"Fast car" is kind of a continuation of Bruce Springsteen's "Born to Run." It has all the clawing your way to a better life, but in this case the protagonist never makes it with her love; in fact she is dragged back down by him.
There is still an amazing amount of hope and will in the lyrics; and the lyrics themselve rank and easy five. If only music was stronger it would be one of those great radio songs that you hear once a week 20 years after it was released. The imagery is almost tear-jerking ("City lights lay out before us", "Speeds so fast felt like I was drunk"), and the idea of starting from nothing and just driving and working and denigrating yourself for a chance at being just above poverty, then losing in the end is just painful and inspiring at the same time.
With a hammer and nails and a fear of failure we are building a shed
Between here and heaven, between the wait and the wedding
For as long as we both shall be dead to the world
Beyond the boys and the girls trying to keep us calm
We can practice our lines ’til we’re deaf and blind
To ourselves, to each other, where it’s
Fall, not winter; spring, not summer; cool, not cold
And it’s warm, not hot; have we all forgotten that we’re getting old?
With an arrow and bow and some seeds left to sow, we are staking our claim
On ground so fertile, we forget who we’ve hurt along the way
And reach out for a strange hand to hold
Someone strong, but not bold enough to tear down the wall
’Cause we ain’t lost enough to find the stars ain’t crossed—why align them?
Why fall hard, not soft into
Fall, not winter; spring, not summer; cool, not cold
Where it’s warm, not hot; have we all forgotten that we’re getting old?
And it’s fall, not winter; spring, not summer; cool, not cold
And it’s warm, not hot; has everyone forgotten that we’re getting old?
And it’s fall, not winter; spring, not summer; cool, not cold
And it’s warm, not hot; have we all forgotten that we’re getting old?
Between here and heaven, between the wait and the wedding
For as long as we both shall be dead to the world
Beyond the boys and the girls trying to keep us calm
We can practice our lines ’til we’re deaf and blind
To ourselves, to each other, where it’s
Fall, not winter; spring, not summer; cool, not cold
And it’s warm, not hot; have we all forgotten that we’re getting old?
With an arrow and bow and some seeds left to sow, we are staking our claim
On ground so fertile, we forget who we’ve hurt along the way
And reach out for a strange hand to hold
Someone strong, but not bold enough to tear down the wall
’Cause we ain’t lost enough to find the stars ain’t crossed—why align them?
Why fall hard, not soft into
Fall, not winter; spring, not summer; cool, not cold
Where it’s warm, not hot; have we all forgotten that we’re getting old?
And it’s fall, not winter; spring, not summer; cool, not cold
And it’s warm, not hot; has everyone forgotten that we’re getting old?
And it’s fall, not winter; spring, not summer; cool, not cold
And it’s warm, not hot; have we all forgotten that we’re getting old?
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More Featured Meanings
Fast Car
Tracy Chapman
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Holiday
Bee Gees
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@[Diderik:33655] "Your a holiday!" Was a popular term used in the 50s/60s to compliment someone on their all around. For example, not only are they beautiful, but they are fun and kind too ... just an all around "holiday".
I think your first comment is closer to being accurate. The singer/song writers state "Millions of eyes can see, yet why am i so blind!? When the someone else is me, its unkind its unkind". I believe hes referring to the girl toying with him and using him. He wants something deeper with her, thats why he allows himself to be as a puppet (even though for her fun and games) as long as it makes her happy. But he knows deep down that she doesnt really want to be serious with him and thats what makes him.
I Can't Go To Sleep
Wu-Tang Clan
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This song is written as the perspective of the boys in the street, as a whole, and what path they are going to choose as they get older and grow into men. (This is why the music video takes place in an orphanage.) The seen, and unseen collective suffering is imbedded in the boys’ mind, consciously or subconsciously, and is haunting them. Which path will the boys choose? Issac Hayes is the voice of reason, maybe God, the angel on his shoulder, or the voice of his forefathers from beyond the grave who can see the big picture and are pleading with the boys not to continue the violence and pattern of killing their brothers, but to rise above. The most beautiful song and has so many levels. Racism towards African Americans in America would not exist if everyone sat down and listened to this song and understood the history behind the words. The power, fear, pleading in RZA and Ghostface voices are genuine and powerful. Issac Hayes’ strong voice makes the perfect strong father figure, who is possibly from beyond the grave.
Punchline
Ed Sheeran
Ed Sheeran
Ed Sheeran sings about missing his former partner and learning important life lessons in the process on “Punchline.” This track tells a story of battling to get rid of emotions for a former lover, whom he now realized might not have loved him the same way. He’s now caught between accepting that fact and learning life lessons from it and going back to beg her for another chance.
American Town
Ed Sheeran
Ed Sheeran
Ed Sheeran shares a short story of reconnecting with an old flame on “American Town.” The track is about a holiday Ed Sheeran spends with his countrywoman who resides in America. The two are back together after a long period apart, and get around to enjoying a bunch of fun activities while rekindling the flames of their romance.
Sometimes people choose relationships to avoid rather than experience intimacy. Sometimes our "fear of failure" prevents us from believing we can have the connection and edification we really want and deserve with another person. We choose partners we don't really admire or feel safe with or who allow us to maintain our habitual emotional distance.
building a shed--building a relationship
Between here and heaven, between the wait and the wedding--between the past relationships we've had and the ones we really want and deserve, a stopping or waiting place along the way
Or as long as we both shall be dead to the world--as long as we continue to make ourselves unavailable to opportunities for real intimacy that the world is constantly presenting to us
We can practice our lines--in this relationship, we can continue repeating the habits and messages that make us feel safe and keep us guarded against the risk of vulnerability and intimacy
Fall, not winter, spring, not summer, cool, not cold And it’s warm, not hot--these relationships are exciting, fun, romantic, but they don't penetrate to the deepest parts of ourselves
With an arrow and bow--tools for hunting, for finding more partners
and some seeds left to sow--the proverbial desire for excitement, newness, and a kind of lonely freedom and power
we are staking our claim On ground so fertile, we forget who we’ve hurt along the way--there are so many people in the city or world who can fill these roles for us that they become interchangeable and forgettable
And reach out for a strange hand to hold--we distract ourselves from acknowledging our patterns by finding someone new to occupy our attention
Someone strong, but not bold enough to tear down the wall--these partners have attractive qualities, so it's easy to justify to ourselves and our friends why we keep choosing them, though none of them ever really get close to us
‘Cause we aren’t lost enough to find--we haven't felt our loneliness acutely or clearly enough to recognize it and change this pattern that perpetuates it
the stars aren’t crossed why align 'em--nothing seems dramatically wrong, so we can justify why we aren't trying something new or trying to change
And why fall hard not soft--so why risk intimacy? why not let it be cute or literary, like a movie?
Perhaps the stars were never meant to align. I think my journal entry addresses that.
jonathanmrussom - Very thoughtful response. Thanks.
Stop talking to yourself. "Thoughtful" is not in your vocabulary. Getting laid is...so enjoy it tonight and every night, Big Boy. Yawn.
I agree with your interpretation and appreciate its line-by-line nature. Especially the symbolism of bow/arrow and seeds.<br /> <br /> Curious what you think of "Beyond the boys and the girls trying to keep us calm"--that line had actually made me think the couple is considering marriage, and their friends who see the disastrous nature of a marriage without intimacy are trying to dissuade them, but they proceed, stonefaced.
@jonathanmrussom brilliant!!! Thank you for writing that!!!
I'm in love with this song.
First, I think the second verse is off slightly. The lyrics should read: "'Cause we're not lost enough to find the stars aren't crossed why align them why fall hard not soft into..."
It makes a difference.
As far as what the lyrics mean, I'm not really sure. It seems like kind of sad, pessimistic song about relationships. Instead of the traditional line from marriage vows "For as long as we both shall live" it's changed to "for as long as we both shall be dead," as if being married kills part of you.
The chorus seems to advocate for playing it safe, opting for something less than an extreme (fall not winter, spring not summer, cool not cold, warm not hot). Perhaps the idea is that the singer is settling, knowing that they're getting older.
The second verse suggests more of the same to me. The singer still craves a relationship but only in a limited, safe fashion. Why take a risk and fall hard for someone? Why not guard yourself and fall soft into fall not winter, spring not summer, etc.
I'd love to hear some feedback on this.
Oh I get the opposite. The song certainly speaks of playing it safe but it's not advocating it all.<br /> <br /> "Warm not hot"- we opt for safe lukewarm relationships instead of the one that takes us out of "here" and transports us to "heaven"<br /> <br /> "Have we all forgotten that we're getting old"- Do we not realize life is too short to live in fear of failure. Go for what scares you yet excites you at the same time. The love that terrifies you yet REQUIRES you to change for the better.<br /> <br /> "Fall not winter, spring not summer, cool not cold, warm not hot":- Contrast between dullness and intensity, imitation vs. the real pure thing, version of love vs. real true love! Wow, reminds me of a bible scripture where Jesus said: "come hot or cold but if you're lukewarm I will spit you out!"<br /> <br /> "And reach out for a strange hand to hold<br /> Someone strong, but not bold enough to tear down the wall" - we sometimes opt for relationships that keep us in our comfort zone, rather than the ones that break down the facade we've created and force us to reveal our true selves...whatever that may be (but how freeing would that be!?)<br /> <br /> Just my 2 pennies :)
I have only just found this song but my thoughts are that it is about so much more than just relationships and more about finding someone, falling in love, starting a family and living your lives together. I have added my thoughts to the sections of the lyrics below;
With a hammer and nails and a fear of failure we are building a shed - Building a home together
Between here and heaven, between the wait and the wedding For as long as we both shall be dead to the world
From getting married, living our lives until "the wait" until our time on this planet is finished.
Beyond the boys and the girls trying to keep us calm We can practice our lines ’til we’re deaf and blind To ourselves, to each other, where it’s
Fall, not winter; spring, not summer; cool, not cold And it’s warm, not hot; have we all forgotten that we’re getting old?
With an arrow and bow and some seeds left to sow, we are staking our claim On ground so fertile, we forget who we’ve hurt along the way
And reach out for a strange hand to hold Someone strong, but not bold enough to tear down the wall ’Cause we ain’t lost enough to find the stars ain’t crossed—why align them? Why fall hard, not soft into
When you are young, you want to take on the world. As you get older your priorities change, and you realise that falling and staying in love, creating a happy home, having children and raising them to successful adults and growing old together is where real happiness lies.
Fall, not winter; spring, not summer; cool, not cold Where it’s warm, not hot; have we all forgotten that we’re getting old?
Anyway, this is what this song says to me. I've already told my family that I want this played at my funeral (which I hope is a few years away yet) as I think it sums up what's important in life - falling in love, staying in love, creating a happy family and home.
I believe the song is about the first settlers in America trying to build their life. Building a shed, bow and arrow, seeds, claiming the land, fertile soil ('we forgot who we've hurt along the way) Song of the hope of the promised land and hardships that comes with that promise.
I feel to translate meaning of the song the connotation of the words is good to look into.
To me it can point to people in general not living life to the fullest and keeping themself in a mundane existence, and he is pointing out “hey, wake up! Don’t you know we are getting old? Its time to live!”
Or it can be about him talking about himself and his own relationship with partner and settling for something false or trying to escape monotony.
To me its about being in between and limbo, and speaking out of fear as it says
“With a hammer and nails and a “fear of failure” we are building a shed”
Anything done out of fear is negative. And a type of protection “building a shed” it doesn’t say “house” shed is more like an “out building” they are creating to escape.
Then its suggest being in limbo, in a non committed space. As if a temporary fix. Like not being committed fully.
“Between here and heaven” , between the “wait and the wedding”
Can mean between waiting for someone right, and also finally committing to getting married.
“For as long as we both shall be dead”
A play on words when exchanging vows “for as long as we shall live. Could mean also setting for someone instead of facing fear of commitment and taking step into life and choosing someone boldly and stepping forward.
“Beyond the boys and the girls trying to keep us calm We can practice our lines ’til we’re deaf and blind To ourselves, to each other, where it’s Fall, not winter; spring, not summer; cool, not cold And it’s warm, not hot; have we all forgotten that we’re getting old?”
Saying they can practice their lines but its not their true feeling for each other thats why it would make them deaf and blind to the truth which is opposite the lines... which are “i commit to you, I love you” it can also mean the writer is afraid of losing spontaneity and afraid of falling into mediocre. But it also sounds as if he is saying in the shed they can practice their lines and be fake with each other and stay in limbo instead of being honest and splitting or being with someone they really want to marry.
“With an arrow and bow and some seeds left to sow, we are staking our claim “
This is the age old phallic sexual symbolism with words... implying they are choosing self gratification.
“On ground so fertile, we forget who we’ve hurt along the way “
Again sex, acting out of the chemistry of youth, but its negative saying as if reckless begaviour as they “forgetting who they have hurt along the way” maybe choosing similar temporary body based partnerships again and again instead of something solid and real.
And “reach out for a “strange” hand to hold”
Again reaching to strangers for comfort... different not deep intimate partners...
Someone strong, but “not bold enough to tear down the wall”
Again negative, that person isnt bold enough, and they aren’t able to tear down the mask or false wall that is build from “fear of failure” remember.
’Cause we ain’t lost enough to find the stars ain’t crossed—why align them?
Instead of being honest with self and each other, they rather not face reality, and just keep going on with superficial relationship... than face the truth or go deep with someone. So choose someone who may not be alligned but they dont wanna know, or if they are they dont want to fall for them hard and end up in their perceived mediocrisy of a committed routine relationship... or the inevitable mundane reality or limbo of life suggested by the main chorus. The person feels the rather escape life and yet they know they have to live it but they trying to buffer that, with the shed and “falling soft” instead of “hard”. They kind of biding their time...
“Why fall hard, not soft into”
In one sense, they are saying How long will we do this. “We are getting to old for this.”
And in another they are saying, hey I keep doing this because “life is to short, for mundane, I am getting old”
Fall, not winter; spring, not summer; cool, not cold Where it’s warm, not hot; have we all forgotten that we’re getting old?
And it’s fall, not winter; spring, not su
@nandinimel <br /> <br /> Also he is admitting he is already “falling soft” into the medicrity the pretense he keeps up by not facing truth. Like in earlier sentence,”we can practice the lines till be become blind to ourself and each other” like he is practicing being fake with his partner in that shed and keeping himself in limbo. rather than fully marrying her and having to face truth. And later he is saying why try to allign the stars with person, either by “forcing or faking” “make it right” take the commitment... he rather go into that slowly as he is postponing it with his shed he built to escape failure and pretend its all good. But he admits he is “falling soft” he rather that then “fall hard” into that mediocrity. But its like he is accepting it because “he is getting old” ... like he is settling and not putting effort because time is ticking and he has negative view of relation, or not wanting to out effort, its better to settle with the wrong thing but not commit and stay in limbo or postpone the wedding as long as possible....due to fear of failure. “between the wait and the wedding” full on commitment issues indicated.
Also remember the walls of the shed were built out of “fear of failure” <br /> <br /> And he is saying he meets someone not bold enough to “tear down the walls” so not meet someone who breaks through that fear into love, or someone that he truly loves, that he is able to melt the walls built by his fear. Instead he has a shed around his heart and is acting “practicing the lines” instead of being honest with himself and the other....