Alright folks, I've finally figured this out! If you care to know the meaning, do read the entire deliberation. Enjoy!

1:

If I was young, I'd flee this town - I'd bury my dreams underground As did I - We drink to die, We drink tonight.

1: [I believe youth in this sense is referring to more of spirit than age. The character of this song appears pessimistic, as the later lines "We drink to die," and "I'd bury my dreams under ground" suggest. The burying of the dreams hasn't been performed yet (It is the subjunctive-conditional expounding a future desire: I would bury my dreams), thus this person who wishes to flee is implying that could he move, the remnants of that which he used to want to accomplish would be meaningless - a new life would emerge. The "As did I," seems to be random, however the words are establishing he did already bury his dream despite the fact that his old life still plauges him and he, in fact, didn't flee. Although nothing has altered regarding location, his dreams have diminished. "We drink to die," represents the acknowledgement of defeat. The figure realizes that all things else matter not if there is nothing to strive for, nothing to atttain. The days of which used to bear value are now afar and the despair has left him with only a penchant for intoxication to lift his misery and eventual death. "We drink tonight," evinces the urgency of the previously stated desire; he wants the result of deleterious habits to occur immediately.]

2:

Far from home, elephant guns Let's take them down one by one We'll lay it down, it's not been found It's not around

2: [Far from home is quite the metaphor, but a significant one. Home is regarded as a place of great comfort, somewhere in which one may feel familiar. As explained in 1, the man is very disconcerted and depressed. Therefore, "far from home" is a subtle manner of saying the individual is far from who they used to be and have become an empty shell. "Elephant Guns," stand in place for a defense. Guns often allude to power and control, and "elephant" can be taken both as an adjective to colloquially explain the magnitude of the gun (and further is self-protection), or literally as a compound noun, which still shows the strength of the gun, ergo the amount of effort put forth into is defense. Here, as dejected as this man is, he wards himself powerfully, and tries to pass as courageous and sound to others. He then uses defense as offense as illustrated next: "Let's take them down, one by one." The man hopes to rid himself of such antipathy, he has grown tired of the enervating affliction. "We'll lay it down; it's not been found, it's not around." He's expecting this new determined sensation to eliminate his woe, yet he can't quite isolate the source of his rue. (hence, the "not been found, not around")

3:

Let the seasons begin When love was right to roam Let the seasons begin Take the big game down.

3: ["Let the seasons begin when love was right to roam." Seasons are often representational of some personal vicissitude - a change in condition, circumstance, or fortune. The instilled zest for change has consumed the man, and he presents the eager anticipation of "hunting" his pain. Even the tone of the song - how soft it begins, yet here, the climax - further supports the shift, that shift composed of despondence to confidence. Here we also find evidence of what has caused the man so much anguish: "When love was right to roam." This individual was jilted and his wounds are still exposed. Further evidence are the "elephant guns" which he uses to "lay [and] take down one by one" the burdensome persistent problems. "Let the season begin; take the big game down." Now knowing that heartache is the culprit behind the morose lines in stanza 1, we may correct state that the "big game" is love. Also, the latter of this line is perhaps the most obvious, as love is often referred to as a "game." (Here, the game is referred to as the "elephant.")

4:

Let the seasons begin When love was right to roam Let the seasons begin Take the big game down.

4: [Saying nothing different than stanza 3, the iteration establishes this is something that the person does not take lightly. He is furious that time is swollen his heart and cause it to form so callously, thus he reaffirms what that his mission is to eradicate his distress.]

5:

And it rips through the silence Of our camp at night And it rips through the night. e 5: [Here, the situation temporarily quells, the character's focus stalls. Attention to the music is essential to extrapolate the action of what is happening. The pace of the drums pauses, and quite abruptly at that. This silence is significant both in relation to the lyrics (as the silence is stated) for dramatic effect and to the "beat" of the individual and his goal to "take down" the "elephant." Upon the actual confrontation of the "elephant," or rather, his emotional toil, "it rips through the camps." These lyrics are very strong and deliberate: Camps, here, are symbolic of safety, for they are similar to a home - a place where one may rest at easy and relax. The "it" in the context refers to the "elephant;" the ripping asserts the elephant rampages through the camp, or, that his emotions are too disorderly and out of control so he fails to manage them. "And it rips through the night." Again, the tone of the music and of the singer's voice must be taken into account. As he approaches the end of this line, his voice dies down. The fading cadence inspires the listens with almost a mournful reaction, for the incoherent language which follows is that which is comparable to the indeterminable babble one makes while lamenting. The totality of this line creates the sad truth that the man begin to understand: he will never recover from what has happened, this "elephant" shall roam without worry of subjugation - his experience has ruled him. The claim that he will never overcome this capitulation is given in the words "through the night," for the ulterior meaning is a perpetual activity with no definitive end.

6:

And it rips through the silence Of our camp at night And it rips through the silence All that is left is all I hide.

6: [Again, reiterating a stanza clarifies that the man is deeply affected by a revelation - the revelation being nothing in him has changed, nor will it. Now, the second utterance of "it rips through the silence" is indicative of something more. The person whom the suffering is doled has understood the fact that things will remain how they are, (that is what the "silence represents [a certain calmness about things]) yet, again, the animal rips through the camps. The last foray upon his heart leaves the man destitute; all the man is able to keep is the elephant itself, i.e., the very feelings which he attempted to conquer.