Okay, I want to talk about Ireland
Specifically I want to talk about the famine
About the fact that there never really was one
There was no famine
See Irish people were only allowed to eat potatoes
All of the other food
Meat, fish, vegetables
Were shipped out of the country under armed guard
To England while the Irish people starved
And then, in the middle of all this
They gave us money not to teach our children Irish
And so we lost our history
And this is what I think is still hurting me

See we're like a child that's been battered
Has to drive itself out of it's head because it's frightened
Still feels all the painful feelings
But they lose contact with the memory

And this leads to massive self-destruction
Alcoholism, drug addiction
All desperate attempts at running
And in it's worst form
Becomes actual killing

And if there ever is gonna be healing
There has to be remembering
And then grieving
So that there then can be forgiving
There has to be knowledge and understanding

All the lonely people
Where do they all come from?

An American army regulation
Says you mustn't kill more than ten percent of a nation
'Cause to do so causes permanent psychological damage
It's not permanent but they didn't know that
Anyway, during the supposed famine
We lost a lot more than ten percent of our nation
Through deaths on land or on ships of emigration
But what finally broke us was not starvation
But it's use in the controlling of our education
Schools go on about "Black 47"
On and on about, "The terrible famine"
But what they don't say is in truth
There really never was one

(Excuse me?) All the lonely people
(I'm sorry, excuse me)
Where do they all come from?
(In fact, I can tell you in one word)
All the lonely people
Where do they all belong?

So let's take a look, shall we?
The highest statistics of child abuse in the EEC
And we say we're a Christian country
But we've lost contact with our history
See, we used to worship God as a mother
We're sufferin' from post traumatic stress disorder
Look at all our old men in the pubs
Look at all our young people on drugs
We used to worship God as a mother
Now look at what we're doing to each other
We've even made killers of ourselves
The most child-like trusting people in the Universe
And this is what's wrong with us
Our history books the parent figure, lied to us

I see the Irish
As a race like a child
That got itself bashed in the face
And if there ever is gonna be healing
There has to be remembering
And then grieving
So that there then can be forgiving
There has to be knowledge and understanding

All the lonely people
Where do they all come from?
All the lonely people
Where do they all come from?

(We stand on the brink of a great achievement)
(In this island, there is no solution to be found)
(To our disagreements by shooting each other)
(There is no real invader here)
(We are all Irish)
(In all our different kinds of ways)
(We must not now, or ever in the future)
(Show anything to each other, except tolerance, forbearance)
(And neighborly love)

Because of our tradition
Everyone here knows who he is
And what God expects him to do


Lyrics submitted by meudwen

Famine Lyrics as written by Paul Mccartney John Lennon

Lyrics © Sony/ATV Music Publishing LLC, Kobalt Music Publishing Ltd., Reservoir Media Management, Inc.

Lyrics powered by LyricFind

Famine song meanings
Add Your Thoughts

0 Comments

sort form View by:
  • No Comments

Add your thoughts

Log in now to tell us what you think this song means.

Don’t have an account? Create an account with SongMeanings to post comments, submit lyrics, and more. It’s super easy, we promise!

More Featured Meanings

Album art
Gentle Hour
Yo La Tengo
This song was originally written by a guy called Peter Gutteridge. He was one of the founders of the "Dunedin Sound" a musical scene in the south of New Zealand in the early 80s. From there it was covered by "The Clean" one of the early bands of that scene (he had originally been a member of in it's early days, writing a couple of their best early songs). The Dunedin sound, and the Clean became popular on american college radio in the mid to late 80s. I guess Yo La Tengo heard that version. Great version of a great song,
Album art
I Can't Go To Sleep
Wu-Tang Clan
This song is written as the perspective of the boys in the street, as a whole, and what path they are going to choose as they get older and grow into men. (This is why the music video takes place in an orphanage.) The seen, and unseen collective suffering is imbedded in the boys’ mind, consciously or subconsciously, and is haunting them. Which path will the boys choose? Issac Hayes is the voice of reason, maybe God, the angel on his shoulder, or the voice of his forefathers from beyond the grave who can see the big picture and are pleading with the boys not to continue the violence and pattern of killing their brothers, but to rise above. The most beautiful song and has so many levels. Racism towards African Americans in America would not exist if everyone sat down and listened to this song and understood the history behind the words. The power, fear, pleading in RZA and Ghostface voices are genuine and powerful. Issac Hayes’ strong voice makes the perfect strong father figure, who is possibly from beyond the grave.
Album art
No Surprises
Radiohead
Same ideas expressed in Fitter, Happier are expressed in this song. We're told to strive for some sort of ideal life, which includes getting a good job, being kind to everyone, finding a partner, getting married, having a couple kids, living in a quiet neighborhood in a nice big house, etc. But in Fitter, Happier the narrator(?) realizes that it's incredibly robotic to live this life. People are being used by those in power "like a pig in a cage on antibiotics"--being pacified with things like new phones and cool gadgets and houses while being sucked dry. On No Surprises, the narrator is realizing how this life is killing him slowly. In the video, his helmet is slowly filling up with water, drowning him. But he's so complacent with it. This is a good summary of the song. This boring, "perfect" life foisted upon us by some higher powers (not spiritual, but political, economic, etc. politicians and businessmen, perhaps) is not the way to live. But there is seemingly no way out but death. He'd rather die peacefully right now than live in this cage. While our lives are often shielded, we're in our own protective bubbles, or protective helmets like the one Thom wears, if we look a little harder we can see all the corruption, lies, manipulation, etc. that is going on in the world, often run by huge yet nearly invisible organizations, corporations, and 'leaders'. It's a very hopeless song because it reflects real life.
Album art
Just A Little Lovin'
Dusty Springfield
I don't think it's necessarily about sex. It's about wanting to start the day with some love and affection. Maybe a warm cuddle. I'm not alone in interpreting it that way! For example: "'Just a Little Lovin’ is a timeless country song originally recorded by Eddy Arnold in 1954. The song, written by Eddie Miller and Jimmy Campbell, explores the delicate nuances of love and showcases Arnold’s emotive vocals. It delves into the universal theme of love and how even the smallest gesture of affection can have a profound impact on our lives." https://oldtimemusic.com/the-meaning-behind-the-song-just-a-little-lovin-by-eddy-arnold/
Album art
Plastic Bag
Ed Sheeran
“Plastic Bag” is a song about searching for an escape from personal problems and hoping to find it in the lively atmosphere of a Saturday night party. Ed Sheeran tells the story of his friend and the myriad of troubles he is going through. Unable to find any solutions, this friend seeks a last resort in a party and the vanity that comes with it. “I overthink and have trouble sleepin’ / All purpose gone and don’t have a reason / And there’s no doctor to stop this bleedin’ / So I left home and jumped in the deep end,” Ed Sheeran sings in verse one. He continues by adding that this person is feeling the weight of having disappointed his father and doesn’t have any friends to rely on in this difficult moment. In the second verse, Ed sings about the role of grief in his friend’s plight and his dwindling faith in prayer. “Saturday night is givin’ me a reason to rely on the strobe lights / The lifeline of a promise in a shot glass, and I’ll take that / If you’re givin’ out love from a plastic bag,” Ed sings on the chorus, as his friend turns to new vices in hopes of feeling better.