This song is Swift's response to the negative reputation the media has given her.
"I can make the bad guys good for a weekend" - the bad guys are the paparazzi to Swift, but are good to the "player" since association with Swift immediately gives publicity. Any publicity is good publicity and Swift knows this.
"You can tell me when it's over" - the tabloids rumor relationships are over before the couple announces it officially.
With this song Swift is portraying the way she is portrayed by the media.
It is a sarcastic jab at how she views herself and how her "ex-lovers" only wanted to be with her to increase their fame.
I applaud the brilliance in writing about how you always write about relationships.
It is expected so Swift is giving the media what they want and profiting off the attention.
Part 1:
Cold and misty morning, I heard a warning borne in the air
About an age of power where no one had an hour to spare,
Where the seeds have withered, silent children shivered, in the cold
Now their faces captured in the lenses of the jackals for gold.
I'll be there
I'll be there
I will be there.
Suffering in silence, they've all been betrayed.
They hurt them and they beat them, in a terrible way,
Praying for survival at the end of the day.
There is no compassion for those who stay.
I'll be there
I'll be there
I will be there.
There must be someone who can set them free:
To take their sorrow from this odyssey
To help the helpless and the refugee
To protect what's left of humanity.
Can't you see
Can't you see
Can't you see.
I'll be there
I'll be there
I will be there;
To heal their sorrow
To beg and borrow
Fight tommorow.
Step inside! Hello! We've the most amazing show
You'll enjoy it all we know
Step inside! Step Inside!
We've got thrills and shocks, supersonic fighting cocks.
Leave your hammers at the box
Come Inside! Come Inside!
Roll up! Roll up! Roll up!
See the show!
Left behind the bars, rows of Bishops' heads in jars
and a bomb inside a car
Spectacular! Spectacular!
If you follow me there's a speciality
some tears for you to see
Misery, misery,
Roll up! Roll up! Roll up!
See the show!
Next upon the bill in our House of Vaudeville
We've a stripper in a till
What a thrill! What a thrill!
And not content with that, with our hands behind our backs,
We pull Jesus from a hat,
Get into that! Get into that!
Roll up! Roll up! Roll up!
See the show!
Part 2:
Welcome back my friends to the show that never ends
We're so glad you could attend
Come inside! Come inside!
There behind a glass is a real blade of grass
be careful as you pass.
Move along! Move along!
Come inside, the show's about to start
guaranteed to blow your head apart
Rest assured you'll get your money's worth
The greatest show in Heaven, Hell or Earth.
You've got to see the show, it's a dynamo.
You've got to see the show, it's rock and roll ....
Right before your eyes we pull laughter from the skies
And he laughs until he cries then he dies then he dies
Come inside the shows about to start
Guaranteed to blow your head apart
You gotta see the show
It's a dynamo
You gotta see the show
It's rock and roll
Soon the Gypsy Queen in a glaze of Vaseline
Will perform on guillotine
What a scene! What a scene!
Next upon the stand will you please extend a hand
to Alexander's Ragtime Band
Roll up! Roll up! Roll up!
See the show!
Performing on a stool we've a sight to make you drool
Seven virgins and a mule
Keep it cool. Keep it cool.
We would like it to be known the exhibits that were shown
were exclusively our own,
All our own. All our own.
Come and see the show! Come and see the show! Come and see the show!
See the show!
Cold and misty morning, I heard a warning borne in the air
About an age of power where no one had an hour to spare,
Where the seeds have withered, silent children shivered, in the cold
Now their faces captured in the lenses of the jackals for gold.
I'll be there
I'll be there
I will be there.
Suffering in silence, they've all been betrayed.
They hurt them and they beat them, in a terrible way,
Praying for survival at the end of the day.
There is no compassion for those who stay.
I'll be there
I'll be there
I will be there.
There must be someone who can set them free:
To take their sorrow from this odyssey
To help the helpless and the refugee
To protect what's left of humanity.
Can't you see
Can't you see
Can't you see.
I'll be there
I'll be there
I will be there;
To heal their sorrow
To beg and borrow
Fight tommorow.
Step inside! Hello! We've the most amazing show
You'll enjoy it all we know
Step inside! Step Inside!
We've got thrills and shocks, supersonic fighting cocks.
Leave your hammers at the box
Come Inside! Come Inside!
Roll up! Roll up! Roll up!
See the show!
Left behind the bars, rows of Bishops' heads in jars
and a bomb inside a car
Spectacular! Spectacular!
If you follow me there's a speciality
some tears for you to see
Misery, misery,
Roll up! Roll up! Roll up!
See the show!
Next upon the bill in our House of Vaudeville
We've a stripper in a till
What a thrill! What a thrill!
And not content with that, with our hands behind our backs,
We pull Jesus from a hat,
Get into that! Get into that!
Roll up! Roll up! Roll up!
See the show!
Part 2:
Welcome back my friends to the show that never ends
We're so glad you could attend
Come inside! Come inside!
There behind a glass is a real blade of grass
be careful as you pass.
Move along! Move along!
Come inside, the show's about to start
guaranteed to blow your head apart
Rest assured you'll get your money's worth
The greatest show in Heaven, Hell or Earth.
You've got to see the show, it's a dynamo.
You've got to see the show, it's rock and roll ....
Right before your eyes we pull laughter from the skies
And he laughs until he cries then he dies then he dies
Come inside the shows about to start
Guaranteed to blow your head apart
You gotta see the show
It's a dynamo
You gotta see the show
It's rock and roll
Soon the Gypsy Queen in a glaze of Vaseline
Will perform on guillotine
What a scene! What a scene!
Next upon the stand will you please extend a hand
to Alexander's Ragtime Band
Roll up! Roll up! Roll up!
See the show!
Performing on a stool we've a sight to make you drool
Seven virgins and a mule
Keep it cool. Keep it cool.
We would like it to be known the exhibits that were shown
were exclusively our own,
All our own. All our own.
Come and see the show! Come and see the show! Come and see the show!
See the show!
Lyrics submitted by thedanman344
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"a glaze of vaseline" First, get your vaseline out. Burt's Bees or UnPetroleum will do. Now take a swipe and rub it on your front teeth. You will automatically keep smiling because it feels so gross!! You have just "glazed" with vaseline. Ok to wipe off. I had to do this to smile while performing with Up with People which I just found ridiculous. Fake smiles. The Gypsy Queen probably has some on, can't you see her fake smile here.
Next, in Star Wars comments (from A New Hope) and other commentaries, Lucas says that they rubbed a little vaseline on the film to smudge the wheeled cart that the landspeeder was carried on, to make it look like a hovercraft. You can look at how smudgy and blurry it is under the landspeeder in the original movie. They "glazed" the film with vaseline to blur the truth of the cart, leading you the viewer to be impressed with the hovercraft. It worked in 1977, still works in the film. I always thought it was blurry because the make believe craft would have heat generated like in a car, and the heat would blur in the dust and air. I, for years, thought the blur was deliberate...
I will bypass the sex reference with vaseline. You probably understand that one already.
when you "glaze" with vaseline or other oil you are smudging and blurring, or oiling to increase pleasure, or even perhaps to oil slick a surface, like for clean gears. She's performing on a guillotine, either oiling her traps (sex reference), oiling the mechanism of the guillotine for a clean cut, or blurring the truth. Any of these will work in the context. I think that a lot of Sinfield's lyrics have multiple, layered meanings, so you the listener get to pick and choose which ones you feel the song is about, or its about all of them.
This is probably one of the strongest utopian songs out there. If you've seen 2001, I Robot, or 1984, you see what happens when a perfect machine goes horribly wrong, or even like Brave New World, We, any sf novel by Vinge, there are boatloads out there. But in rock music, only a handful of utopian themed songs really work lyrically. Knife Edge, for a short song, is right up there, so is All along the Watchtower, Lemmings (by Van der Graaf Generator), Tarkus... I think ELP, both pre-Sinfield (albeit Lake's lyrics, I think, were influenced by Sinfield's lyrics for Crimson) and when Sinfield was actively involved, had a stream of thought on each album dealing with apocalypse, utopias, technology v. humankind, etc. I really doubt there is a shred of Christian thought in any of Sinfield's lyrics since he professes anti-Christian sentiments, while using biblical references to defend his nonChristian position. So the first poster I think, while right on about the state of the world, is way off in regards to the lyrics of this song. And I'm Christian.
Utopia and science/technology gone wrong were popular topics during that time frame with psychedelic, prog and other rock groups. I think ELP were very much involved with that thinking. Interesting since they were constantly accused of having the technology of their music be more important than the music itself, or the humanness within their music (comments defeated repeatedly by their wildly successful sold out stadium sized live concerts). Its also interesting that ELP's stage shows were a little like burlesques with rotating drums, pianos that turned upside down, knife stabbing, riding the organ, and so on, by a group of excellent musicians with no sacrifice to musical quality (or quantity)!! One must say that Greg Lake was the only one who didn't seem to fall prey to the over the top category.
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