"Fast car" is kind of a continuation of Bruce Springsteen's "Born to Run." It has all the clawing your way to a better life, but in this case the protagonist never makes it with her love; in fact she is dragged back down by him.
There is still an amazing amount of hope and will in the lyrics; and the lyrics themselve rank and easy five. If only music was stronger it would be one of those great radio songs that you hear once a week 20 years after it was released. The imagery is almost tear-jerking ("City lights lay out before us", "Speeds so fast felt like I was drunk"), and the idea of starting from nothing and just driving and working and denigrating yourself for a chance at being just above poverty, then losing in the end is just painful and inspiring at the same time.
Old mule, you're the son of a donkey
And I'm in the image of God
Yet, here we work, hitched together
Toilin' and tillin' the sod
I wonder if you work for me
Or I work for you, old mule
At times I think it's a partnership
Between a mule and a doggone fool.
When plowin', we go the same distance
But I work harder than you
You skim the ground on four good legs
And I hobble along on two
So, mule, mathematically speakin'
You're four legs 'gainst my two
I do twice the work per leg
I do twice as much as you.
Now soon we'll be makin' the corn crop
That crop'll be split three ways
A third for you, a third for me
And a third for the landlords' pay
You take your third and eat it
You're gettin' the best! And How!
I split my third amongst the wife and eight kids
The banker, six hens and a cow.
And right here mule, I might mention
You only plow the ground
I shock the corn and husk it
While you're hee-hawin' around
All Fall and part of the Winter
Old mule, you know it's true
I break my back with a cotton sack
Tryin' to pay off the mortgage on you.
The only time I'm your better
Is when election comes
A man can vote and a mule cannot
But that don't worry you none
Because you're a wise old donkey
You know what to worry about
You knew politics wouldn't help you none
And I'm just findin' it out.
So, mule, confidentially speaking
Would you change places with me
Would you take up all my worries
And still contented be
Would you swap places, I'm askin'
'Course, you know we couldn't
But would you, if you could, now tell the truth
You're doggone right, you wouldn't.
And I'm in the image of God
Yet, here we work, hitched together
Toilin' and tillin' the sod
I wonder if you work for me
Or I work for you, old mule
At times I think it's a partnership
Between a mule and a doggone fool.
When plowin', we go the same distance
But I work harder than you
You skim the ground on four good legs
And I hobble along on two
So, mule, mathematically speakin'
You're four legs 'gainst my two
I do twice the work per leg
I do twice as much as you.
Now soon we'll be makin' the corn crop
That crop'll be split three ways
A third for you, a third for me
And a third for the landlords' pay
You take your third and eat it
You're gettin' the best! And How!
I split my third amongst the wife and eight kids
The banker, six hens and a cow.
And right here mule, I might mention
You only plow the ground
I shock the corn and husk it
While you're hee-hawin' around
All Fall and part of the Winter
Old mule, you know it's true
I break my back with a cotton sack
Tryin' to pay off the mortgage on you.
The only time I'm your better
Is when election comes
A man can vote and a mule cannot
But that don't worry you none
Because you're a wise old donkey
You know what to worry about
You knew politics wouldn't help you none
And I'm just findin' it out.
So, mule, confidentially speaking
Would you change places with me
Would you take up all my worries
And still contented be
Would you swap places, I'm askin'
'Course, you know we couldn't
But would you, if you could, now tell the truth
You're doggone right, you wouldn't.
Lyrics submitted by SongMeanings
Mule/Stall Lyrics as written by Kim Coletta James Robbins
Lyrics © Sony/ATV Music Publishing LLC
Lyrics powered by LyricFind
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Fast Car
Tracy Chapman
Tracy Chapman
The Night We Met
Lord Huron
Lord Huron
This is a hauntingly beautiful song about introspection, specifically about looking back at a relationship that started bad and ended so poorly, that the narrator wants to go back to the very beginning and tell himself to not even travel down that road. I believe that the relationship started poorly because of the lines:
"Take me back to the night we met:When the night was full of terrors: And your eyes were filled with tears: When you had not touched me yet"
So, the first night was not a great start, but the narrator pursued the relationship and eventually both overcame the rough start to fall in love with each other:
"I had all and then most of you"
Like many relationships that turn sour, it was not a quick decline, but a gradual one where the narrator and their partner fall out of love and gradually grow apart
"Some and now none of you"
Losing someone who was once everything in your world, who you could confide in, tell your secrets to, share all the most intimate parts of your life, to being strangers with that person is probably one of the most painful experiences a person can go through. So Painful, the narrator wants to go back in time and tell himself to not even pursue the relationship.
This was the perfect song for "13 Reasons Why"
Bron-Y-Aur Stomp
Led Zeppelin
Led Zeppelin
This is about bronies. They communicate by stomping.
Holiday
Bee Gees
Bee Gees
@[Diderik:33655] "Your a holiday!" Was a popular term used in the 50s/60s to compliment someone on their all around. For example, not only are they beautiful, but they are fun and kind too ... just an all around "holiday".
I think your first comment is closer to being accurate. The singer/song writers state "Millions of eyes can see, yet why am i so blind!? When the someone else is me, its unkind its unkind". I believe hes referring to the girl toying with him and using him. He wants something deeper with her, thats why he allows himself to be as a puppet (even though for her fun and games) as long as it makes her happy. But he knows deep down that she doesnt really want to be serious with him and thats what makes him.
No Surprises
Radiohead
Radiohead
Same ideas expressed in Fitter, Happier are expressed in this song. We're told to strive for some sort of ideal life, which includes getting a good job, being kind to everyone, finding a partner, getting married, having a couple kids, living in a quiet neighborhood in a nice big house, etc. But in Fitter, Happier the narrator(?) realizes that it's incredibly robotic to live this life. People are being used by those in power "like a pig in a cage on antibiotics"--being pacified with things like new phones and cool gadgets and houses while being sucked dry. On No Surprises, the narrator is realizing how this life is killing him slowly. In the video, his helmet is slowly filling up with water, drowning him. But he's so complacent with it. This is a good summary of the song. This boring, "perfect" life foisted upon us by some higher powers (not spiritual, but political, economic, etc. politicians and businessmen, perhaps) is not the way to live. But there is seemingly no way out but death. He'd rather die peacefully right now than live in this cage. While our lives are often shielded, we're in our own protective bubbles, or protective helmets like the one Thom wears, if we look a little harder we can see all the corruption, lies, manipulation, etc. that is going on in the world, often run by huge yet nearly invisible organizations, corporations, and 'leaders'. It's a very hopeless song because it reflects real life.
Robbins said at a benefit in 97 at Black Cat in DC: "This song is based on an actual experience that occured in this very room." No idea what that means but it's something!