Oh, you do mutilate
We're gonna celebrate our emotional poverty
Giving answers all away
I painted my suitcase red for the reading
Which only ended in conversation break

All I want, genetic telephonic pills
Until the Spanish kids got so ill I was homeschooled
With a knife in my shoe

Never seen corpses act so cruel
The self-brutality was oh so angular
I made him a potion in a newspaper called
Smiled, gimme a shrug, said I was a fuck up
Now I see your face selling Chinese urine

She came over the fence
With an argument in her head, no empathy
Escape strategy, I understood her
We were trying to share a genuine human moment
Just like the way they do in movies

I'm in a war with this suicidal depression
It's not the star I'm trying to call
I've been standing on this strand far too long y'all (far too long)
Go ahead, go ahead

Whatcha want?
Somebody that will slap away your blindness?
Whatcha want?
Somebody who will corrupt your heart with too much kindness?
Salute your Busta Rhyme-ness

She met a black man in Chicago
My superwoman licked it
I don't need a on that shit
I need something that works, motherfucker

I wonder were you flattered
I tried to get you drunk
I know you're collecting disciples
I know you want to be the godmother of soul punk
Someday, someday

There are skyscrapers for you, Jane
Never use your given name
I wanna snatch you up for a sequel
Make you feel like godless people
Always knew you were special, your best friend told me he saw you crying
Everybody wants to crescendo, take home a memento

We tried isolate xx infinite pleasure x-y
I still want the family secret
Or a symptom of some wilderness hate
Ceremony custodian for experimental post-human relationships in fact
Tr to isolate xx infinite pleasure x-y
Ineffectually
I'm not allowed to show the pain
Not allowed to expose the pain

I still want the family secret
Or a symptom of some wilderness hate
Ceremony custodian or experimental post-human relationships in fact
We tried to isolate xx infinite pleasure x-y
Ineffectually
I'm not allowed to show the pain
Not allowed to expose the pain

All the white people from my neighborhood are dead
All the black people have turned pink for the winter
Everybody's searching for a cause, a reason to blow themselves up
Could be anything

When will certain people realize, an afterlife is nothing to live for
Nothing to die for, nothing to fight for
If those in this life are not sacred, then nothing that's a part of it is sacred either

If you think God is more important than your neighbor, you're capable of terrible evil
If you think some prophet's words are more important
Than your brother and your sister
You're ill and you're wrong
You're wrong


Lyrics submitted by theTyrant

You Do Mutilate? Lyrics as written by Kevin L Barnes

Lyrics © Kobalt Music Publishing Ltd.

Lyrics powered by LyricFind

You Do Mutilate? song meanings
Add Your Thoughts

8 Comments

sort form View by:
  • 0
    General Comment

    Stylistically, this song is very reminiscent of Skeletal Lamping in its disjointedness. It's a very intense ending to a record that's overall much more accessible than KB's other recent endeavors. It is just as dark content-wise as anything on Hissing Fauna, but regarding the darkness of humanity, rather than just Kevin's personal life, and in that respect is maybe even more powerful than The Past is a Grotesque Animal.

    Also..is this a reference to Janelle Monae? (who was born Janelle Robinson)

    "I know you want to be the godmother of soul punk Someday

    There are skyscrapers for you, Jane Never use your given name"

    heimdalsgateon September 18, 2010   Link

Add your thoughts

Log in now to tell us what you think this song means.

Don’t have an account? Create an account with SongMeanings to post comments, submit lyrics, and more. It’s super easy, we promise!

More Featured Meanings

Album art
Mountain Song
Jane's Addiction
Jane's Addiction vocalist Perry Farrell gives Adam Reader some heartfelt insight into Jane’s Addiction's hard rock manifesto "Mountain Song", which was the second single from their revolutionary album Nothing's Shocking. Mountain song was first recorded in 1986 and appeared on the soundtrack to the film Dudes starring Jon Cryer. The version on Nothing's Shocking was re-recorded in 1988. "'Mountain Song' was actually about... I hate to say it but... drugs. Climbing this mountain and getting as high as you can, and then coming down that mountain," reveals Farrell. "What it feels to descend from the mountain top... not easy at all. The ascension is tough but exhilarating. Getting down is... it's a real bummer. Drugs is not for everybody obviously. For me, I wanted to experience the heights, and the lows come along with it." "There's a part - 'Cash in now honey, cash in Miss Smith.' Miss Smith is my Mother; our last name was Smith. Cashing in when she cashed in her life. So... she decided that, to her... at that time, she was desperate. Life wasn't worth it for her, that was her opinion. Some people think, never take your life, and some people find that their life isn't worth living. She was in love with my Dad, and my Dad was not faithful to her, and it broke her heart. She was very desperate and she did something that I know she regrets."
Album art
Mountain Song
Jane's Addiction
Jane's Addiction vocalist Perry Farrell gives Adam Reader some heartfelt insight into Jane’s Addiction's hard rock manifesto "Mountain Song", which was the second single from their revolutionary album Nothing's Shocking. Mountain song was first recorded in 1986 and appeared on the soundtrack to the film Dudes starring Jon Cryer. The version on Nothing's Shocking was re-recorded in 1988. "'Mountain Song' was actually about... I hate to say it but... drugs. Climbing this mountain and getting as high as you can, and then coming down that mountain," reveals Farrell. "What it feels to descend from the mountain top... not easy at all. The ascension is tough but exhilarating. Getting down is... it's a real bummer. Drugs is not for everybody obviously. For me, I wanted to experience the heights, and the lows come along with it." "There's a part - 'Cash in now honey, cash in Miss Smith.' Miss Smith is my Mother; our last name was Smith. Cashing in when she cashed in her life. So... she decided that, to her... at that time, she was desperate. Life wasn't worth it for her, that was her opinion. Some people think, never take your life, and some people find that their life isn't worth living. She was in love with my Dad, and my Dad was not faithful to her, and it broke her heart. She was very desperate and she did something that I know she regrets."
Album art
Gentle Hour
Yo La Tengo
This song was originally written by a guy called Peter Gutteridge. He was one of the founders of the "Dunedin Sound" a musical scene in the south of New Zealand in the early 80s. From there it was covered by "The Clean" one of the early bands of that scene (he had originally been a member of in it's early days, writing a couple of their best early songs). The Dunedin sound, and the Clean became popular on american college radio in the mid to late 80s. I guess Yo La Tengo heard that version. Great version of a great song,
Album art
Just A Little Lovin'
Dusty Springfield
I don't think it's necessarily about sex. It's about wanting to start the day with some love and affection. Maybe a warm cuddle. I'm not alone in interpreting it that way! For example: "'Just a Little Lovin’ is a timeless country song originally recorded by Eddy Arnold in 1954. The song, written by Eddie Miller and Jimmy Campbell, explores the delicate nuances of love and showcases Arnold’s emotive vocals. It delves into the universal theme of love and how even the smallest gesture of affection can have a profound impact on our lives." https://oldtimemusic.com/the-meaning-behind-the-song-just-a-little-lovin-by-eddy-arnold/
Album art
Page
Ed Sheeran
There aren’t many things that’ll hurt more than giving love a chance against your better judgement only to have your heart crushed yet again. Ed Sheeran tells such a story on “Page.” On this track, he is devastated to have lost his lover and even more saddened by the feeling that he may never move on from this.