Jane's Addiction vocalist Perry Farrell gives Adam Reader some heartfelt insight into Jane’s Addiction's hard rock manifesto "Mountain Song", which was the second single from their revolutionary album Nothing's Shocking. Mountain song was first recorded in 1986 and appeared on the soundtrack to the film Dudes starring Jon Cryer. The version on Nothing's Shocking was re-recorded in 1988.
"'Mountain Song' was actually about... I hate to say it but... drugs. Climbing this mountain and getting as high as you can, and then coming down that mountain," reveals Farrell. "What it feels to descend from the mountain top... not easy at all. The ascension is tough but exhilarating. Getting down is... it's a real bummer. Drugs is not for everybody obviously. For me, I wanted to experience the heights, and the lows come along with it."
"There's a part - 'Cash in now honey, cash in Miss Smith.' Miss Smith is my Mother; our last name was Smith. Cashing in when she cashed in her life. So... she decided that, to her... at that time, she was desperate. Life wasn't worth it for her, that was her opinion. Some people think, never take your life, and some people find that their life isn't worth living. She was in love with my Dad, and my Dad was not faithful to her, and it broke her heart. She was very desperate and she did something that I know she regrets."
Well, I had the carburetor, baby, cleaned and checked
With her line blown out she's hummin' like a turbojet
Propped her up in the backyard on concrete blocks
For a new clutch plate and a new set of shocks
Took her down to the carwash, check the plugs and points
Well, I'm goin' out tonight, I'm gonna rock that joint
Early north Jersey industrial skyline
I'm a all-set cobra jet creepin' through the nighttime
Gotta find a gas station, gotta find a pay phone
This turnpike sure is spooky at night when you're all alone
Gotta hit the gas, baby, I'm running late
This New Jersey in the mornin' like a lunar landscape
Now the boss don't dig me, so he put me on the night shift
It takes me two hours to get back to where my baby lives
In the wee wee hours your mind gets hazy
Radio relays towers, won't you lead me to my baby?
Underneath the overpass, trooper hits his party light switch
Good night, good luck, one, two power shift
I met Wanda when she was employed
Behind the counter at the Route 60 Bob's Big Boy
Fried chicken on the front seat, she's sitting in my lap
We're wiping our fingers on a Texaco road map
I remember Wanda up on scrap metal hill
With them big brown eyes that make your heart stand still
Woo-hoo, woo!
Ha!
C'mon now, hey
Well at five A.M. oil pressure's sinking fast
I make a pit stop, wipe the windshield, check the gas
Gotta call my baby on the telephone
Let her know that her daddy's coming on home
Sit tight, little mama, I'm a-coming 'round
I got a-three more hours but I'm covering ground
Your eyes get itchy in the wee wee hours
Sun's just a red ball rising over them refinery towers
Radio's jammed up with gospel stations
Lost souls calling long distance salvation
Hey mister deejay won't you hear my last prayer?
Hey ho rock 'n roll deliver me from nowhere
Hey da da di da, di da da
Oh hey da da di da, di da da
Oh hey da da di da, di da da
Oh hey da da
With her line blown out she's hummin' like a turbojet
Propped her up in the backyard on concrete blocks
For a new clutch plate and a new set of shocks
Took her down to the carwash, check the plugs and points
Well, I'm goin' out tonight, I'm gonna rock that joint
Early north Jersey industrial skyline
I'm a all-set cobra jet creepin' through the nighttime
Gotta find a gas station, gotta find a pay phone
This turnpike sure is spooky at night when you're all alone
Gotta hit the gas, baby, I'm running late
This New Jersey in the mornin' like a lunar landscape
Now the boss don't dig me, so he put me on the night shift
It takes me two hours to get back to where my baby lives
In the wee wee hours your mind gets hazy
Radio relays towers, won't you lead me to my baby?
Underneath the overpass, trooper hits his party light switch
Good night, good luck, one, two power shift
I met Wanda when she was employed
Behind the counter at the Route 60 Bob's Big Boy
Fried chicken on the front seat, she's sitting in my lap
We're wiping our fingers on a Texaco road map
I remember Wanda up on scrap metal hill
With them big brown eyes that make your heart stand still
Woo-hoo, woo!
Ha!
C'mon now, hey
Well at five A.M. oil pressure's sinking fast
I make a pit stop, wipe the windshield, check the gas
Gotta call my baby on the telephone
Let her know that her daddy's coming on home
Sit tight, little mama, I'm a-coming 'round
I got a-three more hours but I'm covering ground
Your eyes get itchy in the wee wee hours
Sun's just a red ball rising over them refinery towers
Radio's jammed up with gospel stations
Lost souls calling long distance salvation
Hey mister deejay won't you hear my last prayer?
Hey ho rock 'n roll deliver me from nowhere
Hey da da di da, di da da
Oh hey da da di da, di da da
Oh hey da da di da, di da da
Oh hey da da
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This song is written as the perspective of the boys in the street, as a whole, and what path they are going to choose as they get older and grow into men. (This is why the music video takes place in an orphanage.) The seen, and unseen collective suffering is imbedded in the boys’ mind, consciously or subconsciously, and is haunting them. Which path will the boys choose? Issac Hayes is the voice of reason, maybe God, the angel on his shoulder, or the voice of his forefathers from beyond the grave who can see the big picture and are pleading with the boys not to continue the violence and pattern of killing their brothers, but to rise above. The most beautiful song and has so many levels. Racism towards African Americans in America would not exist if everyone sat down and listened to this song and understood the history behind the words. The power, fear, pleading in RZA and Ghostface voices are genuine and powerful. Issac Hayes’ strong voice makes the perfect strong father figure, who is possibly from beyond the grave.
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Nebraska is one of those loved and respected albums but that does not mean is one you will listen to frequently, well at least for me that's how it works, I'll only listen to State Trooper when I'm on the road, I remember once I'd got nightmares for Nebraska and State Trooper the very same night!!!
'Deliver me from nowhere' is one of the best lines ever written in rock music, and of course it'll give you chills, I'm speaking for myself, but this line had already had a true meaning in my life: Bruce´s music had delivered me from nowhere.
I'm a 'new' Bruce's fan also but I heard someone said time ago that the main characters on OAN actually could be the same ones of Nebraska. In OAN they will be having some fun before or even after they comitted the crimes, just another interpretation, but what I really like about Nebraska is that you can actually link the stories and the characters, magnificent idea from Thesmellyone, to connect both OAN and ST characters on the turnpike!!!