This is a hauntingly beautiful song about introspection, specifically about looking back at a relationship that started bad and ended so poorly, that the narrator wants to go back to the very beginning and tell himself to not even travel down that road. I believe that the relationship started poorly because of the lines:
"Take me back to the night we met:When the night was full of terrors: And your eyes were filled with tears: When you had not touched me yet"
So, the first night was not a great start, but the narrator pursued the relationship and eventually both overcame the rough start to fall in love with each other:
"I had all and then most of you"
Like many relationships that turn sour, it was not a quick decline, but a gradual one where the narrator and their partner fall out of love and gradually grow apart
"Some and now none of you"
Losing someone who was once everything in your world, who you could confide in, tell your secrets to, share all the most intimate parts of your life, to being strangers with that person is probably one of the most painful experiences a person can go through. So Painful, the narrator wants to go back in time and tell himself to not even pursue the relationship.
This was the perfect song for "13 Reasons Why"
Last year's wishes are this year's apologies
Every last time I come home
I take my last chance
To burn a bridge or two
I only keep myself this sick in the head
'Cause I know how the words get you (off)
We're the new face of failure
Prettier and younger, but not any better off
Bulletproof loneliness at best, at best
Me and you, setting in a honeymoon
If I woke up next to you
If I woke up next to you
Me and you, setting in a honeymoon
If I woke up next to you
If I woke up next to you
Collect the bad habits that you couldn't bear to keep
Out of the woods, but I love
A tree I used to lay beneath
Kid's teeth stained red
From a sour bottle, baby girl
With eyes the size of baby worlds
We're the new face of failure
Prettier and younger, but not any better off
Bulletproof loneliness at best, at best
Me and you, setting in a honeymoon
If I woke up next to you
If I woke up next to you
Me and you, setting in a honeymoon
If I woke up next to you
If I woke up next to you
Me and you, setting in a honeymoon
If I woke up next to you
If I woke up next to you
Me and you, setting in a honeymoon
If I woke up next to you
If I woke up next to you
The best way to make it through
With hearts and wrists in tact
Is to realize two out of three ain't bad, ain't bad
Me and you, setting in a honeymoon
If I woke up next to you
If I woke up next to you
Me and you, setting in a honeymoon (Honeymoon)
Me and you, setting in a honeymoon
If I woke up next to you
If I woke up next to you
Me and you, setting in a honeymoon
If I woke up next to you (Honeymoon)
Every last time I come home
I take my last chance
To burn a bridge or two
I only keep myself this sick in the head
'Cause I know how the words get you (off)
We're the new face of failure
Prettier and younger, but not any better off
Bulletproof loneliness at best, at best
Me and you, setting in a honeymoon
If I woke up next to you
If I woke up next to you
Me and you, setting in a honeymoon
If I woke up next to you
If I woke up next to you
Collect the bad habits that you couldn't bear to keep
Out of the woods, but I love
A tree I used to lay beneath
Kid's teeth stained red
From a sour bottle, baby girl
With eyes the size of baby worlds
We're the new face of failure
Prettier and younger, but not any better off
Bulletproof loneliness at best, at best
Me and you, setting in a honeymoon
If I woke up next to you
If I woke up next to you
Me and you, setting in a honeymoon
If I woke up next to you
If I woke up next to you
Me and you, setting in a honeymoon
If I woke up next to you
If I woke up next to you
Me and you, setting in a honeymoon
If I woke up next to you
If I woke up next to you
The best way to make it through
With hearts and wrists in tact
Is to realize two out of three ain't bad, ain't bad
Me and you, setting in a honeymoon
If I woke up next to you
If I woke up next to you
Me and you, setting in a honeymoon (Honeymoon)
Me and you, setting in a honeymoon
If I woke up next to you
If I woke up next to you
Me and you, setting in a honeymoon
If I woke up next to you (Honeymoon)
Lyrics submitted by nimbostratus, edited by Mellow_Harsher
I'm Like a Lawyer with the Way I'm Always Trying to Get You Off (Me & You) Lyrics as written by Joseph Mark Trohman Andrew John Hurley
Lyrics © Sony/ATV Music Publishing LLC
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I'm Like a Lawyer with the Way I'm Always Trying to Get You Off (Me and You) song meanings
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OK the lyrics: "The best way to make it through with hearts and wrists intact Is to realize Two outta three ain’t bad, ain’t bad"
"two outta three aint bad" refers to the oldie song where the lyrics go something like "honey, I want you and I need you, but i'll never love you. But two outta three aint bad"
That's that Pete is referring to when he wrote this.
The only reason I know that is because my dad told me, hah.
Sweet.
Aaron