Cabin in the Sky

"Zombie" is about the ethno-political conflict in Ireland. This is obvious if you know anything of the singer (Dolores O'Riordan)'s Irish heritage and understood the "1916" Easter Rising reference. "Another head hangs lowly Child is slowly taken And the violence caused such silence Who are we mistaken - Another mother's breaking Heart is taking over" Laments the Warrington bomb attacks in which two children were fatally injured on March 23rd, 1993. Twelve year old Tim Parry was taken off life support with permission from his mother after five days in the hospital, virtually braindead. "But you see it's not me It's not my family" References how people who are not directly involved with the violence feel about it. They are "zombies" without sympathy who refuse to take action while others suffer.

@Kahiara Actually I think the husband passed away, "She sang for you last night She heard you were calling" Many people say they have felt, heard, or seen their loved ones after they have passed. "Don't be scared now Close your eyes She holds guard tonight Go on forward no remorse Life will take it's course" This is said to the late husband by a third part (never named), who encourages him to pass on. Because life will eventually continue. The phrase "holds guard" refers to the ( en.wikipedia.org/wiki/… ) which is a Christian ceremony held after someone dies. Now it is usually held right after the funeral, but in most celtiic countries the wake is held before the funeral. "She danced with you last night so you will remember All you have shared, a lifetime." This sentence feels as if the only thing it wants to convey is their history together, namely, husband and wife. For the rest it just refers back to the first verse.

This song is timeless, and nearly 20 years after its creation, still possesses the mystique it did the first time i heard it ~1994. To me, at first blush, all those years ago, it had some kind of homo-erotic allure. The line "so that the others may do" tells of something which must be done for others to follow suit. It felt like like some kind of roxy-glam-pop invitation to sexual liberation. Upon further introspection I think the song may not have an intrinsic meaning, but simply represents a sort of "holding open the door" for people who otherwise might be affronted by this song/band's unusual style. I know, as a sort of armchair rock-historian, that there have been few bands so daring and so true to the sound that wanted to emerge from within, whether the creator wanted it or not. This band handled it with elegance and grace seldom, if ever, seen.

Moyet later described how her song "Goodbye 70's" had been inspired by her disillusionment with how the late-1970s punk scene had turned out, saying, "'Goodbye 70's' is about punk and not caring how you were dressed, and then I discovered that so many of my friends that I'd thought it all really meant something to just saw it as another trend... That's what 'Goodbye 70's' was all about, about how sour the whole thing became."

Matt Shadows their lead singer says the song was written as per request from the developers of Call of Duty: Black Ops 4. Watching the initial trailers for the game & looking at production sketches reminded him of the 'S-Town' podcast & its main protagonist, John B. McLemore. Matt also comments specifically on the lyrics: "I decided that the lyrics would shadow McLemore's life." In 2012, antiquarian horologist John B. McLemore sent an email to the staff of the show 'This American Life' asking them to investigate an alleged murder in his hometown of Woodstock, Alabama, a place McLemore claimed to despise. After a year of exchanging emails & several months of conversation with McLemore, producer Brian Reed traveled to Woodstock to investigate. Reed investigated the crime & eventually found that no such murder took place, though he struck up a friendship with the depressed but colorful character of McLemore. He recorded conversations with McLemore & other people in Woodstock. McLemore killed himself by drinking potassium cyanide on June 22, 2015 while the podcast was still in production. In the narrative of the podcast, this occurs at the end of the second episode; subsequent episodes deal with the fallout from McLemore's death while exploring more of McLemore's life & character.