@[Kahiara:35260] Actually I think the husband passed away, "She sang for you last night She heard you were calling" Many people say they have felt, heard, or seen their loved ones after they have passed. "Don't be scared now Close your eyes She holds guard tonight Go on forward no remorse Life will take it's course" This is said to the late husband by a third part (never named), who encourages him to pass on. Because life will eventually continue. The phrase "holds guard" refers to the ( https://en.wikipedia.org/wiki/Wake_(ceremony) ) which is a Christian ceremony held after someone dies. Now it is usually held right after the funeral, but in most celtiic countries the wake is held before the funeral. "She danced with you last night so you will remember All you have shared, a lifetime." This sentence feels as if the only thing it wants to convey is their history together, namely, husband and wife. For the rest it just refers back to the first verse.
Whilst a battle cry I scalped off loose little siouxsie soiux’s chastity lock witth a karate chop job and bruised my name on those parts for scrap and reuse, those mega double d backbreakers, oh what nutcrackers! Toy soldiers march on in and conquer a perky python with a snorkel ducking down that manhole to tackle Dan Morino’s sewer dolphin. Hook and line her, that darned butter fingered stinker! Land o’ lakes pocahotass temptin’ muffin margarine meltin’ joie de vivre oh oui oui oui mon frer sneaky thieving jewels through that safety deposit box lunchable monks on missionary positions crowned that jewess until out drained another pearl neclace
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The Last Dance
This song is Swift's response to the negative reputation the media has given her. "I can make the bad guys good for a weekend" - the bad guys are the paparazzi to Swift, but are good to the "player" since association with Swift immediately gives publicity. Any publicity is good publicity and Swift knows this. "You can tell me when it's over" - the tabloids rumor relationships are over before the couple announces it officially. With this song Swift is portraying the way she is portrayed by the media. It is a sarcastic jab at how she views herself and how her "ex-lovers" only wanted to be with her to increase their fame. I applaud the brilliance in writing about how you always write about relationships. It is expected so Swift is giving the media what they want and profiting off the attention.
I believe this is another amazingly on point and nuanced commentary on the insanity that follows emotionally abusive relationships. The abuser has no anxieties, no emotional pain, or salience/memory for that matter, so the survivor appears to be the crazy one, obsessed with the abuse and that buzzword that seems to ignite arguments about diagnosing people without a degree, etc. funny how you say the words domestic violence, abuse, abuse survivor and boom the subject changes. Anyways, I especially relate to her midnights becoming afternoons, complex PTSD often leads to this phenomenon, whether due to purposeful sleep deprivation by the abuser, or just hyper vigilance associated with the PTSD, along with the fear of facing people, especially your loved ones, who Never actually understand, even if they try, because all they see is you, on fire, screaming about the arsonist that no one ever sees, and who has been spreading lies about your alleged mental instability, deceptive personality, etc. the whole time. While the last thing survivors need is more blame, our society supports a narrative that blames the objectively innocent party because the blatantly guilty party has spent their entire lives fabricating a persona and we’re just being human, and human psychology is quite counterintuitive especially in the context of trauma. Look at Amber Heard. Vilified and not believed, regardless of what any abuse survivor could recognize as a fellow survivor instantly. But Johnny depp is a malignant narcissist, a man, and wealthy as all get out. It’s sick.
This standalone single marks the latest collaboration between the artists. It was produced by Nico Stadi & Teemu Brunila and released on December 31, 2020.
This standout song of the rapper's latest studio album titled "Don’t Come Outside, Vol. 3" was produced by Great John. The track was released via major streaming platforms on January 1, 2021.