This is a sequel to 2001's "Reckless Abandon", and features the band looking back on their clumsy youth fondly.
["We got more coming, right now. There's more coming. We're gonna get, gonna get little sort of a session going here. A bit of a session, a sessions that will feature the rhythm section." ]
This union that made us powerless is talking over our heads
Claiming prosperity in a downward spiral plan
Stuck by the deadly rhythm of the production line
Stuck by the deadly rhythm of the production line
This power that made us unionless is taking out of our hands
Cheapest labour at our expensive cost, auctioned our lives away
Stuck by the deadly rhythm of the production line
Stuck by the deadly rhythm of the production line
We consume our lives like we are thankful
For what we are being forced into
Is it our duty to die for governments & for gods?
Is it our privilege to slave for market & for industry?
Is it our right to follow laws, set to scare and to oppress?
Is it a gift to stay in line and will it take away the blame?
Can no longer pay the price. We'll get organized!
We'll no longer believe working for you will set us free!
Can no longer pay the price. We'll get organized!
We'll no longer believe working for you will set us free!
This union that made us powerless is talking over our heads
Claiming prosperity in a downward spiral plan
Stuck by the deadly rhythm of the production line
Stuck by the deadly rhythm of the production line
This power that made us unionless is taking out of our hands
Cheapest labour at our expensive cost, auctioned our lives away
Stuck by the deadly rhythm of the production line
Stuck by the deadly rhythm of the production line
We consume our lives like we are thankful
For what we are being forced into
Is it our duty to die for governments & for gods?
Is it our privilege to slave for market & for industry?
Is it our right to follow laws, set to scare and to oppress?
Is it a gift to stay in line and will it take away the blame?
Can no longer pay the price. We'll get organized!
We'll no longer believe working for you will set us free!
Can no longer pay the price. We'll get organized!
We'll no longer believe working for you will set us free!
Lyrics submitted by SaturdaySavior
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When We Were Young
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Ed Sheeran tells a story of unsuccessfully trying to feel “Amazing.” This track is about the being weighed down by emotional stress despite valiant attempts to find some positivity in the situation. This track was written by Ed Sheeran from the perspective of his friend. From the track, we see this person fall deeper into the negative thoughts and slide further down the path of mental torment with every lyric.
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Ed Sheeran shares a short story of reconnecting with an old flame on “American Town.” The track is about a holiday Ed Sheeran spends with his countrywoman who resides in America. The two are back together after a long period apart, and get around to enjoying a bunch of fun activities while rekindling the flames of their romance.
Plastic Bag
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“Plastic Bag” is a song about searching for an escape from personal problems and hoping to find it in the lively atmosphere of a Saturday night party. Ed Sheeran tells the story of his friend and the myriad of troubles he is going through. Unable to find any solutions, this friend seeks a last resort in a party and the vanity that comes with it.
“I overthink and have trouble sleepin’ / All purpose gone and don’t have a reason / And there’s no doctor to stop this bleedin’ / So I left home and jumped in the deep end,” Ed Sheeran sings in verse one. He continues by adding that this person is feeling the weight of having disappointed his father and doesn’t have any friends to rely on in this difficult moment. In the second verse, Ed sings about the role of grief in his friend’s plight and his dwindling faith in prayer. “Saturday night is givin’ me a reason to rely on the strobe lights / The lifeline of a promise in a shot glass, and I’ll take that / If you’re givin’ out love from a plastic bag,” Ed sings on the chorus, as his friend turns to new vices in hopes of feeling better.
You can find out a lot about what Refused's songs mean if you read their manifestos in the liner notes of The Shape of Punk to Come:
"Stuck by the deadly rhythm of the production line. Stuck by the conditions set by the capitalist market. Stuck by the necessities of living and forced to take part. If we are tired it is because we are supposed to be and if we are hungry it is because we have to be and if we are bored it is because it is expected of us. Bored and chained and stuck and dead. New forms of work camps are arranged and new ways of hiding the monotonous beat of slavery are being presented. The preliminary condition required for propelling the workers to the status of “free” producers and consumers of commodity was the violent expropriation of their own time. The spectacular return of time was made possible only after this dispossession of power. Urbanism is capitalism’s seizure of the natural and human environment; developing logically into absolute domination, capitalism can and must now remake the totality of space into it’s own setting. Time, work, environment and joy all have their norms set by modern ways of production."