"Fast car" is kind of a continuation of Bruce Springsteen's "Born to Run." It has all the clawing your way to a better life, but in this case the protagonist never makes it with her love; in fact she is dragged back down by him.
There is still an amazing amount of hope and will in the lyrics; and the lyrics themselve rank and easy five. If only music was stronger it would be one of those great radio songs that you hear once a week 20 years after it was released. The imagery is almost tear-jerking ("City lights lay out before us", "Speeds so fast felt like I was drunk"), and the idea of starting from nothing and just driving and working and denigrating yourself for a chance at being just above poverty, then losing in the end is just painful and inspiring at the same time.
I thought I saw you in the Battleship
But it was only a look alike
She was nothing but a vision trick
Under the warning light
She was close
Close enough to be your ghost
But my chances turned to toast
When I asked her if I could call her your name
I thought I saw you in the Rusty Hook
Huddled up in wicker chair
I wandered up for a closer look
And kissed whoever was sitting there
She was close
And she held me very tightly
'Til I asked awfully politely
"Please, can I call you her name?"
And I elongated my lift home
Yeah, I let him go the long way 'round
I smelt your scent on the seatbelt
And kept my shortcuts to myself
I thought I saw you in the Parrot's Beak
Messin' with the smoke alarm
It was too loud for me to hear her speak
And she had a broken arm
It was close
So close that the walls were wet
And she wrote it out in Letraset
"No, you can't call me her name"
Tell me, where's your hiding place?
I'm worried I'll forget your face
And I've asked everyone
I'm beginning to think I imagined you all along
I elongated my lift home
Yeah, I let him go the long way 'round
I smelt your scent on the seatbelt
And kept my shortcuts to myself
I saw your sister in the Cornerstone
On the phone to the middle man
When I saw that she was on her own
I thought she might understand
That she was close
Well, you couldn't get much closer
She said, "I'm really not supposed to, but yes
You can call me anything you want"
But it was only a look alike
She was nothing but a vision trick
Under the warning light
She was close
Close enough to be your ghost
But my chances turned to toast
When I asked her if I could call her your name
I thought I saw you in the Rusty Hook
Huddled up in wicker chair
I wandered up for a closer look
And kissed whoever was sitting there
She was close
And she held me very tightly
'Til I asked awfully politely
"Please, can I call you her name?"
And I elongated my lift home
Yeah, I let him go the long way 'round
I smelt your scent on the seatbelt
And kept my shortcuts to myself
I thought I saw you in the Parrot's Beak
Messin' with the smoke alarm
It was too loud for me to hear her speak
And she had a broken arm
It was close
So close that the walls were wet
And she wrote it out in Letraset
"No, you can't call me her name"
Tell me, where's your hiding place?
I'm worried I'll forget your face
And I've asked everyone
I'm beginning to think I imagined you all along
I elongated my lift home
Yeah, I let him go the long way 'round
I smelt your scent on the seatbelt
And kept my shortcuts to myself
I saw your sister in the Cornerstone
On the phone to the middle man
When I saw that she was on her own
I thought she might understand
That she was close
Well, you couldn't get much closer
She said, "I'm really not supposed to, but yes
You can call me anything you want"
Lyrics submitted by life_aint_chess
Cornerstone Lyrics as written by Alex Turner
Lyrics © Sony/ATV Music Publishing LLC
Lyrics powered by LyricFind
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Fast Car
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This song was originally written by a guy called Peter Gutteridge. He was one of the founders of the "Dunedin Sound" a musical scene in the south of New Zealand in the early 80s. From there it was covered by "The Clean" one of the early bands of that scene (he had originally been a member of in it's early days, writing a couple of their best early songs). The Dunedin sound, and the Clean became popular on american college radio in the mid to late 80s. I guess Yo La Tengo heard that version.
Great version of a great song,
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To me it sounds a lot like 'The Bakery'. The music and lyrics are written in a pretty similar way. These lyrics are pretty self-explanatory really. He misses a girl so he tries to replace her with a similar girl and asks if he can call them 'her' name. It gets a bit weird towards the end though, with the bit about him and 'her' sister. Best track on 'Humbug' for me.