This is about bronies. They communicate by stomping.
Gave in again
The bastard
Can't keep refusing rights
So he'll loan the cash
But the sin
Is on the hands of you
So to care or
Plead silence, weak hands are calling
There's close enough
And there's too far
It won't change an empty stare
But I can't seem to end
These images
Hauntingly looks like hell
So to care or
Plead silence, weak hands are calling
Come, enter the foreign.
Face, all that's shameful.
Cheat, may the past find
Out, separating
So to care or
Plead silence, weak hands are calling
The bastard
Can't keep refusing rights
So he'll loan the cash
But the sin
Is on the hands of you
So to care or
Plead silence, weak hands are calling
There's close enough
And there's too far
It won't change an empty stare
But I can't seem to end
These images
Hauntingly looks like hell
So to care or
Plead silence, weak hands are calling
Come, enter the foreign.
Face, all that's shameful.
Cheat, may the past find
Out, separating
So to care or
Plead silence, weak hands are calling
Lyrics submitted by pearljam79, edited by Tearadon
Panic Prone Lyrics as written by Peter Loeffler Joseph Loeffler
Lyrics © Warner Chappell Music, Inc.
Lyrics powered by LyricFind
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Bron-Y-Aur Stomp
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Yo La Tengo
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This song was originally written by a guy called Peter Gutteridge. He was one of the founders of the "Dunedin Sound" a musical scene in the south of New Zealand in the early 80s. From there it was covered by "The Clean" one of the early bands of that scene (he had originally been a member of in it's early days, writing a couple of their best early songs). The Dunedin sound, and the Clean became popular on american college radio in the mid to late 80s. I guess Yo La Tengo heard that version.
Great version of a great song,
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This song is written as the perspective of the boys in the street, as a whole, and what path they are going to choose as they get older and grow into men. (This is why the music video takes place in an orphanage.) The seen, and unseen collective suffering is imbedded in the boys’ mind, consciously or subconsciously, and is haunting them. Which path will the boys choose? Issac Hayes is the voice of reason, maybe God, the angel on his shoulder, or the voice of his forefathers from beyond the grave who can see the big picture and are pleading with the boys not to continue the violence and pattern of killing their brothers, but to rise above. The most beautiful song and has so many levels. Racism towards African Americans in America would not exist if everyone sat down and listened to this song and understood the history behind the words. The power, fear, pleading in RZA and Ghostface voices are genuine and powerful. Issac Hayes’ strong voice makes the perfect strong father figure, who is possibly from beyond the grave.
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This song Is about those children we see on T.V. all the time and people are trying to get us to send In money to help them out. This could explain the "bastard". This Is part of an interview with Sam that explains It.
"KNAC.COM: I wanted to ask you about “Panic Prone.” LOEFFLER: “Panic Prone” is an interesting song because I’ve just recently learned what it’s about. Pete was watching television and one of those commercials came on, ‘Save the Children’ commercials. That song is about making a decision whether you’re going to sit on your couch and watch this happen or you’re going to stand up and do something about it. That song isn’t about if you should or shouldn’t do it, its’ just about – Are you going to do it? Is this my problem? I was really surprised that it was about that. I think one of the lines is actually about one of our friend’s falling off the wagon, too. I think the first line might be about that."