You're just a clone of them
Have you no way to set a fire
You're just a clone of them
The devil's in the ways we live
It's all chemicals by and large it's not you
Or your excitement
I'm caught trading blows and climbing walls for a view
Out of resentment
You're just a clone of them,
Have you no way to set a fire
You're just a clone of them,
The devil's in the ways we live
But this sadness you saw in us
Comes honestly from foreign worlds
There's too many muddy feet
It's all too easy counting
So in the end, if I hold the fate, you hold a chance
Never admit, I'd simply ascend
To see what the soul looks like in the end
After all
We need a change I feel
From this saga of old past blandness
Maybe I'll tase myself
Wake up from this maze of lies built up
You're just a clone of them
Have you no way to set a fire
You're just a clone of them
The devil's in the ways we live
(After all, what do I know)
(After all, what do I know)
You're just a clone of them
Have you no way to set a fire
Have you no way to set a fire
You're just a clone of them
The devil's in the ways we live
It's all chemicals by and large it's not you
Or your excitement
I'm caught trading blows and climbing walls for a view
Out of resentment
You're just a clone of them,
Have you no way to set a fire
You're just a clone of them,
The devil's in the ways we live
But this sadness you saw in us
Comes honestly from foreign worlds
There's too many muddy feet
It's all too easy counting
So in the end, if I hold the fate, you hold a chance
Never admit, I'd simply ascend
To see what the soul looks like in the end
After all
We need a change I feel
From this saga of old past blandness
Maybe I'll tase myself
Wake up from this maze of lies built up
You're just a clone of them
Have you no way to set a fire
You're just a clone of them
The devil's in the ways we live
(After all, what do I know)
(After all, what do I know)
You're just a clone of them
Have you no way to set a fire
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Intention does not equal meaning. An artist can say what they intended (partially or fully) with their art, but that does not exhaust what the art means. If I write the word "ORANGE" on a billboard, and intended the color, while some other dude comes along and reads it as meaning the fruit, the word "ORANGE" on the billboard has at least two meanings, both the color and the fruit. In other words, the subjective experience of the other dude is not *merely* subjective. It touches on an objective facet of the symbol. Yes, I didn't intend for the word to be read as meaning the fruit, but I should have been aware that the English word "orange" *just does* have these common meanings. That's what it means to share language. (This is all Semiotics 101, by the way.)
I hate this about popular music criticism and interpretation: any attempt to forward an objective interpretation of music and/or lyrics--especially when the interpretation posits religious aspects--is shot down as "intolerant," "close-minded," etc. 'We all got our opinions, man, and no one has any right to forward his opinion over anyone else's.' Anyone see the irony of this last sentence? This sentence, parroted in how many different ways in press and on the Internet, forwards *AS OBJECTIVE FACT* the *OPINION* that it is wrong to forward one's opinion as fact. You might rejoin that it is *not* an opinion that it is wrong to forward one opinion as fact, but rather a *fact*, to which I pose the following question: How do you know?
Answer: You don't. There are no practical means of determining which domains of discussion are open to fact and which open merely to opinion. (Also, in classical thought, "opinion" didn't mean something that was true for its believer and not necessarily true for anyone else; it meant something of which its believer wasn't 100% sure.) If anyone actually cares about value theory and types of knowledge, realize that this whole "Fact vs. Opinion" garbage is based on the long-refuted philosophical system of logical positivism. ( en.wikipedia.org/wiki/… )
With respects to "Clones," come on: read "I'd simply ascend / To see what the soul looks like in the end," consider Pete's admitted Catholicism, and try to read it in a non-religious way. (The "they're not a Christian band" bullshit is a cop-out. And again, what Pete consciously intends is only one part of the picture.) Whether "Clones" syncs up specifically with "Envy" is a matter of debate, but jackwhiteWannaBe is right that this album's symbolism is laced with religious significance.
I'm not trying to say that your not intiled to your idea of this songs, infact I love to know that someone has found such a strong connection to such a beautiful songs, but you shouldn't run around talking about songs like music is is so black and white. Maybe this isn't what you meant, but when you say things like "This song's understanding (I assume you meant meaning) is obvious" it sounds like your saying that everyone else here is wrong
Also I'd like to hear your interpretation of Envy, to me that song was seemed to be a literal explanation of envy, so I'm curious as to were you got you ideas from
Seriously. If you don't like the guy's interpretation, don't read it. Just listen to the damn music.