The song lyrics were written by the band Van Halen, as they were asked to write a song for the 1979 movie "Over the Edge" starring Matt Dillon. The movie (and the lyrics, although more obliquely) are about bored, rebellious youth with nothing better to do than get into trouble. If you see the movie, these lyrics will make more sense. It's a great movie if you grew up in the 70s/80s you'll definitely remember some of these characters from your own life. Fun fact, after writing the song, Van Halen decided not to let the movie use it.
The lecture halls we filled in the Fall fell through
The pedagogue in me asked, "what have you read lately?"
(A pleasantry the blonde in you responded to)
You won't go into the half of it, so I'm going to nitpick
The exegesis comes quick to whoever's less sorry now
I've forgotten you've a right to be rotten
With the killer-instincts of an old flame who's slain you
I just finished the book, and some of it's true
Disgusted by the rust on a voice that you never use
How could you expect your Jesuit sect to play here?
The fake book dates back to Iberia
You won't go into the half of it, so I'm going to nitpick
The exegesis comes quick to whoever's less sorry now
I've forgotten you've a right to be rotten
With the killer-instincts of an old flame who's slain you
I just finished the book, and some of it's true
What will you burn for warmth?
Will you keep a husband this season?
Who could take you on?
Itinerant as the day is long
You won't go into the half of it, so I'm going to nitpick
The exegesis comes quick to whoever's less sorry now
I've forgotten you've a right to be rotten
With the killer-instincts of an old flame who's slain you
I just finished the book and some of it's true
I just finished the book and some of it's true
I just finished the book and some of it's true
The pedagogue in me asked, "what have you read lately?"
(A pleasantry the blonde in you responded to)
You won't go into the half of it, so I'm going to nitpick
The exegesis comes quick to whoever's less sorry now
I've forgotten you've a right to be rotten
With the killer-instincts of an old flame who's slain you
I just finished the book, and some of it's true
Disgusted by the rust on a voice that you never use
How could you expect your Jesuit sect to play here?
The fake book dates back to Iberia
You won't go into the half of it, so I'm going to nitpick
The exegesis comes quick to whoever's less sorry now
I've forgotten you've a right to be rotten
With the killer-instincts of an old flame who's slain you
I just finished the book, and some of it's true
What will you burn for warmth?
Will you keep a husband this season?
Who could take you on?
Itinerant as the day is long
You won't go into the half of it, so I'm going to nitpick
The exegesis comes quick to whoever's less sorry now
I've forgotten you've a right to be rotten
With the killer-instincts of an old flame who's slain you
I just finished the book and some of it's true
I just finished the book and some of it's true
I just finished the book and some of it's true
Lyrics submitted by crippledmcgimp
Rereading the Marble Faun Lyrics as written by Daniel Bejar
Lyrics © Downtown Music Publishing, Songtrust Ave
Lyrics powered by LyricFind
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More Featured Meanings
Light Up The Sky
Van Halen
Van Halen
The Night We Met
Lord Huron
Lord Huron
This is a hauntingly beautiful song about introspection, specifically about looking back at a relationship that started bad and ended so poorly, that the narrator wants to go back to the very beginning and tell himself to not even travel down that road. I believe that the relationship started poorly because of the lines:
"Take me back to the night we met:When the night was full of terrors: And your eyes were filled with tears: When you had not touched me yet"
So, the first night was not a great start, but the narrator pursued the relationship and eventually both overcame the rough start to fall in love with each other:
"I had all and then most of you"
Like many relationships that turn sour, it was not a quick decline, but a gradual one where the narrator and their partner fall out of love and gradually grow apart
"Some and now none of you"
Losing someone who was once everything in your world, who you could confide in, tell your secrets to, share all the most intimate parts of your life, to being strangers with that person is probably one of the most painful experiences a person can go through. So Painful, the narrator wants to go back in time and tell himself to not even pursue the relationship.
This was the perfect song for "13 Reasons Why"
When We Were Young
Blink-182
Blink-182
This is a sequel to 2001's "Reckless Abandon", and features the band looking back on their clumsy youth fondly.
Just A Little Lovin'
Dusty Springfield
Dusty Springfield
I don't think it's necessarily about sex. It's about wanting to start the day with some love and affection. Maybe a warm cuddle. I'm not alone in interpreting it that way! For example:
"'Just a Little Lovin’ is a timeless country song originally recorded by Eddy Arnold in 1954. The song, written by Eddie Miller and Jimmy Campbell, explores the delicate nuances of love and showcases Arnold’s emotive vocals. It delves into the universal theme of love and how even the smallest gesture of affection can have a profound impact on our lives." https://oldtimemusic.com/the-meaning-behind-the-song-just-a-little-lovin-by-eddy-arnold/
American Town
Ed Sheeran
Ed Sheeran
Ed Sheeran shares a short story of reconnecting with an old flame on “American Town.” The track is about a holiday Ed Sheeran spends with his countrywoman who resides in America. The two are back together after a long period apart, and get around to enjoying a bunch of fun activities while rekindling the flames of their romance.
The Marble Faun is a moral tale by Nathaniel Hawthorne. There are four Characters, two of them female: Hilda and Miriam. I think this tries to use The Marble Faun as a metaphor for the narrators view of his ex-girlfriend. the two female characters are opposites. Hilda is compared to the virgin mary, morally pure, but also annoyingly naive. Despised by critics because of her disregard for history and knowledge along with unwavering condemnation and hypocrisy. Miriam is quite different. She is darker and seen by the narrator as an immoral woman, but decidedly passionate and human. She idealizes characters like Salome and is sexually liberated and impulsive.
Bejar seems to be conflicted in which type of woman he is comparing with his ex-lover. At the beginning "the blonde in you responded to" suggests a naivety. The second verse ties her to the Jesuits (formed when the iberian peninsula was united, Iberia, after it was taken back from The Islamic Almohad) suggests a religious piety coinciding with Hilda's religious affectation. Coupled with the biting comments suggested in the chorus, like Hilda's quickness to denounce immoral actions, shows Bejar is comparing his ex to Hilda.
The most interesting is the conflict between the women. Hilda denounces her friendship with Miriam, who is involved in an accidental murder, and Hilda thinks she must cast off Miriam to retain her lofty morality. Miriam replies that she is an angel among men and women, inhuman, and that she needs a sin to soften her. I think this moral dilemma is at the heart of the way Bejar thinks of his ex. Once a complete person, and then casts off her passion and humanity in favor of a rigid prudishness. "I just finished the book, and some of its true," may refer to the fact that the narrator is heavily slanted towards Hilda's piety. Ultimately I think this song is about the duality of woman.
I LOVE THIS SONG!
this is one of my favorite Destroyer songs, which is hands down off the greatest Destroyer album (City of Daughters)
All one needs to understand this song is a dictionary to fight Dan Bejar's love of big words...
This is most likely some obscure reference to Hawthorne's romance "the Marble Faun".... Linkie..
en.wikipedia.org/wiki/The_Marble_Faun