This song is timeless, and nearly 20 years after its creation, still possesses the mystique it did the first time i heard it ~1994. To me, at first blush, all those years ago, it had some kind of homo-erotic allure. The line "so that the others may do" tells of something which must be done for others to follow suit. It felt like like some kind of roxy-glam-pop invitation to sexual liberation.
Upon further introspection I think the song may not have an intrinsic meaning, but simply represents a sort of "holding open the door" for people who otherwise might be affronted by this song/band's unusual style. I know, as a sort of armchair rock-historian, that there have been few bands so daring and so true to the sound that wanted to emerge from within, whether the creator wanted it or not. This band handled it with elegance and grace seldom, if ever, seen.
There's a place your mother goes
When everybody else is soundly sleeping
Through the lights of beacon street
And if you listen you can hear her weeping
She's weeping
'Cause the gentlemen are calling
And the snow is softly falling
On her petticoats
And she's standing in the harbor
And she's waiting for the sailors
In the jolly boat
See how they approach?
With dirty hands and trousers torn
They grapple 'til she's safe within their keeping
A gag is placed between her lips
To keep her sorry tongue from any speaking
Or screamin'
And they row her out to packets
Where the sailor's sorry racket
Calls for maidenhead
And she's scarce above the gunwales
When her clothes fall to a bundle
And she's laid in bed
On the upper deck
And so she goes from ship to ship
Her ankles clasped, her arms so rudely pinioned
'Til at last she's satisfied
The lot of the marina's teeming minions
In their opinions
And they tell her not to say a thing
To cousin, kindred, kith or kin
Or she'll end up dead
And they throw her thirty dollars
And return her to the harbor
Where she goes to bed
And this is how your fed
So be kind to your mother
Though she may seem an awful bother
And the next time she tries to feed you collard greens
Remember what she does when you're asleep
Remember what she does when you're asleep
When everybody else is soundly sleeping
Through the lights of beacon street
And if you listen you can hear her weeping
She's weeping
'Cause the gentlemen are calling
And the snow is softly falling
On her petticoats
And she's standing in the harbor
And she's waiting for the sailors
In the jolly boat
See how they approach?
With dirty hands and trousers torn
They grapple 'til she's safe within their keeping
A gag is placed between her lips
To keep her sorry tongue from any speaking
Or screamin'
And they row her out to packets
Where the sailor's sorry racket
Calls for maidenhead
And she's scarce above the gunwales
When her clothes fall to a bundle
And she's laid in bed
On the upper deck
And so she goes from ship to ship
Her ankles clasped, her arms so rudely pinioned
'Til at last she's satisfied
The lot of the marina's teeming minions
In their opinions
And they tell her not to say a thing
To cousin, kindred, kith or kin
Or she'll end up dead
And they throw her thirty dollars
And return her to the harbor
Where she goes to bed
And this is how your fed
So be kind to your mother
Though she may seem an awful bother
And the next time she tries to feed you collard greens
Remember what she does when you're asleep
Remember what she does when you're asleep
Lyrics submitted by Hunter, edited by antiaverage, AbuDun
A Cautionary Song Lyrics as written by Colin Meloy
Lyrics © BMG Rights Management
Lyrics powered by LyricFind
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But maybe the genius of the song is neither in what someone above called the courage to speak plainly about rape and prostitution, nor in the brilliant fabrication to scare / guilt a child into compliance.
We all, at some point, do (and feel compelled to do) things we'd rather not. Whether it's an alarm clock at 330am or getting dressed up for an event we'd rather miss ... we prostitute ourselves, sooner or later, in bigger or smaller ways. And we tend to think quite highly of ourselves, a bit of holy aura over our 'victimization' and of the suffering we accept "for the greater good."
Perhaps the comedy of this song is buried a little deeper -- a gently mockery, a reminder we should not take our own suffering too seriously or pat ourselves on the back too generously ...
I found the song brilliant, one of the thirty or so best I've heard this decade.