Jane's Addiction vocalist Perry Farrell gives Adam Reader some heartfelt insight into Jane’s Addiction's hard rock manifesto "Mountain Song", which was the second single from their revolutionary album Nothing's Shocking. Mountain song was first recorded in 1986 and appeared on the soundtrack to the film Dudes starring Jon Cryer. The version on Nothing's Shocking was re-recorded in 1988.
"'Mountain Song' was actually about... I hate to say it but... drugs. Climbing this mountain and getting as high as you can, and then coming down that mountain," reveals Farrell. "What it feels to descend from the mountain top... not easy at all. The ascension is tough but exhilarating. Getting down is... it's a real bummer. Drugs is not for everybody obviously. For me, I wanted to experience the heights, and the lows come along with it."
"There's a part - 'Cash in now honey, cash in Miss Smith.' Miss Smith is my Mother; our last name was Smith. Cashing in when she cashed in her life. So... she decided that, to her... at that time, she was desperate. Life wasn't worth it for her, that was her opinion. Some people think, never take your life, and some people find that their life isn't worth living. She was in love with my Dad, and my Dad was not faithful to her, and it broke her heart. She was very desperate and she did something that I know she regrets."
The light is there
Yeah yeah
You see I come from Mississippi
I was young and runnin' wild
Ended up in New York City
Where I had my first child
I named the boy Nasir
All the boys call him Nas
I told him as a youngster
He'll be the greatest man alive
Let's go
Hey-hey-hey-hey
Chuck Berry of these rap skits, styles I mastered
Many brothers snatched it up and tried to match it
But I'm still number one, everyday real
Speak what I want, I don't care what y'all feel
Cause I'm my own master, my Pop told me be your own boss
Keep integrity at every cost, and his home was Natchez Mississippi
Did it like Miles and Dizzy, now we gettin' busy
Bridging the gap, from the blues, to jazz, to rap
The history of music on this track
Born in the game, discovered my father's music
Like Prince searchin' through boxes of Purple Rain
But my Minneapolis was The Bridge, home of the Superkids
Some are well-known, some doin' bids
I mighta ended up on the wrong side of the tracks
If Pops wouldn't've pulled me back an said yo
See I come from Mississippi
I was young and runnin' wild (uh huh)
Ended up in New York City (New York)
Where I had my first child (that's me y'all)
I named the boy Nasir (yeah)
All the boys call him Nas (that's what's up)
I told him as a youngster
He'll be the greatest man alive
Greatest man alive (yeah, turn it up)
Gre-gre-gre-gre-greatest man alive
The blues came from gospel, gospel from blues
Slaves are harmonizin' them ahs and oohs
Old school, new school, know school rules
All these years I been voicin' my blues
I'm a artist from the start, Hip-Hop guided my heart
Graffiti on the wall, coulda ended in Spoffard, juvenile delinquent
But Pops gave me the right type'a tools to think with
Books to read, like X and stuff
Cause the schools said the kids had dyslexia
In art class I was a compulsive sketcher of
Teachers in my homeroom, I drew pix to mess them up
Cause none'a them would like my style
Read more books than the curriculum profile
Said, "Mr. Jones please come get your child
Cause he's writin' mad poems and his verses are wild"
I was born in Mississippi
I was young and runnin' wild
Moved to New York City
Where I had my first child
I named the boy Nasir
All the boys call him Nas
I told him as a youngster
He'll be the greatest man alive
Greatest man
The great-greatest man alive (tell 'em)
Hey-hey-hey my poppa was not a rollin' stone
He been around the world blowin' his horn, still he came home
Then he got grown, changed his name to Olu
Come on, tell 'em 'bout all the places you gone to
I been to Saudi Arabia, Mozambique (yeah)
Madagascar, Paris, Greece (uh huh)
But little Africa is where we live (yeah)
Better known as Queenbridge
Nas, Nas you don't stop
Olu Dara in the house, you don't stop
Muddy Waters' Howling Wolf you don't stop
From the Blues to Street Hop you don't stop
Tell 'em Pop
See I come from Mississippi (let 'em know)
I was young and runnin' wild (runnin' wild)
Ended up in New York City (yeah)
Where I had my first child (that's me)
I named the boy Nasir (yeah, Daddy)
All the boys call him Nas (luh ya, boy)
I told him as a youngster
He'll be the greatest man alive (you the greatest, Pop)
Greatest man alive (you the greatest, Pop)
Gre-gre-gre-gre-greatest man alive
Rest In Peace Ray Charles
Yeah yeah
You see I come from Mississippi
I was young and runnin' wild
Ended up in New York City
Where I had my first child
I named the boy Nasir
All the boys call him Nas
I told him as a youngster
He'll be the greatest man alive
Let's go
Hey-hey-hey-hey
Chuck Berry of these rap skits, styles I mastered
Many brothers snatched it up and tried to match it
But I'm still number one, everyday real
Speak what I want, I don't care what y'all feel
Cause I'm my own master, my Pop told me be your own boss
Keep integrity at every cost, and his home was Natchez Mississippi
Did it like Miles and Dizzy, now we gettin' busy
Bridging the gap, from the blues, to jazz, to rap
The history of music on this track
Born in the game, discovered my father's music
Like Prince searchin' through boxes of Purple Rain
But my Minneapolis was The Bridge, home of the Superkids
Some are well-known, some doin' bids
I mighta ended up on the wrong side of the tracks
If Pops wouldn't've pulled me back an said yo
See I come from Mississippi
I was young and runnin' wild (uh huh)
Ended up in New York City (New York)
Where I had my first child (that's me y'all)
I named the boy Nasir (yeah)
All the boys call him Nas (that's what's up)
I told him as a youngster
He'll be the greatest man alive
Greatest man alive (yeah, turn it up)
Gre-gre-gre-gre-greatest man alive
The blues came from gospel, gospel from blues
Slaves are harmonizin' them ahs and oohs
Old school, new school, know school rules
All these years I been voicin' my blues
I'm a artist from the start, Hip-Hop guided my heart
Graffiti on the wall, coulda ended in Spoffard, juvenile delinquent
But Pops gave me the right type'a tools to think with
Books to read, like X and stuff
Cause the schools said the kids had dyslexia
In art class I was a compulsive sketcher of
Teachers in my homeroom, I drew pix to mess them up
Cause none'a them would like my style
Read more books than the curriculum profile
Said, "Mr. Jones please come get your child
Cause he's writin' mad poems and his verses are wild"
I was born in Mississippi
I was young and runnin' wild
Moved to New York City
Where I had my first child
I named the boy Nasir
All the boys call him Nas
I told him as a youngster
He'll be the greatest man alive
Greatest man
The great-greatest man alive (tell 'em)
Hey-hey-hey my poppa was not a rollin' stone
He been around the world blowin' his horn, still he came home
Then he got grown, changed his name to Olu
Come on, tell 'em 'bout all the places you gone to
I been to Saudi Arabia, Mozambique (yeah)
Madagascar, Paris, Greece (uh huh)
But little Africa is where we live (yeah)
Better known as Queenbridge
Nas, Nas you don't stop
Olu Dara in the house, you don't stop
Muddy Waters' Howling Wolf you don't stop
From the Blues to Street Hop you don't stop
Tell 'em Pop
See I come from Mississippi (let 'em know)
I was young and runnin' wild (runnin' wild)
Ended up in New York City (yeah)
Where I had my first child (that's me)
I named the boy Nasir (yeah, Daddy)
All the boys call him Nas (luh ya, boy)
I told him as a youngster
He'll be the greatest man alive (you the greatest, Pop)
Greatest man alive (you the greatest, Pop)
Gre-gre-gre-gre-greatest man alive
Rest In Peace Ray Charles
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More Featured Meanings
Mountain Song
Jane's Addiction
Jane's Addiction
I Can't Go To Sleep
Wu-Tang Clan
Wu-Tang Clan
This song is written as the perspective of the boys in the street, as a whole, and what path they are going to choose as they get older and grow into men. (This is why the music video takes place in an orphanage.) The seen, and unseen collective suffering is imbedded in the boys’ mind, consciously or subconsciously, and is haunting them. Which path will the boys choose? Issac Hayes is the voice of reason, maybe God, the angel on his shoulder, or the voice of his forefathers from beyond the grave who can see the big picture and are pleading with the boys not to continue the violence and pattern of killing their brothers, but to rise above. The most beautiful song and has so many levels. Racism towards African Americans in America would not exist if everyone sat down and listened to this song and understood the history behind the words. The power, fear, pleading in RZA and Ghostface voices are genuine and powerful. Issac Hayes’ strong voice makes the perfect strong father figure, who is possibly from beyond the grave.
No Surprises
Radiohead
Radiohead
Same ideas expressed in Fitter, Happier are expressed in this song. We're told to strive for some sort of ideal life, which includes getting a good job, being kind to everyone, finding a partner, getting married, having a couple kids, living in a quiet neighborhood in a nice big house, etc. But in Fitter, Happier the narrator(?) realizes that it's incredibly robotic to live this life. People are being used by those in power "like a pig in a cage on antibiotics"--being pacified with things like new phones and cool gadgets and houses while being sucked dry. On No Surprises, the narrator is realizing how this life is killing him slowly. In the video, his helmet is slowly filling up with water, drowning him. But he's so complacent with it. This is a good summary of the song. This boring, "perfect" life foisted upon us by some higher powers (not spiritual, but political, economic, etc. politicians and businessmen, perhaps) is not the way to live. But there is seemingly no way out but death. He'd rather die peacefully right now than live in this cage. While our lives are often shielded, we're in our own protective bubbles, or protective helmets like the one Thom wears, if we look a little harder we can see all the corruption, lies, manipulation, etc. that is going on in the world, often run by huge yet nearly invisible organizations, corporations, and 'leaders'. It's a very hopeless song because it reflects real life.
Just A Little Lovin'
Dusty Springfield
Dusty Springfield
I don't think it's necessarily about sex. It's about wanting to start the day with some love and affection. Maybe a warm cuddle. I'm not alone in interpreting it that way! For example:
"'Just a Little Lovin’ is a timeless country song originally recorded by Eddy Arnold in 1954. The song, written by Eddie Miller and Jimmy Campbell, explores the delicate nuances of love and showcases Arnold’s emotive vocals. It delves into the universal theme of love and how even the smallest gesture of affection can have a profound impact on our lives." https://oldtimemusic.com/the-meaning-behind-the-song-just-a-little-lovin-by-eddy-arnold/
American Town
Ed Sheeran
Ed Sheeran
Ed Sheeran shares a short story of reconnecting with an old flame on “American Town.” The track is about a holiday Ed Sheeran spends with his countrywoman who resides in America. The two are back together after a long period apart, and get around to enjoying a bunch of fun activities while rekindling the flames of their romance.
I love this song - its a really great collaboration with Nas' dad. It sort of reminds me of December 4th by Jay-Z.