account with SongMeanings to post comments, submit lyrics, and more. It’s super easy, we promise!

More Featured Meanings

Album art
Bron-Y-Aur Stomp
Led Zeppelin
This is about bronies. They communicate by stomping.
Album art
Cajun Girl
Little Feat
Overall about difficult moments of disappointment and vulnerability. Having hope and longing, while remaining optimistic for the future. Encourages the belief that with each new morning there is a chance for things to improve. The chorus offers a glimmer of optimism and a chance at a resolution and redemption in the future. Captures the rollercoaster of emotions of feeling lost while loving someone who is not there for you, feeling let down and abandoned while waiting for a lover. Lost with no direction, "Now I'm up in the air with the rain in my hair, Nowhere to go, I can go anywhere" The bridge shows signs of longing and a plea for companionship. The Lyrics express a desire for authentic connection and the importance of Loving someone just as they are. "Just in passing, I'm not asking. That you be anyone but you”
Album art
Mountain Song
Jane's Addiction
Jane's Addiction vocalist Perry Farrell gives Adam Reader some heartfelt insight into Jane’s Addiction's hard rock manifesto "Mountain Song", which was the second single from their revolutionary album Nothing's Shocking. Mountain song was first recorded in 1986 and appeared on the soundtrack to the film Dudes starring Jon Cryer. The version on Nothing's Shocking was re-recorded in 1988. "'Mountain Song' was actually about... I hate to say it but... drugs. Climbing this mountain and getting as high as you can, and then coming down that mountain," reveals Farrell. "What it feels to descend from the mountain top... not easy at all. The ascension is tough but exhilarating. Getting down is... it's a real bummer. Drugs is not for everybody obviously. For me, I wanted to experience the heights, and the lows come along with it." "There's a part - 'Cash in now honey, cash in Miss Smith.' Miss Smith is my Mother; our last name was Smith. Cashing in when she cashed in her life. So... she decided that, to her... at that time, she was desperate. Life wasn't worth it for her, that was her opinion. Some people think, never take your life, and some people find that their life isn't worth living. She was in love with my Dad, and my Dad was not faithful to her, and it broke her heart. She was very desperate and she did something that I know she regrets."
Album art
I Can't Go To Sleep
Wu-Tang Clan
This song is written as the perspective of the boys in the street, as a whole, and what path they are going to choose as they get older and grow into men. (This is why the music video takes place in an orphanage.) The seen, and unseen collective suffering is imbedded in the boys’ mind, consciously or subconsciously, and is haunting them. Which path will the boys choose? Issac Hayes is the voice of reason, maybe God, the angel on his shoulder, or the voice of his forefathers from beyond the grave who can see the big picture and are pleading with the boys not to continue the violence and pattern of killing their brothers, but to rise above. The most beautiful song and has so many levels. Racism towards African Americans in America would not exist if everyone sat down and listened to this song and understood the history behind the words. The power, fear, pleading in RZA and Ghostface voices are genuine and powerful. Issac Hayes’ strong voice makes the perfect strong father figure, who is possibly from beyond the grave.
Album art
Plastic Bag
Ed Sheeran
“Plastic Bag” is a song about searching for an escape from personal problems and hoping to find it in the lively atmosphere of a Saturday night party. Ed Sheeran tells the story of his friend and the myriad of troubles he is going through. Unable to find any solutions, this friend seeks a last resort in a party and the vanity that comes with it. “I overthink and have trouble sleepin’ / All purpose gone and don’t have a reason / And there’s no doctor to stop this bleedin’ / So I left home and jumped in the deep end,” Ed Sheeran sings in verse one. He continues by adding that this person is feeling the weight of having disappointed his father and doesn’t have any friends to rely on in this difficult moment. In the second verse, Ed sings about the role of grief in his friend’s plight and his dwindling faith in prayer. “Saturday night is givin’ me a reason to rely on the strobe lights / The lifeline of a promise in a shot glass, and I’ll take that / If you’re givin’ out love from a plastic bag,” Ed sings on the chorus, as his friend turns to new vices in hopes of feeling better.