This is a hauntingly beautiful song about introspection, specifically about looking back at a relationship that started bad and ended so poorly, that the narrator wants to go back to the very beginning and tell himself to not even travel down that road. I believe that the relationship started poorly because of the lines:
"Take me back to the night we met:When the night was full of terrors: And your eyes were filled with tears: When you had not touched me yet"
So, the first night was not a great start, but the narrator pursued the relationship and eventually both overcame the rough start to fall in love with each other:
"I had all and then most of you"
Like many relationships that turn sour, it was not a quick decline, but a gradual one where the narrator and their partner fall out of love and gradually grow apart
"Some and now none of you"
Losing someone who was once everything in your world, who you could confide in, tell your secrets to, share all the most intimate parts of your life, to being strangers with that person is probably one of the most painful experiences a person can go through. So Painful, the narrator wants to go back in time and tell himself to not even pursue the relationship.
This was the perfect song for "13 Reasons Why"
Mama, your little boy's dying at the gates
With a mace and a longbow arrow
Lodged firm in his breastplate
Isn't there something we should do?
Won't it be a shock to the coroner's colander?
His blood is so thick with the fight
And when they find the twenty-something hearts in his stomach?
'It was all I could get him to eat some nights,' she sighs
And looks out towards the castle wall
She closes her eyes and faces the far-off moat
Where I splashed and sputtered, practicing my strokes
And the Dead Man's Float among the crocodiles
Always to return to her side, forever her eldest child
Father, your boy's being gunned down on a plane
He's out reading Marx on the left wing again
And they can't get him to come in
They've tried, but his singing's a bathtub gin
'He'll jump when his wings are fully-grown,
Or he'll learn to build some on the way down'
'He won't hit the ground for miles...'
'Yes, but he'll be in complete denial,' he smiles
Weakly, but it's better than yearly
He scratches his head, and raises his eyes
To his son's pallbearers, floating thither and yon
And on and on into a sun too-bright
For a moment his boy's a kite
Don't harvest blame, after the rains come
To drown and to destroy
'Cause you tried to pull your child
Out from the fire, but you couldn't
Pull the fire out your baby boy
With a mace and a longbow arrow
Lodged firm in his breastplate
Isn't there something we should do?
Won't it be a shock to the coroner's colander?
His blood is so thick with the fight
And when they find the twenty-something hearts in his stomach?
'It was all I could get him to eat some nights,' she sighs
And looks out towards the castle wall
She closes her eyes and faces the far-off moat
Where I splashed and sputtered, practicing my strokes
And the Dead Man's Float among the crocodiles
Always to return to her side, forever her eldest child
Father, your boy's being gunned down on a plane
He's out reading Marx on the left wing again
And they can't get him to come in
They've tried, but his singing's a bathtub gin
'He'll jump when his wings are fully-grown,
Or he'll learn to build some on the way down'
'He won't hit the ground for miles...'
'Yes, but he'll be in complete denial,' he smiles
Weakly, but it's better than yearly
He scratches his head, and raises his eyes
To his son's pallbearers, floating thither and yon
And on and on into a sun too-bright
For a moment his boy's a kite
Don't harvest blame, after the rains come
To drown and to destroy
'Cause you tried to pull your child
Out from the fire, but you couldn't
Pull the fire out your baby boy
Lyrics submitted by sarahsaurusrex
Firebelly Salamander Lyrics as written by Ben Potrykus
Lyrics © O/B/O DistroKid
Lyrics powered by LyricFind
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