[a-plus]
Hieroglyphics baby
Yeah, yeah!

[a-plus]
Yo, we delicate precision I erect the prison
Make you respect the wisdom
Man I’m chillin’ with these checks I’m gettin’
Cashola when I raps over tracks, yo I mack
Just to break a ho back, we spin that ass over
Stop hatin’ before my dogs mash on ya
Niggas claimin’ they ballers they can’t even sack dosia
No model chicks, just a trick, some wack (bova? )
No range rover just a moped and a crashed nova
Y’all speak hard but then you leave scarred
When you see my deep squad it mean you fi’n to meet god
Is you a retard, it get heavy when pleas start
Snatch your weak broad then we playin’ leapfrog

[tajai]
Yeah we sometimes explicit
Never complicit, bust it
I gets busy usin’ the arts of mystics
Break the shit down then I start to twist it
Blow it, into the wind
When I touch the microphone it’s a win-win, situation
You placed in I’m goin’ for the ball
It’s all about concentration and placement
Boxin’ niggas out rockin’ any house
Any time, any where, any how, nigga feel me now?
Phenomenon, for the mash on the feminine
Off the sour mash cobwebs in my calabash
Blast on you scalawags
Then I’ll blow up some power plants
Don’t have to ask you yo how was that

[chorus: tajai]
Yeah we inter-continental
Multiple mentals, possessive of all essentials
Movin’ on you minstrels
Man this what we off in to
This what we was meant to do
Uh yeah we inter-continental
Ballistic missile
Melt bones, flesh and gristle
Put away your pistol
Cause you gon’ feel us when we hit you
Nigga we the hiero crew, marks

[casual]
Ay,
They ain’t got the heart to battle us
Our challengers stay talentless
I’m imbalanced fuckin’ (funabulous? )
No need to counteract you counter-attack us you’re kinda wack
Engaged in static with the lymphatic pimp at it
Large and the thought you was still swift at it rhythmatic
With hard shit
Wordsmith versatile while jewel of the nile style
’ll get you buried
They see your picture when they get your obituary
You scary-ass low-class ho-ass nigga
Broke-ass nigga you don’t know cash, nigga

[opio]
Aw yeah
I’m like side street high speedin’
Sharp turnin’
Rack and pinion steering veerin’ towards the curb &
Police runnin’, machine-gunnin’
Gasoline mark fuhrman, start burnin’, leave nothin’
No evidence just dead presidents
The fed’s nemesis treacherous evil residents
Who got weapons with scopes on ’em op’ squash it
They deep as the exorcist tryin’ to cause a closed coffin
Man I’m on a mic show stoppin’
Like a loaned shotgun
The rest are so monotonous
Pseudo-scientific but you know hiero’s infinite
Fuck a diamond I dominate concentrate

[chorus: tajai]
Yeah we inter-continental
Meditated mind state balanced mental
Movin’ on you minstrels
Mashin’ on the instrumental
Man that’s what we meant to do
Uh, yeah we inter-continental
Ballistic missile
Melt bones, flesh and gristle
You ain’t fi’n to feel shit when we hit you
We into you, this is the hiero crew, marks

[phesto dee]
Yeah it’s metal gear for the track layer
Sword blaze your vertebaes up
Swing my laser like a space-age sensei
The suckers sashe
Backfire on the messiah
It’s quick draw
Rapid fire through your rap attire
I side-saddle ya
Sciatica straddle your automatics
Dazzled ’em with fabulous force that’s haphazardous
Third-rail ya taggers with flow, hell daggers
I nailed raymond, you frail baggage
A stale package
Sharp hatchet here’s johnny
Lyrics (rally? )
Draw down like salvador dali
Out the drawer to the hollies
Snatchin’ bodies clowns get cracked up at the colli
Like niggas tryin’ to 720 wind mill into our alley

[pep love]
It was written in the stone tablets
Hieroglyphics rippin’ microphones savage
Puttin’ imperium on the map bitch
Niggas be lettin’ they lips flap
Speakin’ on my crew in front the hoes
Dude, what kinda shit’s that?
You bound to get slapped
Car-jacked and pistol smacked
And get your bitch kidnapped
And I don’t even get down like that
But word get around quick
Guess you wanna hear me spit some town shit
Nah I got a different style, in the 99th percentile
While you tryin’ to get down I been down with real niggas
That will make you wig-wiggle
While I’m gigglin’ stickin’ ya chick with the dill pickle,
You feel that?

[chorus: tajai]
We inter-continental
You corny niggas always tracin’ usin’ stencils
Mash you mentals
I hope you got full-dental
Nigga this the hiero crew, marks
Yeah we inter-continental
Ballistic missle
Melt bones, flesh and gristle
Movin’ on you minstrels
Mashin’ on the instrumental
Nigga this the hiero crew, marks!



Lyrics submitted by greco_punk

The Interrogation song meanings
Add Your Thoughts

0 Comments

sort form View by:
  • No Comments

Add your thoughts

Log in now to tell us what you think this song means.

Don’t have an account? Create an account with SongMeanings to post comments, submit lyrics, and more. It’s super easy, we promise!

More Featured Meanings

Album art
Son Şansın - Şarkı Sözleri
Hayalperest
This song seemingly tackles the methods of deception those who manipulate others use to get victims to follow their demands, as well as diverting attention away from important issues. They'll also use it as a means to convince people to hate or kill others by pretending acts of terrorism were committed by the enemy when the acts themselves were done by the masters of control to promote discrimination and hate. It also reinforces the idea that these manipulative forces operate in various locations, infiltrating everyday life without detection, and propagate any and everywhere. In general, it highlights the danger of hidden agendas, manipulation, and distraction, serving as a critique of those who exploit chaos and confusion to control and gain power, depicting a cautionary tale against falling into their traps. It encourages us to question the narratives presented to us and remain vigilant against manipulation in various parts of society.
Album art
Mountain Song
Jane's Addiction
Jane's Addiction vocalist Perry Farrell gives Adam Reader some heartfelt insight into Jane’s Addiction's hard rock manifesto "Mountain Song", which was the second single from their revolutionary album Nothing's Shocking. Mountain song was first recorded in 1986 and appeared on the soundtrack to the film Dudes starring Jon Cryer. The version on Nothing's Shocking was re-recorded in 1988. "'Mountain Song' was actually about... I hate to say it but... drugs. Climbing this mountain and getting as high as you can, and then coming down that mountain," reveals Farrell. "What it feels to descend from the mountain top... not easy at all. The ascension is tough but exhilarating. Getting down is... it's a real bummer. Drugs is not for everybody obviously. For me, I wanted to experience the heights, and the lows come along with it." "There's a part - 'Cash in now honey, cash in Miss Smith.' Miss Smith is my Mother; our last name was Smith. Cashing in when she cashed in her life. So... she decided that, to her... at that time, she was desperate. Life wasn't worth it for her, that was her opinion. Some people think, never take your life, and some people find that their life isn't worth living. She was in love with my Dad, and my Dad was not faithful to her, and it broke her heart. She was very desperate and she did something that I know she regrets."
Album art
Mountain Song
Jane's Addiction
Jane's Addiction vocalist Perry Farrell gives Adam Reader some heartfelt insight into Jane’s Addiction's hard rock manifesto "Mountain Song", which was the second single from their revolutionary album Nothing's Shocking. Mountain song was first recorded in 1986 and appeared on the soundtrack to the film Dudes starring Jon Cryer. The version on Nothing's Shocking was re-recorded in 1988. "'Mountain Song' was actually about... I hate to say it but... drugs. Climbing this mountain and getting as high as you can, and then coming down that mountain," reveals Farrell. "What it feels to descend from the mountain top... not easy at all. The ascension is tough but exhilarating. Getting down is... it's a real bummer. Drugs is not for everybody obviously. For me, I wanted to experience the heights, and the lows come along with it." "There's a part - 'Cash in now honey, cash in Miss Smith.' Miss Smith is my Mother; our last name was Smith. Cashing in when she cashed in her life. So... she decided that, to her... at that time, she was desperate. Life wasn't worth it for her, that was her opinion. Some people think, never take your life, and some people find that their life isn't worth living. She was in love with my Dad, and my Dad was not faithful to her, and it broke her heart. She was very desperate and she did something that I know she regrets."
Album art
I Can't Go To Sleep
Wu-Tang Clan
This song is written as the perspective of the boys in the street, as a whole, and what path they are going to choose as they get older and grow into men. (This is why the music video takes place in an orphanage.) The seen, and unseen collective suffering is imbedded in the boys’ mind, consciously or subconsciously, and is haunting them. Which path will the boys choose? Issac Hayes is the voice of reason, maybe God, the angel on his shoulder, or the voice of his forefathers from beyond the grave who can see the big picture and are pleading with the boys not to continue the violence and pattern of killing their brothers, but to rise above. The most beautiful song and has so many levels. Racism towards African Americans in America would not exist if everyone sat down and listened to this song and understood the history behind the words. The power, fear, pleading in RZA and Ghostface voices are genuine and powerful. Issac Hayes’ strong voice makes the perfect strong father figure, who is possibly from beyond the grave.
Album art
Amazing
Ed Sheeran
Ed Sheeran tells a story of unsuccessfully trying to feel “Amazing.” This track is about the being weighed down by emotional stress despite valiant attempts to find some positivity in the situation. This track was written by Ed Sheeran from the perspective of his friend. From the track, we see this person fall deeper into the negative thoughts and slide further down the path of mental torment with every lyric.