Tenement slum
Ooh, ooh, ooh, ooh, ooh, ooh, ooh
Ah

You think that I don't feel love
But what I feel for you is real love
In other's eyes I see reflected, I hurt, scorned, rejected
Love child, never meant to be
Love child, born in poverty
Love child, never meant to be
Love child, take a look at me

Started my life in an old, cold, rundown tenement slum (tenement slum)
My father left, he never even married mom
I shared the guilt my mama knew
So afraid that others knew I had no name, ah

This love we're contemplating, is worth the pain of waiting
We'll only end up hating the child we may be creating
Love child, never meant to be (wait, wait, won't you wait now, hold on)
Love child, (scorn by) society
Love child, always second best
Love child, (different from) different from the rest
Hold on, hold on, just a little bit longer
Mm, baby
Hold on, hold on, just a little bit longer
Mm, baby

I started school in a worn, torn, dress that somebody threw out (somebody threw out)
I knew the way it felt to always live in doubt
To be without the simple things
So afraid my friends would see the guilt in me, ah
Don't think that I don't need you
Don't think I don't want to please you
But no child of mine will be bearing the name of shame I've been wearin'

Love child, love child, never quite as good (wait, wait, won't you wait now, hold on)
Afraid, ashamed, misunderstood (just a little bit longer)
But I'll always love you (love child, wait, wait, won't you wait now, hold on)
I'll always love you (just a little bit longer, love child)
I'll always love you (wait, wait, won't you wait now, hold on)
I'll always love you (just a little bit longer, love child)
I'll always love you (wait, wait, won't you wait now, hold on)
Always love you (just a little bit longer, love child)
You, you (wait, wait, won't you wait now, hold on)
I'll always love you (just a little bit longer, love child)
(Wait, wait, won't you wait now, hold on)


Lyrics submitted by quarter_past_three

Love Child Lyrics as written by Dennis Lussier Deke Richards

Lyrics © Sony/ATV Music Publishing LLC, ACUM Ltd.

Lyrics powered by LyricFind

Love Child song meanings
Add Your Thoughts

3 Comments

sort form View by:
  • +4
    General Comment
    This song brings me either to tears or unrestrained pride every time I hear it. I don't understand the pride part. Maybe it's because I was a love child, and bore that name of shame and accepted it? At times I don't want to accept it...and that's when the tears come in...but most of the time, I feel grateful that I'm on this earth. So what my father didn't want me? I'm here anyways for better or worse. Fucking love this song. The store I work at plays oldies on Sundays, and whenever this comes on, my whole day just rocks.
    Aquarius121on August 16, 2012   Link
  • +1
    General Comment
    A classic.
    daylightwraithon December 18, 2006   Link
  • +1
    General Comment
    im only trying 2 help u Olivia
    koala5412on September 05, 2012   Link

Add your thoughts

Log in now to tell us what you think this song means.

Don’t have an account? Create an account with SongMeanings to post comments, submit lyrics, and more. It’s super easy, we promise!

More Featured Meanings

Album art
System
Mel And Kim
Just listening for the 784,654th time....and it's just perfect in every way. Just incredible. The only reason it was remade was to scoop up a boatload of money from a more modern and accepting audience. But it is a completely different song than the other one that sounds slapped together in a few takes without a thought for the meaning. This song captivates me still, after 50+ years. Takes me to the deep South and the poverty of some who lived thru truly hard times. And the powerful spirit of a poor young girl being abandoned to her future with only a red dress and her wits to keep her alive. She not only stayed alive, she turned her hard beginnings around, became self sufficient, successful and someone with respect for herself. She didn't let the naysayers and judgers stop her. She's the one sitting in the drivers seat at the end. So, not a song about a poor girl, but a song of hope and how you can rise up no matter how far down you started. There is a huge difference between a singer who simply belts out a song that is on a page in front of them, and someone who can convey an entire experience with their voice. Telling not just a story with words, but taking you inside it and making you feel like you are there, with their interpretation.
Album art
Blank Space
Taylor Swift
This song is Swift's response to the negative reputation the media has given her. "I can make the bad guys good for a weekend" - the bad guys are the paparazzi to Swift, but are good to the "player" since association with Swift immediately gives publicity. Any publicity is good publicity and Swift knows this. "You can tell me when it's over" - the tabloids rumor relationships are over before the couple announces it officially. With this song Swift is portraying the way she is portrayed by the media. It is a sarcastic jab at how she views herself and how her "ex-lovers" only wanted to be with her to increase their fame. I applaud the brilliance in writing about how you always write about relationships. It is expected so Swift is giving the media what they want and profiting off the attention.
Album art
Me and Johnny
Matt Paxton
Moyet later described how her song "Goodbye 70's" had been inspired by her disillusionment with how the late-1970s punk scene had turned out, saying, "'Goodbye 70's' is about punk and not caring how you were dressed, and then I discovered that so many of my friends that I'd thought it all really meant something to just saw it as another trend... That's what 'Goodbye 70's' was all about, about how sour the whole thing became."
Album art
Mad Hatter
Avenged Sevenfold
Matt Shadows their lead singer says the song was written as per request from the developers of Call of Duty: Black Ops 4. Watching the initial trailers for the game & looking at production sketches reminded him of the 'S-Town' podcast & its main protagonist, John B. McLemore. Matt also comments specifically on the lyrics: "I decided that the lyrics would shadow McLemore's life." In 2012, antiquarian horologist John B. McLemore sent an email to the staff of the show 'This American Life' asking them to investigate an alleged murder in his hometown of Woodstock, Alabama, a place McLemore claimed to despise. After a year of exchanging emails & several months of conversation with McLemore, producer Brian Reed traveled to Woodstock to investigate. Reed investigated the crime & eventually found that no such murder took place, though he struck up a friendship with the depressed but colorful character of McLemore. He recorded conversations with McLemore & other people in Woodstock. McLemore killed himself by drinking potassium cyanide on June 22, 2015 while the podcast was still in production. In the narrative of the podcast, this occurs at the end of the second episode; subsequent episodes deal with the fallout from McLemore's death while exploring more of McLemore's life & character.
Album art
2021
Lauv
This standalone single by Lauv marks the end of the year 2020. The track was produced by Jamil “Digi” Chammas & Lauv, being released via major streaming platforms on December 31, 2020.