This is a hauntingly beautiful song about introspection, specifically about looking back at a relationship that started bad and ended so poorly, that the narrator wants to go back to the very beginning and tell himself to not even travel down that road. I believe that the relationship started poorly because of the lines:
"Take me back to the night we met:When the night was full of terrors: And your eyes were filled with tears: When you had not touched me yet"
So, the first night was not a great start, but the narrator pursued the relationship and eventually both overcame the rough start to fall in love with each other:
"I had all and then most of you"
Like many relationships that turn sour, it was not a quick decline, but a gradual one where the narrator and their partner fall out of love and gradually grow apart
"Some and now none of you"
Losing someone who was once everything in your world, who you could confide in, tell your secrets to, share all the most intimate parts of your life, to being strangers with that person is probably one of the most painful experiences a person can go through. So Painful, the narrator wants to go back in time and tell himself to not even pursue the relationship.
This was the perfect song for "13 Reasons Why"
At the very start
There were whispers in the dark
And for all the world to see
There was witchcraft at its heart
And on the autumn air
The scent of bonfires everywhere
And a fell wind stirred the leaves
The persecution song
Telltale signs of possession
Little Miss Demeanour in the demons bed
Gasps she just could not suppress
After lights-out midst the dead
And a past on which sin cast its darts of wickedness
Time was running faster for disaster
Strange nights were burning
In the furnace of her dreams
A name was uttered, Lilith
Mistress, playmate, master
Such sights were stolen in the throes of ecstasy
And in the thick of all
In the Black Goddess's thrall
With the wood unseen for trees
Victoria stood tall
Promiscuous in step
The Devil breathing down her neck
As jealous zealots stitched apiece
The persecution song
Telltale signs of possession
Fickle Miss Demeanour hissed and disappeared
To her Sisters of the cloth
She now reeked of Astaroth
Again the curse had surfaced
Sneaking back the pagan years
Weaving webs of great revealing
Hidden in the convent
An evil libido abided, undone
Breathing, deceiving
Feasting on her deviant feelings
She'd clung to her crucifix
Once her torturers begun
Her screams came quick
The miserichord
Den to vice and screw
That had reddened many tongues
Wrung symphonies
Of suffering from her
Many moons hardened pure hearts
Those plagued by her black arts
Their rooms secreting phantom orgies
Vile rites and rifled graves
Mere hours, now towered
Above this bent and beaten flower
Her naked body privy to
The Abbess and her ways
Victoria fought
No guilt was wrought
Just a torrid retort of blasphemies
Nails and crosses vomited forth
From this pretty little whore now arched like Hell
Arched like Hell
At the very start
There were whispers in the dark
And for all the world to see
There was witchcraft at its heart
But then the end grew nigh
A dirge inferno filled the sky
In its customary key
The persecution song
Telltale signs of obsession
No wailing banshee would dishonor their name
Nuns dragged her to the blasted oak
Storm-clouds threatened holy smoke
They hanged her there like Judas
With the Hellcat in her reined
Time was running faster for disaster
Exorcism, torture, gallows
Now a shallow grave
A name was stuttered, Isaac
Tongue-tied, simple, bastard
They made him dig the pit
Mindless of what it claimed
There were whispers in the dark
And for all the world to see
There was witchcraft at its heart
And on the autumn air
The scent of bonfires everywhere
And a fell wind stirred the leaves
The persecution song
Telltale signs of possession
Little Miss Demeanour in the demons bed
Gasps she just could not suppress
After lights-out midst the dead
And a past on which sin cast its darts of wickedness
Time was running faster for disaster
Strange nights were burning
In the furnace of her dreams
A name was uttered, Lilith
Mistress, playmate, master
Such sights were stolen in the throes of ecstasy
And in the thick of all
In the Black Goddess's thrall
With the wood unseen for trees
Victoria stood tall
Promiscuous in step
The Devil breathing down her neck
As jealous zealots stitched apiece
The persecution song
Telltale signs of possession
Fickle Miss Demeanour hissed and disappeared
To her Sisters of the cloth
She now reeked of Astaroth
Again the curse had surfaced
Sneaking back the pagan years
Weaving webs of great revealing
Hidden in the convent
An evil libido abided, undone
Breathing, deceiving
Feasting on her deviant feelings
She'd clung to her crucifix
Once her torturers begun
Her screams came quick
The miserichord
Den to vice and screw
That had reddened many tongues
Wrung symphonies
Of suffering from her
Many moons hardened pure hearts
Those plagued by her black arts
Their rooms secreting phantom orgies
Vile rites and rifled graves
Mere hours, now towered
Above this bent and beaten flower
Her naked body privy to
The Abbess and her ways
Victoria fought
No guilt was wrought
Just a torrid retort of blasphemies
Nails and crosses vomited forth
From this pretty little whore now arched like Hell
Arched like Hell
At the very start
There were whispers in the dark
And for all the world to see
There was witchcraft at its heart
But then the end grew nigh
A dirge inferno filled the sky
In its customary key
The persecution song
Telltale signs of obsession
No wailing banshee would dishonor their name
Nuns dragged her to the blasted oak
Storm-clouds threatened holy smoke
They hanged her there like Judas
With the Hellcat in her reined
Time was running faster for disaster
Exorcism, torture, gallows
Now a shallow grave
A name was stuttered, Isaac
Tongue-tied, simple, bastard
They made him dig the pit
Mindless of what it claimed
Lyrics submitted by leichenlager
The Persecution Song Lyrics as written by James Simon Mcilroy Daniel Lloyd Davey
Lyrics © Peermusic Publishing
Lyrics powered by LyricFind
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