"Fast car" is kind of a continuation of Bruce Springsteen's "Born to Run." It has all the clawing your way to a better life, but in this case the protagonist never makes it with her love; in fact she is dragged back down by him.
There is still an amazing amount of hope and will in the lyrics; and the lyrics themselve rank and easy five. If only music was stronger it would be one of those great radio songs that you hear once a week 20 years after it was released. The imagery is almost tear-jerking ("City lights lay out before us", "Speeds so fast felt like I was drunk"), and the idea of starting from nothing and just driving and working and denigrating yourself for a chance at being just above poverty, then losing in the end is just painful and inspiring at the same time.
Met the Ghost of Stephen Foster at the Hotel Paradise
This is what I told him as I gazed into his eyes
Rooms were made for carpets
Towers made for spires
Ships were made for cannonade fire off from inside them
Gwine to run all night, gwine to run all day
Camptown ladies never sang all the doo dah day no, no, no
Gwine to run all night, gwine to run all day
Camptown ladies never sang all the doo dah day no, no, no
Met the Ghost of Stephen Foster at the Hotel Paradise
This is what I told him as I gazed into his eyes
Ships were made for sinking
Whiskey made for drinking
If we were made of cellophane
We'd all get stinking drunk quite faster
Gwine to run all night, gwine to run all day
Camptown ladies never sang all the doo dah day no, no, no
Gwine to run all night, gwine to run all day
Camptown ladies never sang all the doo dah
This is what I told him as I gazed into his eyes
Rooms were made for carpets
Towers made for spires
Ships were made for cannonade fire off from inside them
Gwine to run all night, gwine to run all day
Camptown ladies never sang all the doo dah day no, no, no
Gwine to run all night, gwine to run all day
Camptown ladies never sang all the doo dah day no, no, no
Met the Ghost of Stephen Foster at the Hotel Paradise
This is what I told him as I gazed into his eyes
Ships were made for sinking
Whiskey made for drinking
If we were made of cellophane
We'd all get stinking drunk quite faster
Gwine to run all night, gwine to run all day
Camptown ladies never sang all the doo dah day no, no, no
Gwine to run all night, gwine to run all day
Camptown ladies never sang all the doo dah
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Stephen Foster was the first American songwriter to actually make a living off of his songs... so it seems fitting first of all for modern songwriters to mention him in their music; they owe him a lot really.
But the appearance of "Camptown Races" in a minor key and the lyrics surrounding it imply a chastising tone... what I instantly think of regarding this is that Foster wrote minstrel tunes, and while he worked hard to depict a different (better, more humane) image of blacks than the songs of the day did, he was rather naive about slavery (he only visited the Deep South once, after all). He never really was able to show the suffering the slaves endured in his music, for which he has been criticised. The lyrics in this song indicate that the speaker is telling the ghost of Stephen Foster essentially "how it is" and that's why it reminds me of that criticism.
The reference to whiskey ("whiskey made for drinking") refers to Stephen Foster's problem with alcoholism after he and his wife separated. Since he was trying to drown out his worries with alcohol, the song says "if we were made of cellophane we'd all get stinking drunk much faster" - like "too bad you couldn't just absorb the alcohol straight into your body, it'd be easier..."
I like the dark harmonies and minor chords; after all, Foster's life was not happy like many of his songs depicted happy, carefree lives. His death was incredibly tragic - he died at the age of 38 after gashing his face on a broken wash basin.
My question is, why is the hotel called the "Hotel Paradise"? Foster was living at the American Hotel when he had his accident... maybe it's some kind of subtle irony... America/paradise... who knows.
'Hotel Paradise' seems to imply a double meaning on the fact that he died in a hotel and the afterlife. So perhaps his afterlife takes place in a hotel in some sort of cosmic irony, or just a hotel called Paradise would serve as a nexus between the two.<br /> I'm curious as to why the pairs in the first verse are reversed. I would more think carpets are made for rooms, spires are made for towers, and cannons are made for ships.. There's something hidden in that, but I can't quite bring it to the surface.<br /> One thing I did note was the pairing up of 'whiskey made for drinking' as was pointed out earlier, and 'ships are made for sinking', implying the two are acts of disaster. To build a boat just to sink it being a road to self-destruction just as overdrinking. So perhaps the reversal in the first and the juxtaposition in the second are related somehow?
eowynne: Thanks for the one substantial posting here that offers actual thoughts as to what the song means.<br /> <br /> It's strange how, at a site called "songmeanings.net", most postings fail to reflect actual ruminations on song meanings.<br /> <br /> Anyway, thanks again. You made lots of good, historically founded, connections here. I think I'll see what else you've written.
First off, looks like I owe an apology to GradiustheFox: He/She also posted something substantial!<br /> <br /> That's really great, noticing the reversal of causalty in that first list. I have a thought about that.<br /> <br /> At one level, it's just crazy, which adds to the sense of the song's general dalliance with unhingedness.<br /> <br /> At another level, it reminds me of the Hindu "maya"; the veil of illusion. The idea that carpets are made for rooms is part of that illusion: The illusion that "rooms" are real things that might need other real things, like "carpets". Reversing this serves to rip the veil off, revealing the truth that "carpets" and "rooms" are something we fabricate in order to continue the drama. The reality is that nothing is real. Putting this in a more down-to-earth way, it's sort of the curmudgeons' revelation that, in a way, it's all a scam put on by The Man to lend comforting order to the hoi polloi. In a funny sort of way, rooms are created so that the carpet salesman can put food on the table for his family.<br /> <br /> Again, thanks so much for raising this point!
@GradiustheFox<br /> <br /> The singer is mocking Foster with every breath. Every line is either making fun of him or ridiculing his work. "Camptown ladies never sang all the doo dah day" because they were slaves.<br /> <br /> I interpreted the verse with rooms being made for carpets as cutting through the BS that Foster was famous for in his career. Foster would touch on difficult subjects but constantly created a rosy view of the world instead of being real. The line about the room is also said because Stephen Foster met his death in his hotel room, having tripped on a carpet into a wash basin. <br /> <br /> The singer is telling Stephen Foster how the real world works. Rooms were made for carpets, because carpets are comforting and that is the purpose of a room. Towers are made for spires because the purpose of the tower is to defend a castle. Ships are made for cannonade to fire off from inside 'er because the ship is made for war. Camptown ladies didn't sing all day because they were slaves. In the second verse Whiskey is made for drinking in the same way ships are made for sinking. Ships are made to fire cannons, not to sink. So whiskey isn't made for drinking, because you'll end up slashing your throat open in a hotel room. Cellophane allows alcohol to pass through by osmosis, so if we were made of cellophane we wouldn't even have to drink to get drunk.<br /> <br /> The whole song is using Stephen Foster's style to mock him and his work because Stephen Foster was a bit of a jerk.
I was listening to a bunch of Squirrel Nut Zippers CDs the other day to cheer myself up, and for the first time the probable true meaning of this song struck me, and I was like, "Holy crap...". This song isn't just a fun, weird, fantasy romp.
The thing that opened my eyes is the extremely Yiddish sound of the fiddle portions of the song, something not typical for the Zippers. While I think that eowynne is right that the song can be interpreted as commentary on the plight of African Americans at Stephen Foster's time, and Foster's lack of acknowledgment of this, I think "Camptown ladies never sang all the doo dah day, no, no, no" really refers to the ladies of Jewish death camps circa WWII.
"Gwine to run all night / Gwine to run all day" then appropriates the black vernacular to refer to Jews having to run to escape from the Nazis.
I just realized right now that "If we were made of cellophane, we'd all get stinking drunk quite faster, ha, ha, ha" most likely refers to starved interned Jews' skin becoming as thin as cellophane (I think I've heard that phrase used before in that context), and its certainly true that you would get stinking drunk a lot faster with such low body weight and a long-empty stomach.
"The Hotel Paradise" refers to meeting Stephen Foster in heaven.
The rest of the lyrics are fairly obscure to me, but "Rooms were made for carpets" could certainly mean that only carpets and the like should be locked up in rooms, not humans. "Towers made for spires" could mean they should be used for decoration rather than as internment camp guard towers. (Also, "Ships were made for sinking" could refer to the deserved sinking of Nazi ships during WWII combat, but that one may be a stretch.)
Further evidence for this interpretation is the tolling bell, shortwave radio whistle, and terrifying bass bowed strings that open the song before the Yiddish music comes in.
I'm pretty sure I'm one of the only people to realize what this song is really about. (I haven't seen the music video in a long time, so not sure if there is any support for this interpretation in there, but probably whoever funded the video wouldn't have wanted to present a dark literal vision for such a catchy song.)
Thank you, SNZ, for writing such an amazing song -- stealth political / humanitarian commentary songs are so much more affecting than the typical wear-it-on-your-sleeve ones.
Dan Harkless harkless.org/dan/
@Dan Harkless The song is mocking Stephen Foster's work and his life because he was a racist. You're reading too far into it.
I didn't know the name Stephen Foster until this song(though I did hear his compositions quite often, like most everybody). I'm intrigued by the Camptown Ladies reference and the dismissive "no no no" that follows. It seems to be saying that there's something inherently dishonest about Foster's work.
I think the other comments here do a better job than I would at exploring that further, so I'll only add that the music video is a parody of the Betty Boop cartoon Minnie the Moocher. It even has a send-up of the Cab Calloway intro.
oh my god..... i just can't sit down.... today i started to dance at the busstop. everybody must have thought i was crazy... but who cares? the song is great....
this song is awesome... but what does it mean? if anything? is this just a random song to get people hyped?
This song is about the American songwriter Stephen Foster. He's known for writing "Oh! Susana!" and "Camptown Races", the latter being referenced in this song with the lines "Camptown ladies never sang all the doo dah day no, no, no". (The famous chorus of Stephen Foster's song goes "De Camptown ladies sing dis song -- Doo-dah! doo-dah! De Camptown racetrack five miles long -- Oh! doo-dah day!") Mr. Foster's body was found outside of a hotel in Manhattan after his wife and children left him.
Anyways, this is an awesome song :)
One of my favorite songs. I wish I knew what each line was a reference to though, especially "if we were made of cellophane'"
@zephid cellophane allows liquids to pass through it. If we were made of cellophane we'd be able to absorb alcohol through our skin. Stephen Foster died because he was a drunk and tripped over a carpet into a glass bowl. The song is mocking him.