There's a time, when the operation of the machine becomes so odious
Makes you so sick at heart, that you can't take part
You can't even passively take part
And you've got to put your bodies upon the gears and upon the wheels
Upon the levers, upon all the apparatus
And you've got to make it stop

To save face, how low can you go?
Talk a lotta game, but yet you don't know
Static on the way make us all say whoa
The people up top push the people down low
Get down, and obey every word
Steady, get in line if you haven't yet heard
Wanna take what I got, don't be absurd
Don't fight the power, nobody gets hurt
If you haven't heard yet, then I'm lettin' you know
There ain't shit we don't run when the guns unload
And no one make a move, unless my people say so
Got everything outta control, now everybody go

Hey, hey, hey, hey, hey, hey, hey

Steel unload, final blow
We, the animals, take control
Hear us now, clear and true
Wretches and kings, we come for you

So keep pace, how slow can you go?
Talk a lotta shit, and yet you don't know
Fire on the way make you all say whoa
The people up top and the people down low
Get down, and I'm runnin' it like that
The front of the attack is exactly where I'm at
Somewhere in between the kick and the hi-hat
The pen and the contract, the pitch and the contact
So get with the combat, I'm lettin' them know
There ain't shit you can say to make me back down, no
So push the button, let the whole thing blow
Spinning everything outta control, now everybody go

Hey, hey, hey, hey, hey, hey, hey

Steel unload, final blow
We, the animals, take control
Hear us now, clear and true
Wretches and kings, we come for you
Steel unload, fire blow
Filthy animals beat them low
Skin and bone, black and blue
No more this sun shall beat onto you

From the front to the back and to side to side
If you fear what I feel, put 'em up real high
Front to the back and the side to side
If you fear what I feel, put 'em up real high
Front to the back and the side to side
If you fear what I feel, put 'em up real high
Front to the back and the side to side
If you fear what I feel, put 'em up real high
Front to the back and the side to side
If you fear what I feel, put 'em up real high
Front to the back and the side to side
If you fear what I feel, put 'em up real high

When the operation of the machine becomes so odious
Makes you so sick at heart, that you can't take part
You can't even passively take part
And you've got to put your bodies upon the gears and upon the wheels
Upon the levers, upon all the apparatus, and you've got to make it stop
And you've got to indicate to the people who run it, to the people who own it
That unless you're free, the machine will be prevented from working at all

Hey, hey, hey, hey, hey, hey, hey
Hey, hey, hey, hey, hey, hey, hey


Lyrics submitted by MusicFREAK20, edited by ColonyCollapse

Wretches and Kings Lyrics as written by Chester Charles Bennington Brad Delson

Lyrics © Universal Music Publishing Group

Lyrics powered by LyricFind

Wretches And Kings song meanings
Add Your Thoughts

21 Comments

sort form View by:
  • 0
    Lyric Correction

    For the quote from Mario Savio, by the way, the phrase is "When the operation of the machine becomes so ODIOUS..."

    Svaldifarion September 15, 2010   Link

Add your thoughts

Log in now to tell us what you think this song means.

Don’t have an account? Create an account with SongMeanings to post comments, submit lyrics, and more. It’s super easy, we promise!

More Featured Meanings

Album art
Holiday
Bee Gees
@[Diderik:33655] "Your a holiday!" Was a popular term used in the 50s/60s to compliment someone on their all around. For example, not only are they beautiful, but they are fun and kind too ... just an all around "holiday". I think your first comment is closer to being accurate. The singer/song writers state "Millions of eyes can see, yet why am i so blind!? When the someone else is me, its unkind its unkind". I believe hes referring to the girl toying with him and using him. He wants something deeper with her, thats why he allows himself to be as a puppet (even though for her fun and games) as long as it makes her happy. But he knows deep down that she doesnt really want to be serious with him and thats what makes him.
Album art
Mountain Song
Jane's Addiction
Jane's Addiction vocalist Perry Farrell gives Adam Reader some heartfelt insight into Jane’s Addiction's hard rock manifesto "Mountain Song", which was the second single from their revolutionary album Nothing's Shocking. Mountain song was first recorded in 1986 and appeared on the soundtrack to the film Dudes starring Jon Cryer. The version on Nothing's Shocking was re-recorded in 1988. "'Mountain Song' was actually about... I hate to say it but... drugs. Climbing this mountain and getting as high as you can, and then coming down that mountain," reveals Farrell. "What it feels to descend from the mountain top... not easy at all. The ascension is tough but exhilarating. Getting down is... it's a real bummer. Drugs is not for everybody obviously. For me, I wanted to experience the heights, and the lows come along with it." "There's a part - 'Cash in now honey, cash in Miss Smith.' Miss Smith is my Mother; our last name was Smith. Cashing in when she cashed in her life. So... she decided that, to her... at that time, she was desperate. Life wasn't worth it for her, that was her opinion. Some people think, never take your life, and some people find that their life isn't worth living. She was in love with my Dad, and my Dad was not faithful to her, and it broke her heart. She was very desperate and she did something that I know she regrets."
Album art
Mountain Song
Jane's Addiction
Jane's Addiction vocalist Perry Farrell gives Adam Reader some heartfelt insight into Jane’s Addiction's hard rock manifesto "Mountain Song", which was the second single from their revolutionary album Nothing's Shocking. Mountain song was first recorded in 1986 and appeared on the soundtrack to the film Dudes starring Jon Cryer. The version on Nothing's Shocking was re-recorded in 1988. "'Mountain Song' was actually about... I hate to say it but... drugs. Climbing this mountain and getting as high as you can, and then coming down that mountain," reveals Farrell. "What it feels to descend from the mountain top... not easy at all. The ascension is tough but exhilarating. Getting down is... it's a real bummer. Drugs is not for everybody obviously. For me, I wanted to experience the heights, and the lows come along with it." "There's a part - 'Cash in now honey, cash in Miss Smith.' Miss Smith is my Mother; our last name was Smith. Cashing in when she cashed in her life. So... she decided that, to her... at that time, she was desperate. Life wasn't worth it for her, that was her opinion. Some people think, never take your life, and some people find that their life isn't worth living. She was in love with my Dad, and my Dad was not faithful to her, and it broke her heart. She was very desperate and she did something that I know she regrets."
Album art
American Town
Ed Sheeran
Ed Sheeran shares a short story of reconnecting with an old flame on “American Town.” The track is about a holiday Ed Sheeran spends with his countrywoman who resides in America. The two are back together after a long period apart, and get around to enjoying a bunch of fun activities while rekindling the flames of their romance.
Album art
Page
Ed Sheeran
There aren’t many things that’ll hurt more than giving love a chance against your better judgement only to have your heart crushed yet again. Ed Sheeran tells such a story on “Page.” On this track, he is devastated to have lost his lover and even more saddened by the feeling that he may never move on from this.