Jane's Addiction vocalist Perry Farrell gives Adam Reader some heartfelt insight into Jane’s Addiction's hard rock manifesto "Mountain Song", which was the second single from their revolutionary album Nothing's Shocking. Mountain song was first recorded in 1986 and appeared on the soundtrack to the film Dudes starring Jon Cryer. The version on Nothing's Shocking was re-recorded in 1988.
"'Mountain Song' was actually about... I hate to say it but... drugs. Climbing this mountain and getting as high as you can, and then coming down that mountain," reveals Farrell. "What it feels to descend from the mountain top... not easy at all. The ascension is tough but exhilarating. Getting down is... it's a real bummer. Drugs is not for everybody obviously. For me, I wanted to experience the heights, and the lows come along with it."
"There's a part - 'Cash in now honey, cash in Miss Smith.' Miss Smith is my Mother; our last name was Smith. Cashing in when she cashed in her life. So... she decided that, to her... at that time, she was desperate. Life wasn't worth it for her, that was her opinion. Some people think, never take your life, and some people find that their life isn't worth living. She was in love with my Dad, and my Dad was not faithful to her, and it broke her heart. She was very desperate and she did something that I know she regrets."
Eye on the TV
'Cause tragedy thrills me
Whatever flavor it happens to be like
Killed by the husband
Drowned by the ocean
Shot by his own son
She used a poison
In his tea
And kissed him goodbye
That's my kind of story
It's no fun until someone dies
Don't look at me like
I am a monster
Frown out your one face
But with the other
Stare like a junkie
Into the TV
Stare like a zombie
While the mother
Holds her child
Watches him die
Hands to the sky crying
"Why, oh why?"
'Cause I need to watch things die
From a distance
Vicariously I live
While the whole world dies
You all need it too, don't lie
Why can't we just admit it?
Why can't we just admit it?
We won't give pause until the blood is flowing
Neither the brave nor bold
Were writers of the stories told
We won't give pause until the blood is flowing
I need to watch things die
From a good safe distance
Vicariously I live while the whole world dies
You all feel the same, so
Why can't we just admit it?
Blood like rain come down
Drum on grave and ground
Part vampire
Part warrior
Carnivore and voyeur
Stare at the transmittal
Sing to the death rattle
La, la, la, la, la, la-la-lie
La, la, la, la, la, la-la-lie
La, la, la, la, la, la-la-lie
La, la, la, la, la, la-la-lie
Credulous at best
Your desire to believe in
Angels in the hearts of men
Pull your head out of your hippie haze
And give a listen
Shouldn't have to say it all again
The universe is hostile, so impersonal
Devour to survive, so it is
So it's always been
We all feed on tragedy
It's like blood to a vampire
Vicariously I
Live while the whole world dies
Much better you than I
'Cause tragedy thrills me
Whatever flavor it happens to be like
Killed by the husband
Drowned by the ocean
Shot by his own son
She used a poison
In his tea
And kissed him goodbye
That's my kind of story
It's no fun until someone dies
Don't look at me like
I am a monster
Frown out your one face
But with the other
Stare like a junkie
Into the TV
Stare like a zombie
While the mother
Holds her child
Watches him die
Hands to the sky crying
"Why, oh why?"
'Cause I need to watch things die
From a distance
Vicariously I live
While the whole world dies
You all need it too, don't lie
Why can't we just admit it?
Why can't we just admit it?
We won't give pause until the blood is flowing
Neither the brave nor bold
Were writers of the stories told
We won't give pause until the blood is flowing
I need to watch things die
From a good safe distance
Vicariously I live while the whole world dies
You all feel the same, so
Why can't we just admit it?
Blood like rain come down
Drum on grave and ground
Part vampire
Part warrior
Carnivore and voyeur
Stare at the transmittal
Sing to the death rattle
La, la, la, la, la, la-la-lie
La, la, la, la, la, la-la-lie
La, la, la, la, la, la-la-lie
La, la, la, la, la, la-la-lie
Credulous at best
Your desire to believe in
Angels in the hearts of men
Pull your head out of your hippie haze
And give a listen
Shouldn't have to say it all again
The universe is hostile, so impersonal
Devour to survive, so it is
So it's always been
We all feed on tragedy
It's like blood to a vampire
Vicariously I
Live while the whole world dies
Much better you than I
Lyrics submitted by DarkAntiCrista, edited by InConSciOUS, xvicariousx
Vicarious Lyrics as written by Daniel Carey Adam Jones
Lyrics © BMG Rights Management
Lyrics powered by LyricFind
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More Featured Meanings
Mountain Song
Jane's Addiction
Jane's Addiction
Gentle Hour
Yo La Tengo
Yo La Tengo
This song was originally written by a guy called Peter Gutteridge. He was one of the founders of the "Dunedin Sound" a musical scene in the south of New Zealand in the early 80s. From there it was covered by "The Clean" one of the early bands of that scene (he had originally been a member of in it's early days, writing a couple of their best early songs). The Dunedin sound, and the Clean became popular on american college radio in the mid to late 80s. I guess Yo La Tengo heard that version.
Great version of a great song,
When We Were Young
Blink-182
Blink-182
This is a sequel to 2001's "Reckless Abandon", and features the band looking back on their clumsy youth fondly.
No Surprises
Radiohead
Radiohead
Same ideas expressed in Fitter, Happier are expressed in this song. We're told to strive for some sort of ideal life, which includes getting a good job, being kind to everyone, finding a partner, getting married, having a couple kids, living in a quiet neighborhood in a nice big house, etc. But in Fitter, Happier the narrator(?) realizes that it's incredibly robotic to live this life. People are being used by those in power "like a pig in a cage on antibiotics"--being pacified with things like new phones and cool gadgets and houses while being sucked dry. On No Surprises, the narrator is realizing how this life is killing him slowly. In the video, his helmet is slowly filling up with water, drowning him. But he's so complacent with it. This is a good summary of the song. This boring, "perfect" life foisted upon us by some higher powers (not spiritual, but political, economic, etc. politicians and businessmen, perhaps) is not the way to live. But there is seemingly no way out but death. He'd rather die peacefully right now than live in this cage. While our lives are often shielded, we're in our own protective bubbles, or protective helmets like the one Thom wears, if we look a little harder we can see all the corruption, lies, manipulation, etc. that is going on in the world, often run by huge yet nearly invisible organizations, corporations, and 'leaders'. It's a very hopeless song because it reflects real life.
Amazing
Ed Sheeran
Ed Sheeran
Ed Sheeran tells a story of unsuccessfully trying to feel “Amazing.” This track is about the being weighed down by emotional stress despite valiant attempts to find some positivity in the situation. This track was written by Ed Sheeran from the perspective of his friend. From the track, we see this person fall deeper into the negative thoughts and slide further down the path of mental torment with every lyric.
When this album first came out I was listening to Vicarious while driving. I was stuck in traffic behind a taxi that had an advertisement on it for an exhibition called "The Human Body", where various aspects of the body are studied and put on display, like muscle/bone structures, skin fibres, vital organs etc etc. Funnily enough, the photo on the ad was very much like the cover of Lateralus, with the photo of a human being illustrating the layers beneath the skin. What really caught my attention were the words in bold italic underneath the image: "REAL BODIES ON DISPLAY"
This song really made sense to me after I saw that: I could picture people at the exhibition bypassing all the fake plastic skeletons, respiratory system drawings, etc etc, and heading straight for the "real bodies" where they would stand in droves and "stare like zombies" at this dead body on the table.
I could also imagine that people "wouldn't give pause" to even consider going to the exhibition until they learn that real dead bodies are on display. And the fact that the advertisers found it necessary to even mention it on the ad as if that makes the whole experience more "appealing".
But the funny thing is: I am no different. I would have been there front row centre, looking at the dead body. Even though it's wrong, you can't help but look. "Why can't we just admit it?"
We are all "Part vampire, Part warrior. Carnivore and voyeur." We are infatuated at the misfortune and suffering of others. "Like blood to a vampire"
What genius. Thank you Tool.
Anyway, I was late to work that day. But who cares!!!
One last parting thought: Think about all those times you watch TV, or watch a movie, or even watch a motor race and hope for a crash, a murder scene, etc. We are all monsters. We just need to admit it.